Tiger Bay

1959 "MURDER...enacted before the eyes of a little girl. She alone has the proof the police are searching for."
7.5| 1h45m| NA| en| More Info
Released: 01 March 1959 Released
Producted By: Independent Artists
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

In Tiger Bay, the docklands of Cardiff, rough-and-tumble street urchin Gillie witnesses the brutal killing of a young woman at the hands of visiting Polish sailor Korchinsky. Instead of reporting the crime to the authorities, Gillie merely pockets a prize for herself — Korchinsky's shiny black revolver — and flees the scene. When Detective Graham discovers that Gillie has the murder weapon, the fiery young girl weaves a web of lies to throw him off course.

Genre

Thriller, Crime

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Director

J. Lee Thompson

Production Companies

Independent Artists

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Tiger Bay Audience Reviews

UnowPriceless hyped garbage
BoardChiri Bad Acting and worse Bad Screenplay
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
PimpinAinttEasy Dear J.Lee Thompson,you did make a superb film every once in a while in what was a patchy career. Tiger Bay is one of those superb films.It starts off as a sort of a film of place. I liked the English port town filled with a mix of native British and Polish and Caribbean immigrants. With everyone living cooped up together in small flats and narrow spaces.Then it turns into a man and girl on the run film. The chemistry between Hayley Mills and Horst Buchholz really worked. Hayley Mill's performance is probably among the top ten ever by a child artist. Her calm and cunning demeanor is a perfect foil for Buchholz' intensity.The film is also a great crime thriller. There were a lot of interesting twists. The final scenes kept me on the edge of my seat.I liked how you made the viewer care for the murderer. I was rooting for him in the end.Best Regards, Pimpin.(8/10)
eigaeye There are a stack of good reasons for watching this movie: an extraordinary performance by the young Hayley Mills, in her first film; a solid storyline; deft direction by J. Lee Thompson; interesting Welsh locations; striking black and white photography; and a beautiful editing job. All good reasons. But the best reason, for me, is that the film depicts a warm, surprising relationship between a young man and a pre-teen girl, strangers until a chance meeting, that is not clouded or cloyed by hysterical and ugly suppositions of impropriety. It is hard to imagine this subject-matter being treated with such directness and vitality in a movie made today. The available DVD contains a brilliant transfer and fascinating commentary by Hayley Mills recorded in 2004. She has a lot to say about her co-star, the German actor, Horst Buchholz, who is terrific in the firm, and about working alongside John Mills, her father, who plays the investigating detective with his usual aplomb.
spotlightne I was disappointed when I watched this film again.I saw it when I was a kid but it doesn't stand up to the test of time.The relationship between the killer and the girl just wouldn't work now in modern cinema.In this their friendship is innocent (no pun intended), but I am sure if this film was remade, Hollywood would put a much sinister slant on it. It's unavoidable in a way. She's 11 and he's early 20s.The film drags on far too much, and when all is said and done there isn't much of a story. It's a disjointed film, uneven and boring in parts.I didn't like it much and couldn't wait for it to end. The bleak surroundings and black and white print didn't help much.The acting is average. The ending unsurprising. Just 4/10.
brkeys Although quite familiar with nearly every scene and plot twist, it was interesting to view Tiger Bay as a grownup. It's an adult movie about a child's emerging sense of morality. Initially, Gillie is all about telling lies just to get her way (a toy bomb, an extra shilling, an hour of independence) and then gradually (you can actually perceive the wheels turning in her head) she realizes that lies can also serve to protect a loved one. The film is very good, but it's really all about Hayley Mills; she's fairly astonishing. She doesn't just steal the movie by being cute; she carefully delivers a thoughtful performance. Her character grows by learning to care for someone (breaking in new, unselfish emotions), developing her own standards for right and wrong, and experiencing raw heartbreak. The interrogation scenes where she spontaneously calculates her responses while barely concealing that everything's a lie - they're so realistic, they're genius.Remember that scene in the church loft? It starts out agonizingly suspenseful and scary; if you'd never seen the film before , you'd wonder, is she going to accidentally wound him? end up controlling him? Is he going to keep chasing after her, eventually kidnap her? And then gradually, through brief exchanges, they recognize that they are kindred souls - misfits, lonely, misunderstood, unappreciated. Within minutes, the scene has mellowed into this moment where they look at each other over a burning candle and spontaneously grin at each other.You can also glimpse and interject an interesting back story for Gillie: she's an orphan living with her aunt, Mrs. Phillips. So where's Mr. Phillips? Killed in WWII? They don't say. Gillie is obviously a recent transplant (a kid yells "go back to London!" at the beginning), she's apparently an orphan, and she's growing up neglected in this Cardiff tenement where bitter war-torn grownups are barely hanging on to their lives. You perceive these details as an adult, and they add new layers. Apparently Hayley got a lot of international attention after this movie, and not just from Disney. Certainly director J. Lee Thompson The Guns of Navarone)had much to do with coaxing Hayley's performance, but the talent and charisma are all hers.