Day of the Evil Gun

1968 "They had one enemy even more deadly than the Apaches... each other!"
6.4| 1h35m| G| en| More Info
Released: 01 March 1968 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Two men on a desperate search to save a woman only one of them could have!

Genre

Western

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Director

Jerry Thorpe

Production Companies

Metro-Goldwyn-Mayer

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Day of the Evil Gun Audience Reviews

Exoticalot People are voting emotionally.
JinRoz For all the hype it got I was expecting a lot more!
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Spikeopath Presumed dead, aging Gunslinger Warfield (Glenn Ford) returns to Adamsville to find that wife Angie and two young daughters have been kidnapped by the Apaches. Owen Forbes (Arthur Kennedy) is the man giving out the news and also claiming Angie was to marry him after giving up on Warfield ever returning. An uneasy alliance forms as the two men set off to find the missing girls.Directed by Jerry Thorpe and scripted by Charles Marquis Warren, Day Of The Evil Gun is a low budget mixture of more notable genre pieces. Tho the production value is low, it is however boosted by two enjoyable lead performances and the story is never less than interesting as our duo run into a number of feverish like encounters. In fact the film very much feels like a spaghetti Western at times, such is the odd ambiance that accompanies the men on their perilous odyssey. Fine support comes from Dean Jagger & John Anderson, while Harry Dean Stanton also weighs in with an appearance.No great film by any stretch of the imagination, but certainly one that has a little more to it to keep it above average. 6/10
wmjahn I like Glen FORD and consider this western a minor classic. Pretty unknown and still waiting to be recognized even by movie buffs this little gem has definitely not yet the reputation it deserves."Directed with lazy assurance" as the TIME OUT FILM GUIDE correctly writes, by veteran director Jerry Thorpe, and played with laid back gusto by all involved, this western offers a very grim and dark view on the "old west", more influenced by the Italo-western (which was in full bloom in the later 60ies) than the classic US-flick. Gunfighter FORD, aged, bored, tired and with "have-seen-it-all" eyes, comes back home just to find his wife and 2 small daughter carried away by Apaches. Arthur KENNEDY claims his wife was about to marry him and after an incredibly tough fist-fight they team up (unwillingly) to rescue them.What follows is an odyssey through some very bizarre situations, staged with the aforementioned lazy assurance, situations, which one does not happen to see in many other US-western: everything is dark, depressing, cynical and void of any sympathy. Whereas THE SEARCHERS had some hope underneath, this is more than 10 years later and the characters, scripted by veteran scriptwriter Charles Marquis Warren, are driven by the urge to do what has to be done, but equipped with little hope. FORD plays the "lost character" in an old west with dark cynical humor, one of his best later performances. Kennedy is fine, too, and also very worth mentioning is the character played by Nico Minardos, whom you would more expect to find in any Quentin Tarantino movie than in a B-western from the later 60ies. Great rough music by Jeff Alexander! All in all a very watchable outing, made by experts, each of whom must have had a dozen or more western to his credit at the time, when they teamed up to put DAY OF THE EVIL GUN on celluloid.Watch out for this and don't miss it, it's very well worth a viewing !
Larry D. Buchanan I've just finished reading the glowing remarks of others on this film, and I am incredulous. Did we see the same movie? I'm a huge fan of Glenn Ford and Arthur Kennedy. But they both must have been buying new property or something when this outrageous script came by. They could only have made it for the money.We often appreciate drama by practicing the age-old "willing suspension of disbelief." This movie, however, challenges this with a series of totally unrelated and laughingly unlikely scenarios, almost saying, "Well, okay, but would you believe this?" The Mexican bandito finds our two heroes strung up in a tree. He goes to all the trouble of staking them out in the heat of the desert so the vultures will devour them alive. (The stakes, which the bandito just happened to have, are securely driven into sand.) Oops. No. He returns to save the one who says he knows where some money is. By the way, the bandito hasn't even broken a sweat from all this physical exertion.What? This clever bandito is easily distracted by searching for the missing money in the butt of the rifle he took from the two, so Ford can outflank him. El bandito thinks he is safe because the one bullet in Ford's pistol is two chambers away from the hammer.What? Our heroes learn from one of the citizens dying from cholera that the Apache camp where the wife and daughters are being held is two and a half days west. Apaches are not resident farmers, like the Hopi, they're desert roamers. But they'll still be there when our stars arrive.What? The renegade soldiers have only ammunition to bargain with the Apaches for their lives, but during the Indian raid, no one is assigned to protect the remaining wagon of bullets.What? After crossing a desert, Kennedy dives into the first water source to noisily slake his thirst. The nearby Apache sentry does not hear or see them.What? They manage to sneak up on the sentry and take him out. That's two clumsy white guys trying to be stealthy around a moccasined Indian.What? Ford and Kennedy rappel down a cliff side in full view of the Indian camp without drawing attention.What? They succeed in sneaking up behind the woman and her daughters who have been tied to three poles in the center of the camp. One must assume the three have been staked there, relieving themselves in their clothes, for the four or five days its taken our heroes to get there.What? They cut the bindings, shielding themselves from the Indians' view by peeking around the poles. The Indians were sort of like folks who couldn't see the resemblance between Clark Kent and Superman.What? No one is protecting the Apaches' horses, when Ford drives them away and Kennedy piles the ladies onto the ammo wagon and escapes. Their escape will take more than two and a half days. They make it without the Indians chasing down a few horses and attacking from the rear.What? In the final confrontation, Kennedy is shot from behind by a store keeper who admits to knowing nothing about guns. The single shot is a good 30 yards and not just wounds Kennedy but kills him instantly.What? To all those viewers who bought this sequence of thinly weaved scenes that come unraveled like cheap sweaters, I ask, were you smoking something? Or what?
roles68 Make movie available on DVD as you can't buy this excellent movie on any format. Anyone who likes westerns should not miss this one. The psychological roles that Ford and Kennedy play make this movie definitely different and spellbinding for the viewer. What's interesting about this movie is the apparent role changes that take place between Glenn Ford and Arthur Kennedy. They switch from Ford as a reforming gunslinger to Kennedy a mild family man turning the opposite direction. The movie lived up to my expectations of both actors. I missed this movie when it was first released in 1968 and can not find it available in any format. So far, catch it on TV if you can in your area.