Dying of Laughter

1999 "The people adored them. They hated each other. This is their story."
6.5| 1h53m| NA| en| More Info
Released: 12 March 1999 Released
Producted By: Lolafilms
Country: Spain
Budget: 0
Revenue: 0
Official Website:
Info

Nino and Bruno are two comedians who reach the heights of success with their duo act, turning them into huge TV celebrities. However, the hate between them grows as fast, and as much, as their fame

Genre

Comedy

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Director

Álex de la Iglesia

Production Companies

Lolafilms

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Dying of Laughter Audience Reviews

Wordiezett So much average
ChicRawIdol A brilliant film that helped define a genre
Kinley This movie feels like it was made purely to piss off people who want good shows
Logan By the time the dramatic fireworks start popping off, each one feels earned.
Andres Salama Not among Spanish cult director Alex de la Iglesia's best movies, this film tells the tale, through almost two decades, of two TV comedians who are a very famous and successful duo (though their act is nothing else than one of the guys slapping the face of the other guy) but who grew to hate (and really hate) each other to death. The duo is played by Santiago Segura and El Gran Wyoming, two famous comedians in Spain. Segura, the fat guy in the duo and the one who gets slapped, is famous there for the Torrente films, in which he plays an hilariously corrupt cop. This movie is only mildly funny, and I'm not sure it would travel well outside Spanish speaking countries.
el_monty_BCN The idea was very clever; the director was one of the best in Spain; the cast was stellar, putting together some of the most famous comedians in the country; even the song that came with it was a huge hit in the Spanish charts! It couldn't fail, could it? Yet it did. Because this was supposed to be a comedy, but it doesn't have a single laugh-worthy joke. Seriously. I really wanted to enjoy it, because I'm a fan of all the main players involved (de la Iglesia, Segura, Wyoming, Angulo), but I found myself staying silent throughout the whole thing. The problem is probably that the comedy is so black, that it's not comedy any more. It just isn't funny. But it doesn't work as a tragic drama either, because the story is so exaggerated and so absurd, that it's impossible to take it seriously. So it simply doesn't work at all. A pity of wasted talent.
Chris-564 "Muertos De Risa" had such a lot going for it, it's hard to see exactly how director, cast and crew could make such a stupendously stupid film. Yet somehow, through colossal ignorance of what makes a decent movie, sheer bad luck or a complete lack of talent, Alex De Iglesia's supposed laughfest offers little more than a bewildered titter at the point of the thing.The thing was, I went in with such high hopes. The poster looks good, I was in the mood for a knockabout screwball comedy, and I had been busy defending this type of movie to my Spanish friends (who clearly aren't too impressed with this genre - see "El Milagro De P.Tinto"), and I was looking forward to a nice seventies kitsch affair. But it just failed to deliver. The comedy was dire (alright, I might have missed a few Spanish language one-liners, but judging by the noises the Spanish audience were making, I doubt it). But really, what's going on? How on earth did this make it past greenlighting? It can't be entertainment, surely.Nevertheless, before sitting down to write this review, I endeavoured to find some positive aspects of the film. And, to my surprise, there were one or two diamonds in the very, very rough. Firstly: the title sequence - lovely, stylised animation, nice attention to seventies detail. Secondly, the goat gave a sterling performance - I can honestly say I have never seen a goat play dead quite as realistically - fantastic! (In comparison). Finally, the comedy old mother is alright, I suppose. But animation, goats and mothers aside, there isn't a lot to look forward too, I'm afraid.The thing is - it's all so bloomin' unnecessary. There is no need for all the naked women (no there isn't, to all those lecherous readers out there), there is no need to push the jokes quite as far as they try, because the jokes don't work on their own. There was just no point in making the film: a brief comedy sketch on "Saturday Night Live", fine - but a feature-length movie? Never. "Muertos De Risa" is crass, stupid, unnecessary and irritating (like most of the actors). I don't think I've ever hated a movie quite as much: which is good, I'm glad it's got my passion up. I might try to watch it with subtitles, just to see if I did miss something stupendous - and you will be the first to know if I did. But I really don't hold out much hope.Alright - this is a personal opinion; you, of course, might love it. But my advice is this: if you're after screwball Spanish comedy, watch "El Milagro De P.Tinto", if you're after soft porn, watch anything by Russ Meyer, and if you're after an example of the best Spanish cinema has to offer, then try "Todo Sobre Mi Madre". If, however, you're after something to irritate the hell out of your friends and family, maybe this is the film for you. It certainly isn't for me.
Miguel Angel Diaz Gonzalez I can't believe there are people who like this movie. Of course, their opinion is as valid as mine, but it's hard for me to understand that. What's in this movie? A few pseudo-comic scenes, several references to old spanish TV programs and music hits (if you want to feel nostalgic with all that stuff you can watch a spanish TV documentary instead and that'll be surely better), and a surreal plot only understood by the people who made the film. I must confess I didn't laugh a single time, perhaps I smiled twice or three times during the whole movie. Sorry, Santiago, I don't like it !My rating is 4 out of 10 (and I'm being generous because I'm spanish).