Felicia's Journey

1999 "Monster’s Aren’t Born."
7| 1h56m| PG-13| en| More Info
Released: 24 November 1999 Released
Producted By: Alliance Atlantis
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

Seventeen and pregnant, Felicia travels to England in search of her lover and is found instead by Joseph Ambrose Hilditch, a helpful catering manager whose kindness masks unsettling secret.

Genre

Drama

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Director

Atom Egoyan

Production Companies

Alliance Atlantis

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Felicia's Journey Audience Reviews

Lawbolisted Powerful
Platicsco Good story, Not enough for a whole film
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
ctomvelu-1 A young, pregnant Irish lass (Cassidy) journeys to England to search out her baby's dad, who has left them behind supposedly to work in an English factory. In fact he has joined the army, which she doesn't know. She comes across an apparently sweet old man (Hoskins) who run a catering company in Birmingham. He takes her under his wing, but we soon see his plans for her are not exactly pleasant. Hoskins is terrific as a mild-mannered psychopath, although his unusual accent is off-putting to American ears and not always understandable. Cassidy is very convincing as the naive young mom-to-be. Very dreary setting, understandably so since it take place in dreary Birmingham; also, the time frame is a bit confusing. One would guess it must be set in the 1950s or '60s, based on the attitudes expressed toward abortion. But it is apparently set in the early 1990s. So be it. Not your conventional thriller, this is certainly not aimed at the mass audience and will find limited appeal via TV showings. Tricky flashbacks help tell the whole story and there is an equally tricky and unexpected ending.
paul2001sw-1 Atom Egoyan's film, 'Felicia's Journey', is set in the late 1980s; but like so much of writer Willaim Trevor's work, it feels set in an older time. Bob Hoskins' character lives under the shadow of the memory of his monstrous mother, a 1950s TV cook; but the film's other themes also appear dated: an Ireland in the continued grip of Catholic insularity, first generation Jamacian-British immigrants, even Birmigham as a manufacturing centre; all of these seem subjects that belong to another time. And while Egoyan assembles a visually satisfying picture of this world, the soundtrack is sometimes intrusive and the plot is stymied by the fact that Hoskins' character is just too odd to attract the sympathy necessary to balance that which the viewer naturally has for the eponymous Felicia. Overall, it has the feeling of a short story padded out to make a full-length film; although there's a nice atmosphere of Gothic horror in the climax. Still, if you haven't seen it, you'd be better watching 'The Sweet Hereafter', Egoyan's finest film.
bob_bear The TV announcer who introduced this late one Saturday night said it should have won Oscars. Quite a statement for a film I'd never heard of...though why I should have taken any notice of a TV announcer, I don't know. In the event, said announcer was talking tripe.It's a dreary, miserable movie that leaves a bad taste in the mouth. I couldn't get on with Hoskins' awful Burr-ming-gum accent. Can't see any advantage in it being set in the Midland's anyway. Unresolved threads abound...and I wouldn't normally mind this but half of them make no sense. And what about when Hoskins' says he'll pick Felicia up from outside her B&B although she never told him where exactly she was staying??? Or her buying into the funeral that clearly never took place (and where was she during those days???) Clumbsy and ill-thought through bits of business if you ask me.It's a thriller without thrills. It's full of pretentious bits of business. It's depressing... Didn't like it. Thought it was rubbish. Wouldn't recommend it. 'Nuff said.
raindead You just need to see this as a poorly executed anti abortion propaganda and you will realize just how bad it really is. The main message of this movie is that even the sickest of persons can't commit an abortion. If you ask that's not a long way away from blowing up abortion clinics. So this guy wants to kill some poor girl but he has to convince her to do an abortion first. What a load of crap. And the worst part is that he has an convincing argument (bringing a child into a loveless environment), but that is supposed to be dismissed because he's a freak anyway. And the part with the bible pushers...first they throw this girl out just because she explains someone stole her money (that rule must be in the bible somewhere) and then on the end they are some sort of angel like deus ex machina delivering the killer from evil by harassing him on his front yard. Come on. Other downpoints include a very confusing scenario (and I don't mean in a good way)...so this guy is just some psycho why? Because his mother fed his some liver once? And I don't know about the rest of you but he seemed like the nicest person in the world throughout the whole move! even though he was a wearing girlie clothes, stealing money and taping girls in his car. If you forget the idiot story, this movie has a really great cinematography and Bob Hoskins was really great, and it has one of those funny little English cars in it. If it was actually about some psycho killer I'd give it a 7 at least.