When the Boys Meet the Girls

1965 "The Boys... The Girls... and that wild, way-out, wicked, wonderful beat!"
4.9| 1h37m| NA| en| More Info
Released: 10 October 1965 Released
Producted By: Four-Leaf Productions
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Budget: 0
Revenue: 0
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A playboy helps a young woman turn her father's Nevada ranch into a haven for divorcees.

Genre

Music

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Director

Alvin Ganzer

Production Companies

Four-Leaf Productions

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When the Boys Meet the Girls Audience Reviews

Alicia I love this movie so much
TinsHeadline Touches You
Cathardincu Surprisingly incoherent and boring
Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
bkoganbing This is the third version of the Gershwin Brothers popular musical Girl Crazy done for the big screen. Many forget and should and early version with Wheeler&Woolsey. Then there's the classic one Mickey and Judy did in the 40s. Now we have a third version starring Connie Francis and Harve Presnell with all generations of acts to accommodate everyone's taste.You will accommodate when you get Herman's Hermits, Sam the Sham and the Pharoahs, Liberace, and Louis Armstrong in addition to Connie and Harve singing the Gershwin classics. Material for the guest artists is generously interpolated while the main songs that George and Ira wrote are retained for the leads.Once again rich Danny Churchill is sent out west for a bit of discipline and he runs into cowgirl Ginger Gray. Such character players as Frank Faylen, Stanley Adams, Fred Clark, Russell Collins are all here. So is Sue Ane Langdon, Harve's golddigging former girlfriend who finds much deeper pockets to mine in the end. She's worth watching for herself alone.Nice to see Girl Crazy done again this time as When The Boys Meet The Girls. Maybe we'll get another version yet.
tavm Just watched this cheezy-corny musical comedy on DVD disc. Made in the mid-'60s when the British Invasion was taking hold of Rock-'n'-Roll, When the Boys Meet the Girls took advantage of that by booking Herman's Hermits who not only perform one of their hit songs but also one of the George-Ira Gershwin tunes, "Bidin' My Time". Based on George and Ira's Broadway success-"Girl Crazy"-which had previously been a Mickey Rooney-Judy Garland movie, this wasn't too bad a remake with Connie Francis playing the Judy part and Harve Presnell the Mickey one. They make a fine duo when singing "But Not for Me" or "I Got Rhythm" the latter with a chorus of dancers. We also get Sam the Sham and the Pharaohs, and-for, I guess, the more middle-aged audience stumbling into this-Louis Armstrong and Liberace! Quite an uneven mix but if one's game, it's quite enjoyable. Also liked Sue Ann Langdon as a sexy blonde wanting to marry Presnell, Fred Clark as a potential buyer, and-since I always like to cite a player from my favorite movie, It's a Wonderful Life, in another one-Frank Faylen as Ms. Francis' father. Also amused at some of the undercranking of chase scenes. So on that note, I say When the Boys Meet the Girls is worth a look. P.S. The drummer in Louis' band is one Danny Barcelona who-in an earlier film performance I watched on a Netflix disc called Louis Armstrong and Friends 1962-the Great Satchmo introed as his Filipino wonder though I just found out he was actually born in Hawaii.
marcslope Considering that this was produced by the famously cheapjack and incompetent Sam Katzman, and is one of the 1960s MGM musicals often cited as contributing to the death of the genre, this halfhearted updating of "Girl Crazy" isn't as bad as I'd suspected. Plenty of Gershwin and a surprising amount of the never-good original book are left intact (though Herman's Hermits insist on singing "I'm biding my time/ 'Cause that's the kind of guy I AM," ruining the rhyme), and some amusingly incongruous guest stars -- Liberace, Louis Armstrong -- are thrown in. Heaven knows Connie Francis can't act, but she does fine by "But Not for Me" and "Embraceable You," and opposite her, Harve Presnell is strong-voiced, virile, and more at ease with acting than most tenors. There's a typical mid-'60s supporting cast featuring Fred Clark, Joby Baker, and Sue Ann Langdon (a good comedienne, but not here). Of course it's over-lit and underwritten and cheap-looking, but there's one honest production number for "I Got Rhythm," and the painted backdrops and fast-motion photography contribute some fun cheesiness. An amiable time-waster.
moonspinner55 Wretched "Let's put on a show!" nonsense. M-G-M wasted some marvelous color film stock on this witless, leering dreck, unredeemed by the presence of co-star Connie Francis and the numerous music acts who pop up against their better judgment. Remake of the Judy Garland-Mickey Rooney musical "Girl Crazy" from 1943 (itself a remake of the 1932 version), two college kids try to help out a bankrupt Reno rancher and his busty daughter, who delivers the mail. When the two guys first meet Francis, wearing work clothes and a low-setting hat, they actually think she's a he (perhaps they flunked anatomy?). Later, when Francis looks into Harve Presnell's heavily made-up eyes and fake eyebrows and feigns a swoon, one can only scoff. Presnell must be the oldest college student in cinema history; with a copper-colored toupee and ascots around his neck, he looks like one of the faculty's veteran members. Francis has a pleasant singing voice--and isn't a terrible actress--but she is defeated by the non-existent script and hopeless, leaden direction. Thank goodness grinning-like-mad Liberace is on hand to save this from the barrel's bottom. * from ****