UnowPriceless hyped garbage

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Cooktopi The acting in this movie is really good.

dbkenner-73304 Most of the reviews here are on target. This is a fun movie. It doesn't hold up to other mystery/comedies like The Thin Man Series. Also, it is not going to warm the hearts of Dorothy L. Sayers fans, who have very particular ideas about adapting stories featuring Lord Peter Wimsey. One reviewer called the title change (from Busman's Honeymoon to Haunted Honeymoon) pointless and unnecessary. Whatever one thinks of the title Haunted Honeymoon, the title change was understandable. Very few in America are familiar with the phrase "Busman's Holiday," which the original title is meant to be a version of. The joke is lost in translation. Therefore, a new title was needed.

HotToastyRag Quite similar to the The Thin Man series, a witty married couple bands together to help solve a murder in Haunted Honeymoon. Robert Montgomery, a man who solves crimes as a hobby, and Constance Cummings, a crime novelist, are married and vow to give up that part of their lives. However, as soon as they arrive at an English cottage for their honeymoon, a man is murdered! There are an abundance of suspects, from the niece who was to inherit the deceased's money, Joan Kemp-Welch, to the poor handyman, Robert Newton, to the corrupt policeman, James Carney. Their friend, Leslie Banks, is the detective assigned to the case, and he continually tries to goad them back into their greatest hobby. "You know where to find us?" Robert Montgomery asks as he and Constance physically leave the room to avoid the temptation. "I know where to find you," Leslie replies. "We won't be there!" Robert quips back before exiting. The chemistry between the three leads is very funny, as is the chemistry between Robert, Constance, and their butler, Seymour Hicks. Fans of Jeremy Swift, one of the butlers from Downton Abbey will see an uncanny likeness in Seymour's performance, from the facial expressions to the delivery of his lines.Parts of Haunted Honeymoon are very funny, but parts of the crime-solving methods are a little far-fetched. If you like comedy better than sleuthing, you'll probably like this one. And if you're curious to hear Robert Newton sneaking in a pre-pirate accent, which was based on his natural accent, you'll get a kick out of his rough, bad-boy role. If you don't end up liking this movie, you can always take Robert Montgomery's advice after an unpleasant experience: "Don't mention it. Don't talk about it. Don't think it."

Michael_Elliott Haunted Honeymoon (1940) * 1/2 (out of 4) British film from MGM has Lord Peter Wimsey (Robert Montgomery) marrying mystery writer Harriet Vane (Constance Cummings) but their honeymoon is very short as they investigate a murder together. If you look at the title and are expecting some sort of supernatural film then it's best to get that out of your mind. After viewing this film I started to look around and read some other reviews and it seems that the majority of them were negative, although very few were as negative as my thoughts on the film. To me this was one of those films where as soon as something happens it hits your eyes, travels to your brain and then your brain forgets what you just saw in the matter of seconds. I really can't remember too many films where what was going on was simply traveling past me simply because of how uninterested I was in anything going on. I think there are a couple major problems with this picture but the main one is Montgomery. There's no question that he was a fine actor but this here has to be one of his worst performances if not the worst. I think to say he was miscast would be an understatement because it's clear that he was just the wrong person for this part. Perhaps had the film stayed closer to its source material, the play Busman's Honeymoon, then the actor could have done more with it. This film version goes for more romantic charms than mystery and the actor just suffers the entire time. Cummings really isn't any better and the two lack any real chemistry. Another major problem is that the director just never makes anything interesting happen on the screen in terms of style, energy or anything else that you can think of. HAUNTED HONEYMOON is a real snoozer from start to finish.

Ron Oliver A titled amateur detective & his mystery-writing bride spend a BUSMAN'S HONEYMOON when a murdered corpse is discovered in their new Devonshire home.Beginning with its first release in 1938 and for several years thereafter, MGM maintained a sister studio in England. In this way she could take advantage of the wealth of British acting talent available, and also get around the UK restriction on the import of foreign films. American stars were often sent over to take the top roles, an increasingly dicey maneuver as the Atlantic became dangerous with Nazi U-boats. BUSMAN'S HONEYMOON (called HAUNTED HONEYMOON in the USA) was one of those films.BUSMAN'S HONEYMOON, while not unpleasant to look at, is not without its flaws. The mystery isn't all that enthralling, but the main difficulty seems to lie in Robert Montgomery's portrayal of Lord Peter Wimsey. It just doesn't click. This very fine actor made a career from playing suave, sophisticated characters, which Lord Peter should be, but you can never for a moment forget that this is only Robert Montgomery playing a role; nor for an instant do you believe that this is Lord Peter come to life. And the American accent surely doesn't help, either.The lovely Constance Cummings, as Lady Harriet, suffers much the same fate.A fine gaggle of British actors, including Robert Newton, Leslie Banks & Googie Withers, appear in supporting roles. But the real joy in watching this film is reveling in the rare opportunity to see the marvelous old actor Sir Seymour Hicks, who portrays Bunter the butler. Sir Seymour (1871-1949) had been one of the great actor-managers & dramatists of the turn of the century. With his plumy voice & broad, impish face, he easily steals scene after scene with his stagy intonations & mannerisms.It would take the passage of several decades & the arrival of a completely new medium - television - before Dorothy L. Sayer's hero received superlative interpretations from actors Ian Carmichael & Edward Petherbridge.