Hide

2008 "Love is Hell"
5.1| 1h36m| NA| en| More Info
Released: 17 December 2008 Released
Producted By: Wishbone Entertainment Inc.
Country: Canada
Budget: 0
Revenue: 0
Official Website:
Info

A modern day Bonnie and Clyde - with a twist - that follows two lovers down a path of destruction, mayhem, and murder as they live in a world where it is acceptable to take whatever they want with murderous consequences.

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Hide (2008) is now streaming with subscription on Prime Video

Director

K.C. Bascombe

Production Companies

Wishbone Entertainment Inc.

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Teringer An Exercise In Nonsense
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Jeannean Sword Hide is different than you would expect from Christian Kane. It is really dark, but it shows how versatile of an actor he truly is. The man can do anything and do it exceptionally well. I would recommend this movie to all fans of Christian Kane but be prepared as it is violent and has a twist. You should watch Her Minor Thing with Christian Kane and then Hide to see how truly amazing he is. You may need to watch Hide more than once before it all makes sense as I missed a few things the first time. Christian Kane truly deserves much more recognition than he has received as he puts his heart and soul into everything he does and it shows.
Jay Steves I really thought this move started out good, and it wasn't having any problems keeping me glued to the screen...And then the script did a complete 180. It was almost impossible to know what was going on by the end. The thing that gets me is, it didn't have to be that way. The story had a good premise, with plenty of different avenues to go, and the way it was handling Billy's character arc after Betty broke him out of prison was fun and original. In addition, I really wanted to see what they would do with the money, and if Billy would eventually be able to change Betty's outlook on life. Instead, it felt like a cop-out. Either that or they ran out of cash. For example, once they hit the abandoned town, they never left that location. Sure they go in the "diner" and the "church" but those were both pretty lame settings. This, as opposed to the first half of the movie were we go from a jail, to a motel, to a long country highway, to an old gas station in the middle of the desert. Maybe I'm just bummed out because it had so much potential, and it hits act 3 and just craps out. In all honesty, even after reading other people's opinions and input, the ending just doesn't add up for me. I mean, if the directors intent was to make us realize that Billy is really dead, and he has to constantly relive killing the people he loves, well then, the director did a awful job. I say this because, he's completely cu cu and insane by the time he's killing Betty. For god sakes, the guys smiling, and obviously enjoying it! If he is supposed to be in agony, stop having so much fun, and being so sadistic about it. I think it would have been more effective if he would have been more emotional (maybe if he cried while killing Betty.) Also, we don't actually get to see him kill her either, and I was really looking forward to it.Just a side note, everyone else has mentioned the Tarantino style being evident, and I'm not going to argue that . But, I just want to say that Quentin doesn't have a copyright on witty dialogue mixed with gritty violence. That said, the whole not showing Betty getting killed, reminded me of the cutting the ear off scene in Reservoir Dogs, when the camera pans away instead of showing the act itself, except, in the case of Hide, it was completely ineffective. If your going to throw us a curve ball ending like that, at least let us see the hot blonde get stabbed to death.
dbborroughs I'm not quite sure what to make of this story of Billy and Betty, two Bonnie and Clyde wannabes who go on a rampage out of a Quentin Tarantino movie and then find out that there is no running from your actions. The film starts with the events in a diner and then jump to seven years later when Betty frees Billy from a prison van and they go on the run. The past present and future seem to mingle as someone seems to be after them and they ponder if one can ever be free of past deeds. This is a well made, if derivative film (it relies way too much on Tarantino and others). The performances are good, but the problem is the script which tries to have things every which it can before it gets really confused for the WTF ending. I like the film, I really do, but I don't love it. I think one some level I liked the potential, the sense that perhaps something special was going to happen. I didn't like that it never really materialized. (To be honest I think what I think made me like the film was that at times the film seemed to aping and copying Quentin Tarantino in the way that Tarantino copies all the films he rips off with a style that occasionally out shone the source.) Is the film worth seeing? Perhaps. I think that the film is best summed up as an interesting misfire with moments that work and show promise and others, particularly the ending, that will leave you scratching your head.
Scarecrow-88 Modern day trailer park version of Bonnie and Clyde, "Billy Bear" and "Betty Boop" are introduced to us within a diner ala Pulp Fiction discussing the passion with which the working class operate compared to big city employees who work with little dedication. We soon discover that these two have murdered everyone who had the misfortune of being in that diner, with the police outside having the place surrounded. They, with loot in tow(..they had previously robbed a bank and killed many innocents at the scene), exit the diner guns blazing ala Butch Cassady and The Sundance Kid. Billy(Christian Kane)informs us of his seven years behind bars being moved to another jail, when his baby doll, Betty(Rachel Miner)causes the transport truck to flip thanks to a diesel truck she had commandeered plowing into it. Billy, having been rescued by Betty, awakens inside a little hotel room and the two plan for their future. But, Billy, seemingly reformed having plenty of time to contemplate his murderous deeds and the blood on his hands, tries to refrain from violent and sadistic activities and is constantly urged by Betty into steering back to the old ways. Meanwhile, it seems someone is following them and Billy constantly reminds Betty that they must indeed pay for their past sins. We see that someone off-screen is torturing Billy's lovely and innocent sister Jenny(Polly Shannon) and a prison guard who snapped photos of her bound and gagged. Will this sadist catch up with Billy and Betty? Will Billy and Betty in fact face the consequences of their actions, for all the blood they've shed? Poor Rachel Miner really wrestles with the accent and persona of a white trash southern princess, trying her damnedest to make just a role work, but I think it's just too much for her to handle. She wears little to nothing, short mini-skirts and little shirts which are so open her bra always remains present throughout. Very leggy with long boots. Thick make-up and bright lip stick with hair that's stringy and messy as if she had left her beautician's chair before getting it finished. Kane has the muscles and attitude, tattoos all over developing this tough-guy image. They're pretty much caricatures, archetypes of restless souls with volatile personalities who desire to harm and wreak havoc. I thought they pretty much walked off the movie Domino(..directed by Tony Scott)into their own. The film, to me, makes a devastatingly wrong decision with the twist ending. It seems unnecessary, but does fall in line with the overbearing message preached throughout the movie..we reap what we sow and karma's a bitch, with the past eventually catching up with you for the deeds you have done. Lots of reflection from Billy who seems overwhelmed with guilt for his actions while, interesting enough, Betty focuses her thoughts on the money he hid(..the loot stole from the bank)in the vault within a graveyard. She's a wild spirit, hard to control and manage. It's an ideal part for an actress capable enough to pull it off, but Miner just doesn't fit the model of a white trash beauty no matter how hard she tries(..and she does try hard). It's simply far easier for me to accept her as the victim than a psychotic killer, but I must, at the very least, commend her for giving it a shot. K.C. Bascombe really pulled a fast one on me because I truly felt this was set in the American Southwest..the rug pulled from under my feet finding that the actual shoot was in Argentina.