Vampire Killer Barbys

1996
3.7| 1h27m| NA| en| More Info
Released: 22 May 1996 Released
Producted By: Jacinto Santos Parrás
Country: Spain
Budget: 0
Revenue: 0
Official Website:
Info

While driving on tour late night through a lonely road in the countryside of Spain, the van of the punk band "Killer Barbys" has an accident and breaks down. A creepy old man invites the group to spend the night in the castle of Countess Von Fledermaus and presents himself as her secretary Arkan. Arkan explains that the mechanic is located 62 km far from the location and he tells that the Countess loves youths. Flavia, Rafa and Mario accept the invitation but Billy and Sharon stay shagging in the van. When the musicians meet the Countess, they find that she is the ancient artist Olga Luchan and they question how she could keep so young. But sooner they discover that the Countess needs blood of young people to keep her beauty.

Genre

Horror, Music

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Director

Jesús Franco

Production Companies

Jacinto Santos Parrás

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Vampire Killer Barbys Audience Reviews

KnotMissPriceless Why so much hype?
UnowPriceless hyped garbage
Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Kimball Exactly the movie you think it is, but not the movie you want it to be.
Claudio Carvalho While driving on tour late night through a lonely road in the countryside of Spain, the van of the punk band "Killer Barbys" has an accident and breaks down. A creepy old man invites the group to spend the night in the castle of Countess Von Fledermaus (Mariangela Giordano) and presents himself as her secretary Arkan (Aldo Sambrell). Arkan explains that the mechanic is located 62 km far from the location and he tells that the Countess loves youths. Flavia (Silvia Superstar), Rafa (Carlos Subterfuge) and Mario (Charlie S. Chaplin) accept the invitation but Billy (Billy King) and Sharon (Angie Barea) stay shagging in the van. When the musicians meet the Countess, they find that she is the ancient artist Olga Luchan and they question how she could keep so young. But sooner they discover that the Countess needs blood of young people to keep her beauty. "Killer Barbys" is a typical Jess Franco's film with exploitation, low- budget, clichés, bad acting, naked women and lots of gore. I am not familiar with the Spanish punk band Killer Barbies but I laughed in some artless scenes and I liked the soundtrack. My vote is five.Title (Brazil): "O Massacre das Barbys" ("The Barbys Massacre")
ThrownMuse A rock band (The Killer Barbies, the title of the film was changed as not to upset Barbie) gets stranded when driving to their next show. They find a castle to stay at until their van gets fixed, but the blood-craving Countess has other plans for them. This is a terrible movie. I have never heard music by Killer Barbies, and I was annoyed to find that it was an all male band with two female singer/strippers. I was expecting a bad-ass girl band, not a Lords of Acid lite playing mall punk. Fortunately the music is sort of catchy, but it gets tiring after hearing it for an hour and a half. I'm not sure how successful Killer Barbies is in their home country or what their motives were in making this movie. An interview clip before the movie shows the lead singer saying they wanted to make the goriest movie ever (which it doesn't come close to being), but she doesn't say anything about why the band wanted to make sex scene after sex scene after sex scene. Sometimes the movie goes Scooby Doo and it is sort of amusing, but overall, this is a big waste of time. The scariest thing about "Killer Barbys," besides the godawful dubbing, is that a sequel was made! My Rating: 2/10
Rooster99 Perhaps the worst dubbing in history, this movie features many scenes with characters' lips still moving long after the dubbed track had already spoken. It was very frustrating. On top of that, the entire movie made little sense. It was completely disjointed. The filmmakers tried to weird it up by having a couple of psychotic midgets thrown into the mix, but the result was just pathetic. There are countless scenes where bandmembers (Killer Barbys are a real band) are having sex in a van, and the baddies are hovering around, opening doors, stealing things, placing objects, yet are never even so much as noticed by the lovemakers. There are equally moronic scenes of the baddies chasing after a naked woman in the woods. She looks like she is running in slowmotion and has to keep waiting for her pursuers to catch up. Then there is some subplot involving some ancient vampiress who must drink young blood to regain her youth, yet when she does, she becomes some 65-year old had been! She is supposed to be this beauty who seduces the lead singer, yet she is easily old enough to be his grandmother!They tried to throw in a few corpses to add to the horror, yet they were so obviously rubber it was ridiculous. One of the henchmen carries one through the castle, and you can repeatedly see him bang it against walls only to have it snap back into shape.There are A-movie, B-movies, and then there are Killer Barby movies. This one is so bad, it doesn't even deserve a letter from the alphabet. Call it a double-Z.
KuRt-33 Jess Franco's "Killer Barbys" is to the band The Killer Barbies what Aki Kaurismäki's "Leningrad Cowboys go to America" was to the Leningrad Cowboys. Both are movies starring an existing band and both are typical products of the directors. Kaurismäki is known for his deadpan black humor presented in films totally weirding you out and "Leningrad Cowboys go to America" is a weird and funny tale of the Leningrad Cowboys going to America. Franco is known for erotic horror movies and "Killer Barbys" is a mix of horny rockers and cannibalists.But there's more. Kaurismäki made a sequel, "Leningrad Cowboys Meet Moses", an attempt to make the worst movie ever. To a certain degree he succeeds in doing so. Franco's "Killer Barbys" doesn't try to do so, but it's difficult not to see how many horror cliches you can see in this film: at night you hear the sound of wearwolves, it's often twelve o'clock, there's cannibalism, there are some dwarves, most of the rockers constantly want sex, a semi-naked girl is being chased in the woods, there's lot of blood and someone even ends up being crushed. How much gore can you get into one movie?But movies like "Killer Barbys" and "Leningrad Cowboys" never meant to be original. They are mainly there to let you know the band exists. And if anything they are much more enjoyable than your average rockumentary. And even though Franco made lots of no-budget movies where anyone can see through the special effects, I suspect him here of making the effects as bad as possible (if you can't see that the dead bodies are dummies, you desperately need to get your eyes checked.)It is true that Franco could have tried harder and that the movie could have been better, but it's common knowledge that Franco's best movies can't be found in the nineties. Most of those movies are even badly acted, so it's very ironic to realise that two rockers act better than Franco's cast of regulars (Lina Romay, Linnea Quigley, ...). "Killer Barbys" is the only decent movie Franco recently made, so if you want to see some of his later work, this is the best choice you can make. As long as you remember it's a Frankenstein experiment of combining gore and rockumentaries.By the way "Love Killer" is a nice song.