Emanuelle in Bangkok

1977 "She's hotter than ever!"
4.4| 1h34m| R| en| More Info
Released: 01 November 1977 Released
Producted By: Flaminia Produzioni Cinematografiche
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Info

A reporter travels the world's hot spots, looking for lurid stories that usually involve her sexual participation in gaining those behind-the-scenes exclusives.

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Director

Joe D'Amato

Production Companies

Flaminia Produzioni Cinematografiche

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Emanuelle in Bangkok Audience Reviews

AniInterview Sorry, this movie sucks
Tedfoldol everything you have heard about this movie is true.
Comwayon A Disappointing Continuation
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
lazarillo This is the first "Black Emanuelle" film directed by Joe D'Amato and it actually resembles the first "Black Emanuelle" more than any of the more notorious and depraved films in series which D'Amato later directed. The movie doesn't have much of a plot, and more of it takes place in Casablanca than in Bangkok or the Orient, so both the English and Italian titles are pretty inaccurate. For the record, Emanuelle has sex with an archaeologist (played by Gemser's real-life husband Gabrielle Tinti), a female Thai masseuse, a male Thai bellboy, some swinging American Republicans (Ivan Rassimov and the lovely Ely Galeani), the entire (strangely all-European) contingent of the Thai king's bodyguards, a Thai customs official (after her passport is stolen), the Republican wife again in an airplane bathroom, the archaeologist and his new fiancée, the fiancée again along with a black dancer and an entire horde of horse-back-riding Arabs, and finally the lesbian daughter of the American consul in Casablanca (Debra Berger).Most of these sex scenes are all pretty truncated, which may frustrate the hairy-palmed viewers out there, but the movies probably would have been six hours long otherwise. There's also a lack of the depravity we've come to expect from D'Amato aside from an obviously unstaged snake/mongoose fight and the scene where Emanuelle is "gang-raped" by the king's bodyguards, which she either enjoys or doesn't mind too much since she later takes her lover's fiancée off to dance naked in an Arab tent and get gang-banged again. These scenes though are really no different than the African village scene or the (literal)train scene in the first "Black Emanuelle", and they take place mostly off-screen anyway.Still the girls are very pretty, the cinematography and natural scenery are appealing, the music ranges from execrable to enjoyably cheesy. And this is now paired with two (slightly) better "Black Emanuelle" movies in the new "Black Emanuelle's Box" DVD set, so check it out for yourself.
haildevilman The exotic locale gave this a bit more to work with.The obvious titillation scenes seemed to be the main point here. (Loved the massage scene.) Then big Joe just found ways to connect them. That's what he did best.Gabriel Tinti, (Goddess Gemser's real life, and late, husband) makes an appearance as her paramour here. As he did in many of these films. He was a decent actor actually. I like seeing him as the straight man in her life.I liked seeing Ivan Rassimov as the prince. He really played a great authority type. It's strange that he and Gemser didn't star in more films together seeing as they did a lot of similar work.Call this a soft x film pretending to be a documentary.
dogcow This is a suprisingly good film. The photography is good, it seems to have some decent production values, the score is excellent, and the editing is slick. It outclasses many of D'Amato's hardcore films and the erotic scenes are more hot than anything you can see late night on cinemax. An overlooked D'Amato/Gemser classic I say.
DesiMaal The title says it all!! There is no story, just lovemaking scenes at regular frequency as the scene shifts from the Orient to the Gulf with a cruise thrown in between. The only saving grace for the film are the Husband & Wife couple of Gabriele Tinti & Laura Gemser.