Cebalord Very best movie i ever watch

Jeanskynebu the audience applauded

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Robert J. Maxwell Peaceful Joel McRae is riding along minding his own business, stopping to share some water with his horse, when -- BANG -- the horse is killed and -- BANG -- McRae catches a bullet right in the retroperitoneal sac. Stunned, he falls, and sees a blurry image of a man emptying McRae's canteen on the ground. Right away, we know that there are some evildoers around.What follows is an ordinary but inoffensive Western with some unusual twists. McRae's wound heals overnight after he is picked up by a wagon train of honest, God fearing sons of the soil. Their leader, James Dobson, obviously a sneak because he wears the tumultuous mustache of a sneak and looks sneaky, is taking them to Bishop's Valley, prime cattle land owned by McRae's hot-headed, burly half brother, Barry Kelley. There is an ongoing feud between McRae and Kelley.It becomes clear that the wagon train's leader plans to start a range war between Kelley and the aspiring farmers. The goal is to have them kill each other off and take over the lot. Dobson is also in cahoots with the men who shot McRae and his horse, although it's not made clear why they did it.In any case, the plot gets twisted. There are myriad lies and misunderstandings. But a couple of things save the movie from abject mediocrity. Those couple of things include Virginia Mayo's generous bosom, for instance. Her neckline was pretty daring for the period. She was never a bravura actress but she was pretty and was good at tarty roles, as in "The Best Years of Our Lives" and "White Heat." Another redeeming feature is in the casting of traditional "bad guys" as good guys for a change. The brutish Leo Gordon is an island of sanity in the Bishop Ranch's higher echelon. Michael Pate, usually a vile Indian, is a sympathetic ranch hand with some medical talent. Michael Ansara is stuck with the role of the handsome, oily, treacherous Mexican villain, despite his Syrian ancestry. He's fine in the role, as long as he doesn't have to produce any extended utterances.And although I'm not a gun freak it's nice to see that the property department came up with Henry repeating rifles instead of the later Winchesters, this being the immediate aftermath of the Civil War. A minor thing, true, but it reflects at least a little care on someone's part. The fist fights are brutal and the bruises don't disappear from one scene to the next.That there is a final shoot out should come as no surprise, but the ending leaves a few loose ends. (Who gets the ranch?)

Spikeopath The Tall Stranger is directed by Thomas Carr and written for the screen by Christopher Knopf from a story by Louis L'Amour. It stars Joel McCrea, Virginia Mayo, Michael Ansara, George Neise, Whit Bissell, Adam Kennedy, Barry Kelley and Leo Gordon. A CinemaScope/De Luxe color production, film is filmed on location at two ranches in California, Morrison and Russell, with Wilfred M. Cline the cinematographer. Hans J. Salter scores the music. Plot sees McCrea as Ned Bannon, who has a run in with rustlers and left for dead. Luckily he is found in time by a wagon train heading for California. Nursed back to health, Ned becomes suspicious of two outsiders who are leading the group into a dead-end valley owned by his hostile half-brother. Ned must overcome family hostility to try and avert a range war from occurring.Solid mid 50's Oater boosted by the reliable McCrea and some dark shades within the writing. Running at just over 80 minutes, picture condenses enough old time punch ups and shootings into the story to stop the routine nature of the plotting dragging the pace down. There's even some messages in here to show the writers wanted something more than just a yeehaw production. Sadly the film is badly let down by the pan and scan process and the lifeless colour. There are very few reviews of the film about, but nobody makes mention of the bad print of the film? Certainly the current print doing the rounds for British TV is so bad it takes much away from the film. Cline's (The Last Wagon/The Indian Fighter) location photography is barely seen-is this really in CinemaScope?-and periphery characters are heard but chopped in half! Even the normally radiant Mayo looks washed out due to the tired looking De Luxe color. There's a half decent film in the mix, but even with the best of home cinema set ups to play with, it's nigh on impossible to fully immerse one self in the movie. 6/10

bkoganbing The final phase of Joel McCrea's career was spent at Allied Artists, the renamed Monogram Pictures, where he did a group of good B westerns. The Tall Stranger based on a Louis L'Amour novel is one of the best.McCrea spots some cattle rustling and is left for dead after being shot by one of the rustlers. He's found by members of a wagon train who nurse him back to health. But Joel's real suspicious of the leader of this train of ex-Confederates who is George Neise. They're looking to settle on land owned by Barry Kelley who is McCrea's half brother and who is estranged from McCrea over the Civil War.What Neise is looking to do is start a nice range war with Kelley and his plan is based on the fact that Kelley's a mean and hard-bitten old soul who shoots first and asks questions later. It's up to McCrea to keep things from boiling over. How successful he is, you'll have to see the film for.You won't be disappointed if you do see the film. Virginia Mayo is the woman with a small son, Phil Phillips, on the wagon train that Joel takes a hankering to. A very mean and cunning villain played by Michael Ansara also has a hankering for Mayo and he's not one to go about the usual courting procedures. Besides those already mentioned such western regulars as Ray Teal, Leo Gordon, Michael Pate, and Whit Bissell are in the cast. It's nice to see Leo Gordon in a role that doesn't call for him to be a mean psychopath. The Tall Stranger is a good fast paced western that fans of the genre and fans of Joel McCrea will definitely like.

Robin Moss "The Tall Stranger" is an enjoyable Cinemascope colour Western starring Joel McCrea. McCrea's work in Westerns is not as celebrated as that of John Wayne, Gary Cooper and James Stewart, but to connoisseurs, he is one of the masters of the genre. Like many of the movie "greats", McCrea never seemed to be acting - which is probably why he was underrated - but his face always let the audience know what his character was thinking. As with Gary Cooper, there was something about Joel McCrea that made him a "natural" for Westerns, even though his early work was in comedies and dramas.While on his way to see his estranged brother at the end of the civil war, Ned Bannon (Joel McCrea) is bushwhacked for no apparent reason by Zarata (Michael Ansara) and is left for dead. He is rescued and revived by settlers bound for California. The settlers are planning to pass through land owned by Ned's brother Hardy (Barry Kelley). Ned warns them that his brother will attack them and that there is no trail beyond anyway, but the settlers' leader Harper (George Neiss) dismisses his warnings. Even more mysteriously, Harper encourages the settlers not to proceed to California but to build their homes on Hardy's land. It it as though Harper wants a war between Hardy and the settlers, but why? "The Tall Stranger" tells its story briskly. The gun fights are noisy and the fist fights are savage. Very admirably, although many of the characters are good-natured, there is no sentimentality in the movie until suddenly, out of the blue, comes a moment of real sentimentality - and it works. It has real impact! Two of the settlers, a young woman (Virginia Mayo) and her son, have taken refuge with Ned in a barn owned by Hardy. Hardy is planning to ambush the settlers to drive them off his land. Ned tries to reason with him to no avail. He points to the woman and her son, and asks Hardy what threat are they to him. Hardy blusters that he did not invite them onto his land, and that he is going ahead with his intended massacre. The boy goes over to Hardy, looks up him with a child's trusting eyes and asks him why he hates them. Hardy looks down at the boy . . . . . and his face crumbles. It's outrageous! It's a blatant tug at our heart strings - and it works! It's the emotional high point of the movie."The Tall Stranger" has a strong cast. Unfortunately, Virginia Mayo as the love interest has a token female role which contributes nothing to the plot. For some reason, Virginia Mayo antagonised quite a few film-lovers in the 40s and 50s, but she was always a perfectly adequate and decorative leading lady, and is so here. The supporting cast is interesting because three actors who usually played villains in the 1950s, play likable characters in "The Tall Stranger". That most forceful actor, Leo Gordon, for once plays an out-and-out good guy: Hardy's loyal and sensible right hand man. Whit Bissell who normally played worms and weasels here plays a friendly and obliging settler - and does it well. Ray Teal who often played sly characters with dishonourable ulterior motives, plays an amiable and slightly simple settler. Only Michael Ansara, a regular villain in '50's movies, remains true to form. Zarata not only murders people: he tries rape as well."The Tall Stranger" is not a well-known film, and it is unlikely that it will make it onto DVD, but if it does, I will buy my copy immediately.