Faithless

2001 "One Moment Can Change A Lifetime"
7.4| 2h22m| R| en| More Info
Released: 26 January 2001 Released
Producted By: SVT
Country: Sweden
Budget: 0
Revenue: 0
Official Website:
Info

Scripted by Ingmar Bergman, this very personal film is about a destructive affair which wrecks the marriage of an actress (Marianne) and musician (Markus). Wanting to continue the affair, Marianne moves in with her lover. But she is tormented by Markus' decision not to let her have custody of their daughter. Finally Markus announces he may have a solution to the stalemate, but this leads to deception, lies and ultimately, tragedy.

Genre

Drama, Romance

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Director

Liv Ullmann

Production Companies

SVT

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Faithless Audience Reviews

GamerTab That was an excellent one.
VividSimon Simply Perfect
Stometer Save your money for something good and enjoyable
Lumsdal Good , But It Is Overrated By Some
TheLittleSongbird While directed by Liv Ullman, Faithless looks and feels like a Bergman(who took on the writer role) film, and I mean that as a compliment. Faithless is beautifully shot and looks evocative, very like Bergman actually. Ullman, as she also did with Private Confessions, proves that she is every bit as good as a director as she is an actress. The story is deliberately paced and also intelligent and poignant in both the storytelling and how the themes are incorporated, and Bergman writes one of his more personal and insightful scripts. The characters as always with Bergman are compellingly real and sharply observed, and the nuanced and pitch-perfect performances of Erland Josephson and Lena Endre only adds to that.Overall, a wonderful film. Not one of my favourite Bergman films, but one of his best later films. 10/10 Bethany Cox
Scarecrow-88 Erland Josephson stars as a screenwriter who, through a muse(Lena Endre, who also portrays the main female character of Marianne as well), summons an extremely depressing tale of the passion and tragic consequences of infidelity. David(Krister Henriksson)is the job-less love-partner for Marianne whose husband, Markus((Thomas Hanzon), travels with his successful orchestra. David is a sad case because he's deep in debt through constant failure--a direct opposite of Markus. Anyone can see Marianne's setting herself up for a harsh existence she just can not pull away from. Marianne's passion for David overwhelms her to the point where she's willing to sacrifice the marriage to a success for a certain failure. David's jealousy doesn't help matters(not to mention he has two children he barely visits at all from a previous relationship)considering his bad debts and mood swings.The truly tragic victim, and the film definitely points this out, is young Isabelle(Michelle Gylemo)who is Markus and Marianne's daughter. She sees the crumbling around her as three people fight, bicker, or do not associate at all. The film's main conflict, besides the adultery and it's effects, is the supposed court case and how Markus wants full custody of Marianne. He doesn't contact Marianne for a long period while also sending social service to check out the living conditions of David and Marianne. Then, after a certain disturbing sexual agreement, Markus allows Marianne to have full custody of Isabelle ending in further tragic consequences. We see that the once joyous relationship of David and Marianne is starting to topple as well.The film's theme isn't fresh, but the performances from the three main actors are. Endre is quite expressive and mesmerizing in the lead female role as she speaks through the varying degree of emotional ups and downs her Marianne continues through because of her decisions. We rarely see Markus, but Henriksson is certainly convincing as David, a man caught in an emotional quagmire often behaving irrationally and emoting certain feelings haphazardly. I feel we should be able to see quite early that this relationship, despite it's passionate, loving moments was never gonna last.
mar_solelie Ingmar Bergman,as you may know it ,wrote the screenplay of Faithless.Bergman ,a great director and a writer-to me--he is more a `writer' than director.Erland Josephson is Bergman 's best friend and favorite actor in Faithless he plays,well,Bergman!.Erland 's character is an aging film and theatre director who `conjures' up the ghost of Marianne(Lena Endre),an actress and ex lover ,who also became his muse.The film concentrates on her disastrous affair- years ago- with her husband's best friend and the terrible consequences for her own family(as the suffering of her child). Lena Endre is part of Ingmar Bergman troupe(she has worked with him in the theater) gives one of the most exhausting performance I ever seen!.she can seat next to Ingrid Thulin as one of the most captivating female actresses from Sweden(after Greta and Ingrid of course!).Liv Ullman(another Ingmar Bergman muse) in `Faithless',also gives something important:a tribute-- `homage'-- to this unique film-maker.Liv's directorial work it's strong -of course--she had learn from the best!.Bergman's fascination -through his so productive- career has been the impossibility of relationship between a man and a woman;the egocentrism of an artist and also death.We tend to ` idealize' monogamy and fidelity.FAITHLESS is close to films like Scene from a Marriage,(starring Ullman) or Wild Strawberries(an aging man goes to a metaphysical journey).So ,my question is :was Ullman paying tribute to Bergman or this film is Bergman's gift to his long time muse?.I think is both.See also Bergman's CRIES &WHISPERS.His tribute to all his important muses,women and actresses of his incredible career.Anguish and uncertainty,just think of what this words means.Faithless is a complex film about many subjects: `adults' who can't have a connection.'complex woman'_one thing that I love about this film is how complicated the female psyche can be.and the perception of reality/fiction from an artist(he creates from his experience or it is based on fiction and fantasies?).Bergman_through close-up _ had show the `female GAZE'-that particular LOOK. In Faithless his woman sees an extraordinary old man,he is her confidant-she doesn't exist without him-(or viceversa?).Then, she vanishes. an artist can be very faithful with his own art,with his actresses ,with himself---this is a very powerful subject.FILMS are a prove that ghosts really exist,that characters are more alive than real people.Bergman and ULLMAN:faithful talents exploring the blurred line between an artist and his muse.Or when the muse surpasses the creator.(can this be possible?).A wife.A lover.A muse.all of this and more.9/10
burrresear The performance by Lena Endre was the best I have seen this decade. And the facial nuances of Erland Josephson were superior as well. All in all, the acting surpassed the totality of the movie per se; but, still this is a movie well worth seeing. I wish the US would produce films like this.