Solemplex To me, this movie is perfection.

Lovesusti The Worst Film Ever

Onlinewsma Absolutely Brilliant!

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

mark.waltz Following in the footsteps of the legendary stage actor George Arliss, the powerful Paul Muni took over at Warner Brothers as the most distinguished male star on the lot after Arliss left in 1933. Like Arliss, Muni wasn't just a portrait of famous historical figures; he took his talents into comedy and romantic drama, always adding different dimensions to the characters he played. Back in a time before political correctness took over the ability for artists to play outside their own race, Muni took on a variety of unique parts, and in this film, he's playing a Hispanic man determined to become a successful attorney, and thanks to the male libido, almost ends up in the electric chair. The source of temptation is the alluring Bette Davis, the wife of Muni's portly boss, Eugene Palette. When Davis sees the opportunity to get rid of her husband, she takes it, nearly taking down the subject of her obsession in the meantime. Together, Muni and Davis are dynamic, with Palette giving a strong performance as the unfortunate sap. Margaret Lindsay plays the nicer lady Muni really loves. This has two major remakes, with George Raft and Gary Cooper taking on Muni's role, and Ida Lupino and Barbara Stanwyck equally exciting in the Davis role. But this being the original is the version worth seeing first, showing how standard melodrama can be made better thanks to brilliant performances.

jacobs-greenwood Directed by Archie Mayo, this film was later remade, better, as They Drive By Night (1940). It's based on a Robert Lord story, and Henry O'Neill appears uncredited.Paul Muni plays Johnny, a poor Mexican working as a mechanic while he puts himself through law school. A rich socialite Dale (Margaret Lindsay) runs into his friend (Arthur Stone) Manuel's car, which becomes his first case. Johnny sues Dale in court but is ill- prepared, losing to her boyfriend Brook (Gavin Gordon). Though she offers to pay anyway, Brook stops her. So, Johnny hits him causing him to be disbarred.Johnny hits the road and finds his way to a gambling establishment run by Charlie (Eugene Palette), who hires him. As a hard worker, Johnny quickly becomes Charlie's partner, earning unwanted affections from his wife Marie (Bette Davis). Her attraction to Johnny is so great, Marie uses an automatic garage door mechanism to kill her husband with carbon monoxide one night when Charlie is drunk. She is able to convince everyone it was an accidental death. With the insurance money, Johnny builds a successful casino with silent partner Marie.But Marie isn't pleased with her and Johnny's platonic relationship, especially when Dale, with Brook in tow, shows up as a guest at their casino. When Johnny begins seeing Dale, who is merely towing with him though he fails to see it, Marie confesses the murder and its purpose. Johnny wants nothing to do with her, as he blindly pursues Dale. So, Marie tries to pin the murder of her husband on Johnny. Ms. Davis's acting ability is in full exhibition at the trial, and there is a bit of redemption concerning Lindsay's character too, as this sad parable comes to an end.

st-shot Paul Muni and Bette Davis overact monstrously while lacklustre studio hack Archie Mayo seems distracted and oblivious in this racially provocative film that derives its "bittersweet ending" by condoning segregationist attitudes. Heavy handed and poorly constructed the film collapses under its own weight within the first fifteen minutes with an out of control courtroom scene that it never recovers from as Mr. Muni begins to chew up scenery by the yard hollering and howling away in an almost incoherent fashion.Johnny Ramirez is a Mexican American from the other side of the tracks who through determination and grit attains a law degree from a store front night school. In his first big case involving an auto accident he displays only ineptitude and is quickly made to look the fool by his well heeled opponents and an impatient judge who recommends he be disbarred. Devastated by the setback an angry Johnny takes on a job at a gambling joint where he is befriended by the owner Charlie Roark (Eugene Palette) who likes his style. The owner cuts him in on the place but problems arise with Mrs. Roark (Davis) who also wants a piece of Johnny. She kills Charlie, implicates Johnny and slowly goes mad before he is acquitted and free to be with a high society Wasp who coldly explains to him that they are from "different tribes, savage" and it will never work. When she flees to escape his rage she is run over and killed by a car. Ramirez sells the casino and moves back to his poor neighborhood rationalizing that its best to stay with your own.In addition to this appalling denouement Bordertown has a series of bad performances to compliment the overall ugliness of the story. Unfair as his plight might be, Muni's Ramirez is so abrasive and arrogant it becomes hard to show sympathy for such a bull headed blunderer. Davis is no better as the less than loyal wife matching the same adolescent emotions of Muni. Her Lady Macbeth mad scenes give no indication that she was about to become the best film actress of her era. Margaret Lindsay as Muni's American Dream is cold, remote and flat.Bad as Bordertown is (and it is very) it remains an interesting indicator of the times and acceptable attitudes. The rest is just a mishmash of bad acting and uninspired direction.

Michael Morrison Paul Muni was an East European Jew, so naturally he was cast as a Hispanic Californian.Well, heck, to name just one, Leo Carrillo, a native Hispanic Californian, was cast as everything from Greek to French to Italian to Latino, and so many other "ethnic" actors played various nationalities besides their own heritages.Muni apparently wore dark makeup for this role, but it wasn't a stereotype; it was, in fact, a very sympathetic character.Bette Davis never looked lovelier. For years, I have tried to spread my conspiracy theory that she was not made up, but made down, that she was, in fact, a very lovely lady and the Westmore family apparently had it in for her and put the make-up on in such a way that her looks were coarsened, and she was aged long before her time.She was such a great actress that her looks didn't matter, but she was very attractive and I find it a shame she wasn't allowed to show her natural beauty.The female, though, who stole this movie, both in looks and in animated characterization, was Margaret Lindsay. She was absolutely fascinating in this role as spoiled rich girl, an almost good guy. In fact, she made this movie worth seeing.The presence of a genuine Hispanic, Soledad Jiménez, gives one pause to wonder why more genuine Hispanics weren't cast in movies like this. She was just great.The ending was rather puzzling, perhaps a sop to somebody's nativism, but the story was a good one, the acting was generally great, and all of that, with Archie Mayo's directing, make this one worthwhile.