I Died a Thousand Times

1955 "The Story Behind The Terrifying 60-Day Hunt For Desperado 'Mad-Dog' Earle!"
6.4| 1h49m| NR| en| More Info
Released: 09 November 1955 Released
Producted By: Warner Bros. Pictures
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Budget: 0
Revenue: 0
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Info

After aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring — by robbing a resort hotel.

Genre

Drama, Thriller, Crime

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Director

Stuart Heisler

Production Companies

Warner Bros. Pictures

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I Died a Thousand Times Audience Reviews

Pluskylang Great Film overall
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Dfree52 To begin with, I haven't seen HIGH SIERRA in years, though I do remember most of it. Therefore, I was able to watch it with an objective eye, not constantly comparing the two films.It does offer panoramic vistas of the mountains and the desolate surroundings. I think the leads, particularly the love triangle of sorts (Marie is involved in two) are to me what sets it's apart from HIGH SIERRA.SPOILER AlERT We know that Marie (a very good Shelley Winters) is a fallen angel. She's a dance hall girl who's run off to the mountain cabin resort with Babe (Lee Marvin) as the gang Red (Earl Holliman) awaits the right time to pull off it's caper once Roy (Jack Palance) arrives and assumes leadership. But Marie isn't going to be anybodies girl, she's the prize of the Alpha Male of the bunch. Even though he repeatedly tells her he doesn't want her around, lust finally wins out.In the second triangle, Marie finally meets her rival, the presumed virginal Velma, a young woman whom Roy's opened up a new life for but springing for surgery to correct a club foot. Though Velma's previously rejected him and he's on the lam, he drops in one more time. Interesting that Velma is dancing up a storm with her young friends and Marie begins to wiggle around suggesting this is the proper way to dance (and maybe do other things)? Velma is Roy's embodied fantasy, a life he's longed for while languishing for years in prison. Though, her second rejection is callous, the second time a woman tells you to get lost usually is. He fools himself into believing he can have her and provide that kind of life. He rejects, then warms to Marie because she's a reflection of him...cheap, unrefined, desperate and living for the moment.Palance reveals both Roy's foolish sentimentality and his vicious streak. When he confronts Babe for slapping Marie, he takes great pleasure in beating the daylights out of him. This act, just like in the animal world, where the strongest males will fight over who gets the female(s) confirms not only Roy's place, but Marie's too. Palance is more brutal than Bogie (who's Roy was only violent when necessary). Palance will back hand a man, rather than speak to him.These factors I feel were better expressed here.
CTfans This is a remake of High Sierra with Humphrey Bogart and Ida Lapino. Not quite as good as the original, although it has obviously talented, and great actors. It makes you wonder why they would remake a classic like High Sierra with minimal changes just 14 years later. One interesting difference between the original and this movie... In High Sierra Willie Best plays a stereotypical comical black man (Algernon) in a servile role at the camp. The remake had a comical Hispanic (Chico) played by Pedro Gonzalez Gonzalez. Both are incredibly insulting by current standards. It makes you wonder about the changes in the culture from 1941 to 1955.
Gibbs52 Okay: So it wasn't as good as High Sierra and Palance and Winters are not Bogart and Lupino. But the idiot henchmen in this remake were Earl Holliman and Lee Marvin. Big Mac was played by Lon Chaney Jr. and Palance did a great job and was scarier than Bogie was. I grew up with Holliman and Marvin and the movie was also in color. I guess the best way to put it is this. If you demand the greatest actors and a different script for a remake this is not a movie for you. I (a huge Bogart fan) thought Palance played this role better than Bogie. Better because he was made for it.Put it like this. Who would you rather run into in a dark allay? Palance or Bogie? And since when is Shelly Winters a slouch? I really enjoyed this movie even though it didn't have a great director. I recommend it for Jack Palance fans and hope you enjoy it. Remember. Holliman and Marvin were extremely unintentionally funny in this movie. Gibbs
eliepoliti A real classic, ten out of ten! Every actor is perfect, the screenplay is a haunting succession of suspenseful scenes. Scenes in car and scenes in the mountains are breathtaking. Wonder if this film is already out in DVD, because it must be seen in Widescreen version. Saw this film in the late fifties, maybe three or four times, and never since then forgot it.I remember it was one of the first Warner like cinemas cope features, process called Warnerscope which gave a very neat cinematography. Shelley Winters and Jack Palance deserved an Oscar for their performances.The only thing I could criticize is not having been directed by someone like, say Nicholas Ray, to increase its rhythm and tension.