Hard Ticket to Hawaii

1987 "Pay the price for paradise!"
5| 1h36m| R| en| More Info
Released: 01 March 1987 Released
Producted By: Malibu Bay Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

A Molokai-based civilian pilot and an undercover DEA agent intercept a delivery of diamonds intended for druglord Seth Romero. Seth, his henchmen, and other island undesirables launch a full-scale assault on the duo. If they're going to survive, they'll need the help of agent Rowdy Abilene and his partner/kickboxing expert Jade.

Genre

Adventure, Action

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Director

Andy Sidaris

Production Companies

Malibu Bay Films

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Hard Ticket to Hawaii Audience Reviews

FeistyUpper If you don't like this, we can't be friends.
CommentsXp Best movie ever!
Beanbioca As Good As It Gets
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Matthew Anderson Hard ticket to Hawaii was introduced to me by pure randomness, on a rainy day of having nothing to do, I looked out on the Internet movies considered so horrible and cheesy, that they are actually hilarious and entertaining! I saw all of them except that one movie; Hard ticket to Hawaii... And... Oh.. My.. F****ng God, this movie is a masterpiece of awful! I mean, it's like if a Porn movie and Rambo had a baby... Let me sum up this movie in a few words; Boobs, Guns, Drugs, Blood, Lots of boobs and A GIANT SNAKE! After reading this, you probably have the urge of watching this flick out, if not well... Good for you, cause that movie if really terrible!For those who wants to be entertained by nudity violence and hilariously bad dialogues, watch this movie you'll laugh your butt off! For those who wants a cinematic and artistic experience of art, well, why are you even on this page?! This movie, as a normal dude who wants to be entertained, deserves an 8/10... For the mainstream critics, it is AT BEST a 3/10... In my humble opinion! Thanks for reading!
Dave from Ottawa ... but here goes anyway. Andy Sidaris has no more directorial sense than Ed Wood, and not much more money, but like Ed Wood, he never let a shortage of cash or talent keep him out of the director's chair. Like all of his movies, HTTH plays like low rent T&A version of Chips or some other bad 70s TV action show, but with worse acting and dialogue, shoddier action sequence construction and painfully cheap explosion effects. For instance, when a chopper blows up halfway through, the model looks so fake you can practically read 'Fisher-Price' on the bottom. And the plot-line seems like a random assemblage of action bits pulled off a dartboard, which it probably was. Sidaris works so fast and slap-dash, he makes Jesse Franco look like Steven Spielberg. I may have spent more time dashing off this review than Andy spent on HTTH's script. Nevertheless, he knows what his audience wants: bouncy Playmates showing off a lot of skin while shooting it out with bad guys, and he delivers the goods. You have to give the guy credit for truth in advertising if nothing else.
u240robert One of the hottest looking "actresses" ever. Lots of nudity, even when they have clothing on they are usually running around and wear very sexy outfits so it's still pretty cool. Despite the obvious appeal because of the babes, this movie is filled lots of action and is fun too watch. Not exactly on the level of Citizen Kane, but hey who cares, Orson Wells never looked this good!
baddnews First there was the Bicycle Thief, then Citizen Kane, Gone With the Wind, Doctor Zhivago, Gahndi, and now Hard Ticket to Hawaii. Breathtaking cinematography and cunning script writing make this a must-see for all who aspire to create "films" rather than movies. Dona Spier (grossly ignored by the academy) spews forth her lines with an enthusiasm unseen since the great Shakespearean actresses of the 18th century. Andy Sidaris is a shrewd judge of talent and is horribly underestimated, as his films are usually ignored at the Cannes and Aspen film festivals. I rate this a 10.