Congo Maisie

1940 ""I wouldn't take you, big boy, if I won you at BINGO !""
6.2| 1h11m| NR| en| More Info
Released: 19 January 1940 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Maisie gets lost in a jungle in Africa and the jungle of romance. The African jungle has snakes, crocodiles and witch doctors. The romantic jungle has a dedicated doctor with an un-dedicated wife and an embittered doctor who is dedicated to no one.

Genre

Drama, Comedy, Romance

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Director

H. C. Potter

Production Companies

Metro-Goldwyn-Mayer

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Congo Maisie Audience Reviews

SpuffyWeb Sadly Over-hyped
Sexyloutak Absolutely the worst movie.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.
dbkenner-73304 Maisie is Maisie. Always enjoyable, but never rising to the level of series like The Thin Man. I like them as much as Blondie and a little better than Torchy. If you liked the first one you can certainly bask in this mix of seriousness and silliness.Typically, some people are upset that the African characters are not all depicted as surgeons or poets. Oddly, these guardians of the film world end up minimizing the contributions of the black actors and the importance of the African characters (e.g., Everett Brown as Jallah). Third World riots aren't pretty (they share this quality with First World riots). Hollywood would film it different today, but they'd also ruin the movie with politics. To enjoy old movies we have to accept that things were different then. My rating (7/10) is measuring Congo Maisie against other movies in the series and against other series movies of the same type.
dougdoepke Since it's a Maisie, I was expecting more of a comedy. But the laughs, such as they are, are secondary to a rather dramatic plot. Due to a series of mishaps, our girl ends up in a medical research station in darkest Africa. There she mingles with a strapping fellow refugee (Carroll), along with the current research doctor (Strudwick) and his classy wife (Johnson). In the background lurks a restive native tribe and their jealous witch doctors. Naturally, emotions wander while the natives grow more restless.Sothern's brassy persona remains intact but with many more dramatic moments than usual for the series. And that's despite a really clever opening. Looks to me like the studio was still unsure of the series direction. Not so with the handsome Carroll, who's clearly a Clark Gable hopeful in both voice and manner, and getting a lot of screen time, to boot. Fortunately, Maisie gets some snappy lines, along with the movie's highlight where she out-performs the witch doctors with a magic act. And catch her slinky outfit that's a real eye-catcher. Too bad for Rita Johnson's rather dour and dowdy role as the neglected wife.All in all, it's a well-mounted B-picture whose sets and effects reflect MGM's concern with quality. Nevertheless, the 71-minutes largely fails to show off Maisie's street-wise comedic appeal to best effect. The series would soon find a surer footing for that appeal.
blanche-2 This time, just call Maisie "Congo Maisie" in this 1940 second entry into the "Maisie" series. Each episode of Maisie's fabulous life is done as a separate entity as if the previous one never happened. So don't get too attached to anyone.Maisie, stranded as usual, stows away on a ship that doesn't go the way she wants and, in fact, breaks down. She tags along with a rubber plantation manager (John Carroll) when he hikes to his old house where he worked as a doctor (he's since forsaken the Hippocratic oath). Now it's the home of a doctor who does research (Sheppard Strudwick) and his wife (Rita Johnson)."Congo Maisie" is chock full of adventure, with Maisie assisting in an emergency operation and, wearing a gown and a Carmen Miranda headpiece from her club act, fends off witch doctors. It's quite funny but as my sister yelled out to me hearing some of it, "Is that a politically incorrect movie you're watching in there?" Uh, yeah.John Carroll is the new object of Maisie's affections. He talks a lot and uses a monotone that becomes grating real fast. I recall a photo of him where he was presented as a Gable wannabe. Forget it. Rita Johnson is absolutely lovely, and Sheppard Strudwick is very good. Fun.
Greenster Quick-witted, fast-talking, wise-cracking and often penniless, Miss Mary Anastasia O'Connor undauntedly takes her nightclub act on the road--usually the very long road--persevering, and performing by the stage name of Maisie Ravier.Chapter Two of the resulting ten-film series bearing her name, and recounting her saga, finds her itinerary set in the wilderness of the Congo, hence "Congo Maisie" (MGM 1940).While much of its cast (including J.M. Kerrigan, E.E. Clive, Everett Brown, Tom Fadden, Lionel Pape and Nathan Curry) appears in its story's periphery, the lion's share of this jungle tale concentrates upon its second leads (Rita Johnson, as Kay McWade, and Shepperd Strudwick, as Doctor John 'Jock' McWade), its leading man (John Carroll, as Doctor Michael Shane) and, especially, its ever-lovely leading lady (Ann Sothern, as Maisie Ravier).This time around, Maisie books her nightclub act at a remote village up river from a western African port. Again impoverished, she cleverly stows away upon a river barge to attempt to reach her destination but is soon discovered by its renter, Doctor Shane (John Carroll).Evicted from his quarters, but remaining on board, she pawns trinkets for morsels of breakfast, about which time it is learned that the barge must dock for several days because of rising waters.Stranded from the raft, Doctor Shane reluctantly "rescues" Maisie, by inviting her to accompany him on a three- or four-mile hike through the uninviting wilderness to the nearby fortified medical research station, which he once managed.Here, Maisie is welcomed by its current operators, Kay and Doctor John McWade (the pretty Rita Johnson and the kind and gentlemanly Shepperd Strudwick). Miss Johnson is often cast as a "foresaken first wife" or "a possessive and haughty other woman." Here, she combines the types in gentle fashion, forlorn from her station in life, and seeking the advances of a handsome suitor.And Maisie, with her present bag of resources and presence-of-mind perception to figure the score, suddenly finds herself with her hands full, facing the breaking down of her hosts' marriage, a patient in need of emergency surgery, treacherous weather conditions, an impending attack on the fort by tribal natives, simultaneously, while trying to resolve her feud and feelings for Doctor Shane, before the raft sets sail again.