Wild Tigers I Have Known

2006
6| 1h28m| NR| en| More Info
Released: 12 July 2006 Released
Producted By: Cut and Paste Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

A lyrical telling of the coming of age of a 13-year-old boy who learns to cope with his new found sexuality and his unrequited love for the cool kid in school.

Genre

Drama

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Director

Cam Archer

Production Companies

Cut and Paste Films

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Wild Tigers I Have Known Audience Reviews

Unlimitedia Sick Product of a Sick System
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
adonisnudes If you're looking at this as a "movie", you're lost to begin with. This is audio/visual poetry. It's pure feeling, pure experience. If you don't get it, that means you're just an average ordinary person. If you do get it, it means you're an artist. Either way doesn't make you right or wrong (these things are more difficult to quantify than 1 - 10) For me, a gay artist, this is one of the best and most moving films ever made. But most people aren't gay artists, so I get the "less than stellar" rating. Actually, it's a wonderful thing. I don't want to have the same middle-of-the-road taste as everyone else.If you love this movie, feel free to contact me at cody furguson dot come (without the spaces and with a .) I'm always interested in meeting fellow artists.
pogostiks About the only thing I liked about this film is that there was JUST enough in it to keep me in my seat to the end... I kept thinking that maybe in the NEXT scene things would gel... Alas...Those who like Gus Van Sant's films - especially his later ones - will probably like this. Personally, I find van Sant's films to be dull, pretentious and facile. Well, he was an executive producer for this film, so it is no surprise that the film could almost have been made by him - although personally I actually liked this better than van Sant's latest efforts (e.g. Elephant).Contrary to many here, I did not think the film was difficult to understand or disjointed, I thought that above all it is a film that wishes to portray a certain mood - the mood of an adolescent moving slowly into the adult world - but so slowly that the changes are barely visible if at all. But I feel that the problem with the film is that "mood" is not enough... and not only that, but that the mood painted here is, to my mind, incorrectly chosen for the story that is supposedly happening. The dream-like quality, so closely linked to nature, is beautifully captured here, but it is a mood which belongs much more to a much younger child, one who really still does get totally caught up in watching nature unfold (waves on a beach, grasses and flowers, spiders etc). The rhythm of the film reminds me of my summers when I was about eight or nine. There is a LANGUOR to the film that is in opposition to what SHOULD be a very tense time in an adolescent life. When you are caught up in a crush on someone - or being the object of bullying at school - you are anything BUT languorous! There are only two moments that truly worked for me in the film...SPOILERS HERE - first when Logan drops the groceries and his mother throws a bit of a fit. The frustrations of an adult dealing with a klutzy kid - especially with no father present - seemed real to me.The second, and ONLY part of the film with any tension to it, were the scenes where "Leah" (Logan's re-creation of himself) phones Rodeo and tries to seduce him into phone-sex. The first reason I liked it is because the person who did the voice-over of "Leah" was the most convincing actor in the entire film. (It made me think of Claire Danes from My So-Called Life ...the voice even sounded like Claire.) She and Rodeo had the only scenes that seemed totally believable between the kids. And what I especially liked was the fact that Rodeo only pretended to play along... it was perhaps the best moment in the film as - finally! - we got some character development.All in all, a somewhat misplaced effort... we will have to see what he does in his next film before we can really say much about the director's possible talents. In the meantime, if he can get away from van Sant's influence, it might do him a world of good. Who is this director anyhow - one of van Sant's boy toys?
succotash I see that someone already thought of a similar analogy, which was similar to the first thing that came to mind after I watched this movie. They said that the ingredients were there but there was no plot. Besides the sexual scenes which bordered on child-porn (which I feel could have been edited out or been presented more suggestively in nature rather than graphically, I would liken this movie to a recipe that's been torn in half. It's kind of like being handed a list of ingredients, with no directions on how to put them together into a finished product. From the start, character development and story development are lacking...unfortunately, many times in this monotonous drivel we are teased with bits of plot and we think "Ahh-OK...finally we are going to find out something more about WHY this scene is going on...or...WHO this character is...or maybe we are finally going to get to know and appreciate this character more...or understand and get involved more with this inter-character relationship...etc." But no such luck! On the contrary, many times I was tempted to just turn it off more than once but stuck it out when the carrot was dangled, only to find that whatever mini-plot within whatever mini-plot (and that poorly presented) was just a ruse. Why I stayed with it till the end is a mystery, other than usually IFC has better selections and they gave it 2-1/2 stars (another mystery). It's not that the characters aren't likable to SOME degree, or that you can't identify with them or their humanness at all...it's just that this could have been so much better with just a little more effort. I notice this was shot around Santa Cruz and find myself wondering if it was someone's film school project. I wish I could have given this a better review but honestly it was a frustrating and disappointing waste of an hour and a half.
whlrguy My fear in seeing this movie is that it would evoke a feeling of exploitation of a child and make for a very uncomfortable viewing, or a similar feeling of sickness I felt while watching Mysterious Skin, a painful film to watch yet an excellent film. However, I was surprised, this is a visual wonder into the mind of an outcast and his sexual awakening. In fact I found myself relating and remembering my awkwardness towards sex at that age and the gray emotions of trying to understand what I was feeling, emotions and confusion not limited to sexual preference or even gender, just the desire for another and not knowing how to correctly move forward or interpret. The director does a brilliant job and the cinematography creates the mood with music, natural images and hallucinatory visions into this teenagers mind. The young actor, Malcom Stumpf, gives a perfect performance as the outcast, who does not mind that he is not liked by others or uncomfortable with who he is becoming, I hope to see more rewarding work from him in the future. Fairuza Balk turns in a great performance as his frustrated mother trying to relate and get through to her son. At times it feels as if she harbors resentment towards him, but she truly loves him as we see in a very real moment as they lay in the grass. This film was a pleasant surprise and I am glad that I did not pass it by as planned.