Unrelated

2014
6.7| 1h40m| NR| en| More Info
Released: 27 June 2014 Released
Producted By: Raw Siena
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://www.unrelatedfilm.com/index.html
Info

A woman in an unhappy relationship takes refuge with a friend's family on holiday in Tuscany.

Genre

Drama

Watch Online

Unrelated (2014) is currently not available on any services.

Director

Joanna Hogg

Production Companies

Raw Siena

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime.
Watch Now
Unrelated Videos and Images
View All

Unrelated Audience Reviews

GazerRise Fantastic!
Console best movie i've ever seen.
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
SnoopyStyle Anna (Kathryn Worth) is having marital problems and spending the summer holiday family friends Verena (Mary Roscoe), Charlie (Michael Hadley) and George (David Rintoul) at their Tuscan villa. She starts to spend more time with the younger teenage children Archie (Harry Kershaw), Badge (Emma Hiddleston), Jack (Henry Lloyd-Hughes) and Oakley (Tom Hiddleston). They smoke some weed and crash a car. The sexual tension boils over as she flirts with the leader of the kids Oakley.It's a British mumbletalk indie. I wish the relationships between the characters are laid out more clearly early on. It would help decipher and build a backstory to their connections if they have any. They need to throw in a few lines like "I haven't seen you since you were this tall." It would help to build tension in the first half of the movie. The older people also need to have some in-depth talk in the first half. It would fill out their characters. Anna has very curt conversations with Verena. This feels like a bunch of strangers and it's not until the second half that things get a little bit interesting.
es_sj This movie has a group of unconnected people (despite being "family" and "friends") who never do or say anything, on vacation in a villa in Italy, in one scene after another of them situated in places (e.g. eating pizza, at a pub, walking, swimming, drinking, smoking, towing a car). They are self-absorbed without having any redeeming qualities even among "oldest friends;" they are to a person nasty, yet boring. Literally no one ever says anything. One time the father screamed at the kids. That's about it. Probably the most interesting thing about it was that once the actress playing "Anna" called Tom Hiddleston "Tom" instead of his character's actual name, "Oakley," in a scene. Utterly pointless.If you want to see a movie with Tom Hiddleston that actually has characters in it, see "The Deep Blue Sea." They're jerks too, but it, by contrast, has character, dialogue and plot.
David This was a really interesting first film from writer and director Joanna Hogg. Anna, played superbly here by Kathryn Worth in her first film role, arrives to join her old school friend Verena (Mary Roscoe) who is on holiday in a villa in Tuscany with her family and another family in what is clearly an annual arrangement. Anna was supposed to bring her partner Alex with her, but cited his pressure of work as the reason for her arriving alone. In fact, it quickly becomes apparent that Alex and Anna's relationship is in a rocky place, and Anna is in Italy to enjoy a bit of space.The holiday party divided into the old and the young. Anna, whose place should have been with her school friend and 'the olds', gravitated to the more whizzy youngsters with their loud drinking games, skinny dipping, dope smoking and general hell-raising in a battered Fiat, trustingly lent by neighbouring friends. Verena's son Oakley (Tom Hiddleston) began to show an interest in Anna, but he eventually rejected her signals, leaving her struggling to bond with any group.This was a wonderful film about a woman in her mid-life. It was also a telling study of an outsider being pitched into a different world. Verena and her family were well-to-do middle class, but were not an endearing bunch. The older people were insensitive and unfriendly to Anna, who was in need of someone to talk to; the youngsters, let loose from public school, were brash and spoilt. Anyone who has been ignored in a social situation - and there was a wonderful lunch scene here, featuring Mussolini's sofa - will recognise exactly where Joanne Hogg is coming from, and it makes rather uncomfortable viewing for its target audience. It takes Anna's flight to a grim local hotel to finally galvanise Verena into having the conversation she should have had much earlier, in a highly charged scene.But it was the way that this was filmed which made this something out of the ordinary. There were lovely set pieces in the Tuscan countryside, and in Sienna, but the weather was not always sunny, and often there was a wind blowing. Hogg was bold in her approach: at several points, the camera held steady on Anna, even when conversation and action was going on out of shot, and there were long slow scenes. A car crash did not show what happened, but only the vehicle being pulled out of a field by a tow truck, with the (unharmed but shaken) occupants standing about, as one does. A key scene was an almighty row between Oakley and his father George (David Rintoul) which took place inside the villa: we had to join the families sitting about outside, and like them, we were forced to listen to the dangerous raging coming from inside. And we all had to wait to see who came out of the house first, and in what state.The slow pace and art-house style of film will probably annoy and delight audiences in equal measure. I loved it and am very keen to see what Joanna Hogg does next.
ButterflyMindToo If you wanted a villa holiday in Tuscany this summer and didn't have time, go to this film and by the end you will feel you have spent a fortnight there. Joanna Hogg has created an upper-middle class version of a Mike Leigh film at his slowest. It's beautifully done, and the fortnight is mostly enjoyable, unless you squirm at the sight of drunken Brits abroad or the sound of the upper-middle classes (I developed a thick skin for both of these a long time ago, myself). The characterisation is subtle, verging on invisible. There's very little intellectual content or sparkling conversation, surely unrealistic in a film about the chattering classes? Perhaps it's the prodigious amount of alcohol that's consumed. All this keeps the focus on Anna, on holiday from her unhappy situation at home, and the cheerfully pie-eyed teenagers that she hangs out with.The movie was very thin on plot, yet there did seem to be inconsistencies on the departure date for some of the party. I doubt I'll watch it again to check this though; once is nice, but enough.