Dante's Inferno

2007
6.6| 1h28m| NR| en| More Info
Released: 18 January 2007 Released
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A darkly comedic travelogue of the underworld - set against an all-too-familiar urban backdrop of used car lots, gated communities, strip malls, and the U.S. Capitol. And populated with a contemporary cast of reprobates, including famous - and infamous - politicians, presidents, popes, pimps. And the Prince of Darkness himself.

Genre

Animation, Comedy

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Director

Sean Meredith

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Dante's Inferno Audience Reviews

Solemplex To me, this movie is perfection.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Justina The film never slows down or bores, plunging from one harrowing sequence to the next.
deideiblueeyez Having read the Inferno of Dante's works, it can become a bit stale with all of the adaptations and re-adaptations. The video game based on the works was okay but limited only to the horror/action genre that it had set itself up to be. I find this take on the classic to be NOT watered down, but a modern interpretation that a layman can view and perhaps be inspired to look more into it.All of the snobs that say that it's dumbed down apparently don't realize that very old classic literature--especially ones with heavy religious themes--don't click with everyone and can appear on the surface as holier-than-thou to a modern reader. With this film the basics of not only the horrors of Hell and Dante's enduring love for Beatrice (which would probably seem obsessive and maudlin for today's audience) are presented in a digestible way. I was already acquainted with the Circles of Hell even before watching this film, but making parallels and connections to what I knew and the "updated" version of it proved to be just as entertaining as if I came knowing little about the source material.
Hans Bedlam Warner Bros.'s is talking about making a movie of Dante's Inferno. I'm hoping that they don't screw it up like 90% of the movies that come out of Hollywood. Lets try not to be cutting edge about it. Stay from the video game version of it. This was one of the best film version that was ever done. It had a modern twist yet kept the spirit of the book. As of right now all I can see is over bloated CGs and some bad acting. Tim Bruton would be able to pull it off. Please Please no more M Night Shyamalan. That one trick pony died years ago. Side note: NO MORE SPIDERMAN MOVIE!! Uncle Ben was the lucky one, He got to die in the beginning and did not have to watch any of them.
ramaza_goast I just finished watching this on DVD and have to say it was an interesting experience. I have been a watcher of animation and a reader of classic books, but to see the two combined in such an unusual manner was well... refreshing. I love the fact that the movie was an updated telling of Inferno. I think that the retelling of the original would be lost to most moviegoers, heck unless you happen to be a historian specializing in the day and age of Dante, you would probably be scratching your head at obscure Italian politicos of the 13th century. That's why footnotes are lovely in books. The film seemed to carry the same spirit of the book, in that it was a rousing social and political poem. But it does carry a strong leftist theme that most conservatives would rather not endure. The look of the film is, to me, very fresh and amazing. The amount of work and care in the puppetry is spectacular. If you are open to a new experience of an old tale give it a try.
vic-232 A group of young filmmakers with virtually no budget set out to make something clever and original -- and while there is a bit of originality and some skilled drawing in this slacker puppet show take on "Dante's Inferno," there is nothing especially clever. Dante's "Divine Comedy" was a brilliant piece of social commentary. This film is a vaguely moralistic student film with pretensions to High Art.I suspect those who loved this film were those readily amused by the sophomoric pokes at some icons of the political and/or religious right, and that those who hated it took offense at seeing their favored icons poked. Be that as it may, few of those pokes actually rose to the level of satire.The high point of the movie is a sudden outbreak of "Schoolhouse Rock" on the subject of lobbying and the "revolving door." It's really a shame that the entire film couldn't have been a musical. That would have stripped away a great deal of the annoying film school pretentiousness and added a far stronger element of fun.