Blonde Bait

1956 "DANGEROUS DECOY IN A GAME OF MURDER! She's a silken trap that waits in the dark...waiting for the killer with a gun!"
5.4| 1h11m| NA| en| More Info
Released: 01 April 1956 Released
Producted By: Hammer Film Productions
Country:
Budget: 0
Revenue: 0
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Seeking the whereabouts of international gangster Nick Randall, the US State Department contacts Scotland Yard, as his girlfriend, Angela Booth, is currently in a British prison. Angela has refused to give Nick up to the law, so the combined authorities arrange for Angela to escape, aided by stoolie Gran' Ramsey who is at the same prison. The police will then follow Angela to Nick. Gran' stages the getaway, and the two women, accompanied by a third convict, Marguerite, whose prison-born baby is about to be turned over to welfare authorities. It is up to Gran' to keep the police informed of Angela's movements without being detected by the escapees, until Angela contacts Nick. This film is a reworking of principal footage from the UK film WOMEN WITHOUT MEN (1955), q.v., which, with added new footage (including scenes with original star Beverly Michaels), significantly revises the plot and central characters from a story about a wrongly imprisoned waif to one about a gangster's moll.

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Director

Elmo Williams, Herbert Glazer

Production Companies

Hammer Film Productions

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Blonde Bait Audience Reviews

AnhartLinkin This story has more twists and turns than a second-rate soap opera.
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
mark.waltz Having done several movies where she was behind bars, Beverly Michaels began to lighten her image after starting off as the opportunistic hard boiled tramp, and here, is the victim, ending up in a British women's prison after defending herself against a violent lover. Sure, he had found out that she was planning on leaving him for the man she really loved, but with his hands on her throat and a quick way of defending herself at her disposal, the sympathy instantly lies with Michaels. The prison she ends up in isn't the brutal American detention center that audiences had become familiar with through 1950's "Caged" and 1955's "Women's Prison" (or even another Beverly Michaels melodrama, "Betrayed Women"), but one where the warden seems to be concerned about her charges, encouraging the emotionally broken Michaels to utilize the library and try to make friends. When Beverly rescues a girl who accidentally catches on fire in the prison kitchen, the warden (Valarie Wright) decides to fool her into escaping as a part of a plot by the U.S. State Department in capturing her criminal boyfriend.This fails to convince on two merits. It lacks the camp value of other women's prison films, and the subplot of Michaels and several other inmates being allowed to escape (one of them with a baby!) just seems totally unrealistic, no matter the motivations behind it. On the run, they find help in the most unbelievable of places, and while hiding out in the home of Hermoine Baddley's, Michaels must act all heroic to prevent Ms. Baddley from taking the baby of the missing mother to the authorities. It's all well intended, fairly entertaining, and sincerely acted, but most of it, I just couldn't buy. Thora Hird as the elderly inmate they refer to as "Granny" gets to steal every scene she's in, with Joan Rice as the other escapee and future Jock Ewing (Jim Davis) in the small part of Michaels' traitorous lover. Paul Cavanaugh is commanding as the American state department worker who initializes the escape, while Ralph Michael as the older lover whom Michaels defends herself from is completely repulsive. It's a mixed bag I wanted to like more, but lacking in the toughness of other women in prison movies and containing a plot I had a hard time swallowing, I have to rank this as one of the weaker films in that genre. Even though others are worse, this one just ends up being not very interesting.
Leofwine_draca WOMEN WITHOUT MEN is a low key drama/thriller made by Hammer Films. The plot is somewhat unwieldy and involves the authorities looking for a known gangster. Their only lead is his girlfriend, who may lead them to him, but the problem is she's just been sent to prison. The authorities decide to arrange a jailbreak and tail her. This back story doesn't really sit too well with me and feels a little too elaborate and over the top. However, once the women escape this becomes quite fun, particularly because Thora Hird is the unlikely leader of the escapees. Hird was best known for her domestic, down-to-earth roles during the era; it was rare to see her out of a kitchen, so watching her racing a car through the streets and evading the police makes for great fun.
kapelusznik18 ***SPOILERS*** The US State Department gets wind that master Soviet spy Rick Randell, Jim Davis, is having an affair with singer-dancer-stripper Angela Booth,Beverly Michaels, and plans to use her to have him tracked down before he does any more damage to his country the USA as well as the Free World. With Randell planning to meet Angela on New Years Eve at the Oxhead Inn outside of London she gets sideswiped when in a fit of anger she smashed her agent Julian Lord, Ralph Michael, face in with a mirror when he refused to let her out of her contract and then tries to assault her. Ending up in prison for six months on an assault conviction all that Angela has on her mind is to escape and get married to that "Hunk" of a guy Randell before she can finish her sentence.What is soon planned by the US State Department and Scotland Yard in having Angela allowed to escape so she can lead them to Randell so they can make the pinch on him for treason against the USA. It's Angela by being left out in the cold to what her lover is really up to goes along with the escape plan secretly set up by Scotland Yard being engineered by in house stollie and fellow prisoner Granny Rafferty, Thora Hird, who's only in it, the escape, for the fun & excitement and nothing else.***SPOILERS*** Crashing of the the womens prison together with Granny and fellow prisoner Margurite, April Olrich, and her six month old baby who was born to her behind bars Angela, after a number of wild and crazy incidents with the police, finally makes it to the Oxhead Inn only to find it bordered up and out of business. Lucky for her as well as Scotland Yard & the US State Department Nick Randell, obviously drunk from celebrating the New Year, shows up staggering out of the woods as well. Not expecting Angela to show up at all Randell loses his cool, in suspecting that she set him up, and starts to slap her around showing her what a heel as well as traitor to his country he really is. With US Secret Agent Kent Forster, Richard Travis, hiding in the nearby bushes Randell ends up shooting it out with him only to be the one who ends up getting shot!
Uriah43 In their quest to nab a spy for the Soviet Bloc named "Nick Randall" (Jim Davis), the American State Department decides to follow his girlfriend, "Angela Booth" (Beverly Michaels) to a secret rendezvous the two had planned a few months earlier. The only problem is that Angela is sent to prison in England for a crime she wasn't guilty of. Not wanting to tip their hand, the Americans and British resort to desperate measures to make sure that Angela keeps her appointment with Nick at any costs. At any rate, rather than spoil the film for those who haven't seen it, I will just say that this is a decent enough B-Movie from the mid-50's which might appeal to those who enjoy action-dramas of this nature. I would also like to add that this film is not nearly as risqué as the movie poster printed during this time might lead a person to believe. Again, one has to consider the time period in which it was made. That said, I rate it as average, all things considered.