The Scarlet Pumpernickel

1950
7.3| 0h7m| NR| en| More Info
Released: 04 March 1950 Released
Producted By: Warner Bros. Pictures
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Budget: 0
Revenue: 0
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Daffy tries to sell movie studio head J.L. his script for a swashbuckler set in Merry Olde England, a plot involving a maiden in distress, a scheming Chamberlain, an evil Grand Duke and a dashing masked hero (to be played by Daffy, of course).

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Director

Chuck Jones

Production Companies

Warner Bros. Pictures

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The Scarlet Pumpernickel Audience Reviews

Diagonaldi Very well executed
TrueJoshNight Truly Dreadful Film
ThiefHott Too much of everything
Kimball Exactly the movie you think it is, but not the movie you want it to be.
Mightyzebra With TWO good themes carried off in a hilarious way, good characters chosen and a good plot, this Daffy Duck episode is pretty tough to beat! Yet another good thing about this episode, is the clever, brilliant mux-ip of the modern and the old Daffy Duck (this episode was made in 1950, when the new greedy, sly, mean Daffy Duck that most of us know was just starting to appear) and the choosing of so many Looney Tunes characters - including a new one! The episode begins with Daffy feeling hyperly angry and stressed at doing so much comedy and he has had the nerve and steel to write a script which focuses on a more serious theme - or as serious as Daffy can possibly be. The story is not the Scarlet Pimpernel - but the Scarlet Pumpernickel, as Daffy! Also appearing is Porky as the High Chamberlain and who seems to be a new character, a yellow duck, as the fair Melissa. She is to marry the Grand Duke, who is Sylvester, but she loves the Scarlet Pumpernickel, who is an outlaw. It's the start of a grand adventure, with good gags along the way...Good for people who like comedy versions of famous book people and good for people who want to watch Daffy's attempt at a more serious episode. Enjoy "The Scarlet Pumpernickel"! :-)
tavm In this one, Daffy plays himself as an actor tired of comedy roles so he pitches J.L. a script called "The Scarlet Pumpernickel" by Daffy Dumas Duck. The duck's the title character hoping to rescue the fair Melissa from the evil Porky Pig. The pig tries to get Sylvester to marry her to keep her from Daffy. Also involved is Elmer (done for the first time by Mel Blanc instead of Arthur Q. Bryan) and the Mama Bear from Chuck Jones' Three Bears cartoons. Nice humorous touches throughout with Daffy, especially, in fine form. I noticed Sylvester doesn't have any whiskers here. Essential viewing for any Jones fan or anyone who loves animated spoofs of old movies.
bob the moo Tired of being typecast in comedy-duck roles, Daffy pitches an adventure story to a studio executive. He tells the story of the Scarlet Pumpernickel, a gentleman bandit that befuddles the authorities, until, that is, the Lord Chamberlain devises a cunning plan to draw him out and trap him.This cartoon is a mix of period piece and studio-spoof; it starts and ends in the studio and has a vague Errol-Flynn tale in the middle. The main story is surprisingly unfunny and really could have used a great deal more spark to really make it enjoyable. As it is it only has a few gags, such is the time given to the array of characters and the frame of the plot. The studio set bits are quite funny due to the joke of how hard it is to sell the story, the idea that Daffy is a real actor worried about typecasting and the delivery of the duck himself - but these aren't enough to carry it.The cast are very good on paper, the problem is there are too many players. Daffy is funny in his twin roles as actor and character, but Porky is given too little time to really do anything. Likewise Sylvester is pretty much wasted. The feeling of an ensemble cast is not necessarily a good thing in a 4 minute long film - sometimes things need to be scaled down to be more effective.Despite the promise shown by the film, it tries to do too many things and the end result is that it doesn't do the main story or the studio stuff justice. If anything I was surprised by just how average this cartoon was!
Rikichi This cartoon starts out with Daffy Duck in J. L.'s (Jack L. Warner's) office pitching for a dramatic role. He's tired of having anvils drop on his head and never getting the girl. In his buildup of the proposed plot, he has J. L., and us, on the edge of our seats.This is not your typical Looney Tunes fair. It's a roller coaster ride of slapstick comedy, cameos and that special brand of humor from writer Michael Maltese, all beautifully animated by one of the best crews ever assembled. It's a welcome departure from the formulaic series that the Warner Bros. cartoon factory from this era did so well, but the recipe from this one was to be tried out again with great success in later Daffy Duck shorts (Duck Dodgers, Stupor Duck).