Girls Under 21

1940 "Too old for play-things... and too young for love!"
6.1| 1h4m| NA| en| More Info
Released: 15 November 1940 Released
Producted By: Columbia Pictures
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Budget: 0
Revenue: 0
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Francis Ryan, living high-and-free-wheeling life as the wife of gangster "Smiley" Ryan, spends some time behind bars as a result of her husband's activities, and, when she gets out, realizes she has been a bad example for her kid-sister, Jennie White, and five of her friends. With the aid of her old boyfriend, she manages to divert them from their juvenile-delinquent path leading to disaster for each.

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Director

Max Nosseck

Production Companies

Columbia Pictures

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Girls Under 21 Audience Reviews

Alicia I love this movie so much
Sarentrol Masterful Cinema
WiseRatFlames An unexpected masterpiece
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
warrenk-2 I saw "Girls Under 21" at the Guild Cinema in Albuquerque as part of a Noir festival. I went with low expectations but the film surprised me. It moved at a brisk pace, had many snappy, funny, irreverent lines, and its ending seemed socially progressive rather than one artificially moralistic to satisfy the Production Code. Paul Kelly, Rochelle Hudson, and the young actresses who played the delinquents all gave good performances. Bruce Cabot, although good, really had nothing more to do than to advance the plot. The film is worth viewing.The IMDb plot description indicates Frances, the Rochelle Hudson character, had been the wife of Smiley Ryan (Bruce Cabot) before she spent time in prison as a result of his illegal activities. This piece of information was lost on me. I don't remember any mention of a divorce or of Frances still being Smiley's wife which should have come up given her friendship with the high school teacher (Paul Kelly) -- and his interest in her -- and all the gossip and disapproving looks she receives from the women in the neighborhood. I assumed Frances and Smiley had had a less formal relationship, but one he wanted to continue given his 'your my woman' attitude. Of course, it may have been brushed over quickly in the sequence when Frances returns to her old neighborhood, spectacularly well dressed and looking so healthy after her time in jail that I was puzzled attempting to figure out why this beautiful, articulate, and stylish woman was on the steps of a tenement talking to a group of delinquent teenage girls while a multitude of dowdy women looked on with disapproval. But this was Hollywood in 1940.