Hottoceame The Age of Commercialism

Beanbioca As Good As It Gets

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

JohnHowardReid Thanks to the enthusiasm and capable acting by the entire cast, as well as the opulently mounted art direction by Richard Day and Nathan Juran, this venerable stage vehicle comes across rather well. True, Archie Mayo's direction is not particularly distinguished. Nor could George Seaton's screenplay be described as a model of cinematic adaptation. But the film was made in a workmanlike fashion and its gains kudos for its lavish production values. Jack Benny plays "Babs" with an endearing enthusiasm, and receives excellent support from Kay Francis, James Ellison, Anne Baxter, Edmund Gwenn, Laird Cregar, Reginald Owen, Arleen Whelan, Ernest Cossart and company. It's still very much a filmed stage play, despite its cinematic opening sequence which includes some particularly well-timed slapstick. But then it goes straight into the play which has been filmed mostly in long takes – though they are skillfully disguised by fluid camera movements and smooth inter-cutting. Sad to say, the play itself has now lost its position as the most successful (in monetary terms) comedy ever written. Its author, Brandon Thomas was not a professional writer. The son of a Liverpool shoemaker, he was born on Christmas Day, 1848. At the age of twelve, he became a shipwright's apprentice in order to support his mother who took in lodgers – mostly actors who were always behind with their rent money! Eventually, Brandon took up acting himself and started to write plays – both with the same lack of success. One day, W.S. Penley, a highly successful London comedian, happened to cast his eye over one of Brandon's manuscripts. "This isn't bad!" he told the young author. "Why don't you write a comedy for me?" Young Thomas scratched his head. "What sort of a comedy?" he asked. "You've played every character under the sun! Wait a minute! Have you ever thought of playing a woman?" The play's record-breaking London run of 1,466 performances was only outclassed – until Agatha Christie came along – by "Chu Chin Chow" (a play so popular that its author, Oscar Asche, became such a household word that in rhyming slang, "Oscar Asche" became a synonym for "cash". "Got any Oscar Asche?" my grand-dad would often ask.)

disdressed12 what a riot this film is,once it gets going.the first 30 minutes are just the setup.from that point on,it's gas.Benny is hysterical in drag.i laughed my but off at his hi-jinks.i even had tears in my eyes at times.this is surely a classic.if not,it should be.Jack Benny of course takes centre stage here,but the supporting performances are very good,as well.it's based on a very successful stage play,but it translates well to the screen.it's also been made into a movie at least once before.if you're a Jack Benny fan,you can't afford to miss this gem.even if you're not a fan of Jack Benny,or don't even know who he is,you should catch this film for the great writing and the slapstick.and it's a good introduction to Benny.for me,Charley's Aunt is a 9/10

jht176 1941 was the season for two comedies starring the inimitable Jack Benny with Charley's Aunt released in 1941 and the filming of Ernst Lubitsch's To Be or Not To Be starring Benny and Carol Lombard in what was unfortunately her last film which was released early in 1942.Both are great ensemble films, and both stand the test of time. I find it difficult to say which of Benny's two characterizations I find the better; so, I must group them together as proof that Jack Benny was one of film's best but also one of its most under-appreciated comic actors.Benny is Charley's aunt just as he is Joseph Tura in To Be or Not To Be. Yes, some of Benny's persona with its slow takes that was a mainstay of his TV persona for so many years is evident in both films but, I might add, in entirely different ways and definitely in keeping wit the two roles.Benny is not just Benny but a great actor who has managed to assume the character of the two roles.Charley's Aunt continues to be performed and continues to be filmed; nevertheless, I recommend any film buff and any troupe planning on presenting Charley's Aunt to watch the Jack Benny version again and then again.

carver I have also looked for a video of this for years and found it recently at the Forgotten Films web site. (Unfortunately, as of 2008 they seem to have gone out of business) The quality of the print is only fair. It is recorded at EP speed, but clear enough to enjoy the fun. Benny is very droll and Kay Francis looks like she's having a lot of fun. Edmund Gwenn turns in an almost madcap performance as well. Also look for Anne Baxter playing the ingénue. I think this is funnier than the Charlie Ruggles version, though the latter comes pretty close. I recommend the video only with the caveat mentioned above - at least it's a way to view the film. It's about time Fox Movie Channel or TCM finally aired this little stage gem on television, and whoever has the rights to it cleans it up and makes it available .