Whistling in Dixie

1942 "FUNNIEST FILM EVER MADE !"
6.5| 1h14m| NR| en| More Info
Released: 31 December 1942 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Radio sleuth Wally 'The Fox' Benton travels to Georgia with his fiancé Carol to be married; and to help Carol's college chum, Ellamae Downs, solve a mystery involving a murdered man, old Fort Dixon, and buried treasure.

Genre

Comedy, Crime, Mystery

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Director

S. Sylvan Simon

Production Companies

Metro-Goldwyn-Mayer

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Whistling in Dixie Audience Reviews

Teringer An Exercise In Nonsense
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
utgard14 Sequel to Whistling in the Dark has Red Skelton once again playing radio star Wally "The Fox" Benton. This time he's headed to Georgia along with his fiancée Carol (Ann Rutherford). There they get mixed-up with a mystery involving Carol's old sorority sister and a treasure hunt. Red and Ann are both good fun in this delightful comedy. Solid support from George Bancroft, Guy Kibbee, Celia Travers, and Rags Ragland. Rags plays a dual role in an amusing follow-up to the last movie. In addition to adorable Ann Rutherford, Diana Lewis provides the pretty. It's not quite as good as Whistling in the Dark but it's still a very enjoyable comedy-mystery. Lots of funny gags. Also lots of awful fake Southern accents.
gridoon2018 The sequel to "Whistling In The Dark" is about on the same level with the first film, quality wise: a non-stop barrage of gags, both visual and verbal, and some genuine suspense as well, particularly in an extended sequence near the end where our heroes come alarmingly close to drowning. Red Skelton overdoes the "spasms" gag at the start, but generally he hits the mark ("You don't say....you don't say....you don't say....- "Who was it?" - "He didn't say!") more often than he misses. "Rags" Ragland returns as Sylvester AND his twin brother Chester; creative editing allows the two brothers to interact, and Ragland is one (or two) of the high points of the film. Ann Rutherford is still delightfully scrappy (and sweet), but I missed the sarcastic presence of Virginia Grey. Not "the funniest film ever made", as an old poster proclaims, but funny enough. *** out of 4.
gerdeen-1 Red Skelton played the radio sleuth known as "the Fox" in three comic mysteries of the early 1940s. All had the word "whistling" in the title.This is the second of the three, and by far the weakest.The first one, "Whistling in the Dark," was an excellent remake of the 1933 film of the same. The last one, "Whistling in Brooklyn," was an extremely enjoyable farce. I recommend both."Whistling in Dixie" can be funny at times, but too often it's boring. I suspect it was made simply because the title seemed irresistible. The phrase "whistling 'Dixie' " was popular American slang at the time. And Ann Rutherford, who co-starred as the Fox's love interest in all three movies, was best known for her role in a Southern epic, "Gone With the Wind."This movie is full of corny "Southern" dialog, and there are some dated portrayals of African-Americans. Nothing here is any more more offensive than what you'd find in the typical 1940s film about the segregated South. But gosh, this kind of stuff was tired even then. Skelton's slapstick routines are weaker than usual. He and Rags Ragland, his sidekick and foil in all three "Whistling" films, work very hard, but some of the material falls flat.If this movie leaves you cold, don't rush to judgment. You may like the other two "Whistling" entries, because they are much better. And if you love this one, you will definitely want to see the other two.
tedg Gosh. The first film in this series had some rather amazing construction. It was a show about a show that had an anti-show: a radio broadcaster who did fictional mysteries, did a real one by broadcasting backwards through the radio! Red was along to do some facial gags and they added some value.Based on the success of that, we have this. A whole new crew was involved, including no one from the seven (!) original writers. Red and his lover find themselves in the deep south and involved with a Confederate treasure. The only reason for the construction was so that MGM could use its new water set. Was this the first movie that had a closed room filling with water? Broke pipe, you know, and the trapped folks pouring out when the door was opened?It could be.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.