Without Warning!

1952 "All Blonde... All Beautiful... All Bait!"
6.6| 1h15m| NR| en| More Info
Released: 08 May 1952 Released
Producted By: Allart Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Los Angeles is paralysed with terror when a lovesick murderer takes to the streets with a pair of garden shears

Genre

Thriller, Crime

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Without Warning! (1952) is currently not available on any services.

Director

Arnold Laven

Production Companies

Allart Productions

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Without Warning! Audience Reviews

Ehirerapp Waste of time
Actuakers One of my all time favorites.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
MartinHafer "Without Warning!" is a film that actually caught me by surprise. While it's a low-budget picture with mostly no-name cast (the biggest star is the character actor Edward Binns), it is a first-rate film about the police and their relentless search for a serial killer. However, these cops don't work over witnesses or act tough--they do what real cops do and the film is well worth seeing for its CSI-like style.The film is about the search for a serial killer who remains very true to type. He loves murdering young bleach blondes who look very similar. He also kills them the same way...with a pair of gardening shears. But with very, very few clues since the killer is very bright, the police must slowly put the pieces together and do a lot of legwork to catch up to Carl Martin...a very nasty but seemingly normal sort of guy.The film excels at showing forensics and describing police work. It also is taut and keeps the viewer interested not just in procedure but in the story itself...which seems very real and free from glamour and clichés. Well worth seeing and a film that deserves to be seen.
specialuse117 Saw this on YOUTUBE and the technical qualities were very good. Lots of familiar faces in this noir and the acting was excellent. The placement of the camera was really impressive. Many shots of just the torso, then extreme closeup to see the sweat on the face, then long shots for an isolation feeling. No gimmicks, direction added to the experience.The narration was sparse but useful. Neither the cops nor the killer acted dumb or stereotypical. All the moves were logical,even when occasional humor was used.This was one neat package that delivered what was promised. If you are a film noir fan this is a must see.
Martin Teller Like THE SNIPER and HE WALKED BY NIGHT, this film follows both the police and the serial killer they're trying to catch. And it lives up to that standard of quality. As usual, the procedural elements are the weakest parts, with nice attention to detail but rather dry and routine (the corny voice-over, the forensic evidence, the false confessions, the rounding up of the usual suspects, the psychological profiling, the dead-end leads and near misses). But the film absolutely shines when dealing with the killer. Adam Williams (recognizable as the baby-faced baddie from NORTH BY NORTHWEST) is creepy without being at all silly, an air of quiet danger hangs over him. There's a thick tension and dread as he stalks his victims and evades the authorities, with those conflicted moments when you almost don't want him to get caught. The supporting performances are not as memorable, but overall quite solid without anything to complain about. The photography is generally excellent, with terrific use of close-ups and a lot of good location work. Nice score as well. Well-paced and riveting film with some very fine qualities, a nice hidden gem. I'll be buying this one.
David (Handlinghandel) This story of a serial killer came out 55 years ago. It's dated primarily in that it isn't gory and graphic. At moments, it feels as if it's about to go that way. But of course the censors wouldn't have allowed it.The director, though not in anyone's pantheon, has great noir cred. "Down Three Dark Streets" alone is something to be very proud of.The pace is just right. The acting, by people wholly unknown to me, is professional and convincing.We know almost from the start who the killer is. It's a matter of whether and when he will be caught. The film languishes more on his bland good looks than on the appearance of any of his victims. He's nice enough looking: rather baby-faced. We see him without his shirt in a long, not extraneous, scene.The attention paid to the killer reminded me of "The Sniper," which came out at the same time. "The Sniper" is better known and was done on a higher budget. But I wouldn't say it's better. This is a very good, scary movie.