Lorelei: The Witch of the Pacific Ocean

2005
5.3| 2h8m| NA| en| More Info
Released: 05 March 2005 Released
Producted By: Cine Bazar
Country: Japan
Budget: 0
Revenue: 0
Official Website:
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A drama set during World War II where a submarine carrying a secret weapon attempts to stop a planned third atomic bombing of Japan. Based on Harutoshi Fukui's novel Shuusen no Lorelei.

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Director

Shinji Higuchi, Cellin Gluck

Production Companies

Cine Bazar

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Lorelei: The Witch of the Pacific Ocean Audience Reviews

Micitype Pretty Good
SnoReptilePlenty Memorable, crazy movie
Stevecorp Don't listen to the negative reviews
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Weiguo Zhong The slick music is a flaw. It's a pity that traditional Japan music can't be adopted in movie about modern affair. Music sound tedious in a repeated oppressive rhythm, as well as the cadenced music that helped to arose the urgency condition. Perhaps better without the background music. Having watched some Japanese WWII movies. The common narration was: graceful landscape and relics in motherland, dear family members or lovers --everything in country is so beautiful, and all these should be cherished; be forced to frontier; found be cheated by warlord (only when defeated?); but, in any way, soldiers should behave braveness and obedience (approve the real Japanese soldiers' behavior in late stage of WWII); at last, somebody sacrificed for their honor, the survivals represent the hope of new Japan.-- All above in the service of such a mention: the own country is the core, in other words, Japan is the most important. It seems most Japanese turn a blind eye to other nation's suffer, and addict themselves to their own perception. People in occupied territory means nothing, and if they does, they should appreciate the occupiers from the same Asia for their 'liberation' from Westerners. Defeat is not reconciled to -- 'Go down swinging'. If plot not be treated so, the nation's 'self-pride' would hurt. Sometimes, remorse or condemn to warlord are allowed, in an delicate 'apropriate' limit, but it wouldn't account for the main line. Scenarios must be turned around thereafter anyway. Perhaps someone responsibl for movies partially realized the fact, but they just wouldn't recognize it.
edstrelow The movie is set in the waning days of World War II, Japanese cities are being devastated by firebombing, and Hiroshima has been Atom- bombed. The plot centers on an attempt to prevent further Atomic incineration of Japanese cities by using an advanced submarine to prevent the delivery of other bombs. The Japanese cast was very strong and as others have noted, the American characters which are often third-rate actors in Japanese movies, were at least OK. The submarine was supposedly a late donation from the Nazi's to Japan. In fact in the film, it is almost identical to the French Surcouf submarine, which defected to the allies after France fell to the Germans. The Sci-Fi element is a young girl with an almost telepathic ability to see underwater. (I really don't think this information will spoil anything, but some viewers may be excessively touchy on such details) Other plot twists I will leave unsaid. I was fascinated by the way the Japanese attitude to the war was presented. The link with the Nazi's was somewhat explored and there was much discussion of the faults of the elders of Japanese society for starting a war which caused such chaos to the country. Not to be too critical on this point, but the movie did seem to dwell solely on the harm which befell the Japanese people, with no acknowledgment of the harm the Japanese did to others by starting an aggressive war in the first place. The Japanese have been criticized on this issue in other contexts, notably by the Chinese. Not that this detracts from the movie, but is is something we Gaijin (foreigners) may note.Nevertheless there is a sensitivity shown in the telling of the story which is quite remarkable given the subject matter. I found the movie to have a literary and almost poetic feel compared to a comparable American film. I mean have you ever seen a discussion of Dostoyevsky in an American Movie? One understands the suffering of a people, few of whom had any say in starting the disastrous events of the war. The soldiers mostly just "followed orders". The civilians of the cities of Japan, ended up as the real victims.The subplot involving the Captain on shore who orders the submarine on its mission, is not so much hard to follow as to understand the motivation. Possibly it makes more sense to the Japanese audience, who would be familiar with the book on which this is based.The computer work was not up to western standards, but was serviceable. I was left wondering if anyone would be prepared to hire an American or New Zealand lab to redo this to a higher standard. To do so would make the movie a genuine epic.
dbborroughs I found out about this film when I stumbled across the trailer. It looked spectacular, and when I finally got to see it, found it was.(SPOILERS) The plot of this film changes a few things about the history of the Second World War. Just before the defeat of Germany they gave Japan a prototype submarine with an advanced underwater tracking system called Lorelei. The sub when used was known as "the witch" by the Americans because of the eerie singing that was heard after each attack. Just after the first atomic bomb is dropped on Japan the sub is put into the hands of a once renegade captain who refused to go along with the suicide missions that the country had begun to use. Desperate times called for desperate measures and he's pressed into service with a crew of so called misfits. Their job is to try and prevent a second bombing of Japan. Once out at sea it becomes clear that the Lorelei system is based on Nazi genetic experiments and has a human at its heart. Things become complicated when the second bomb is dropped on Japan and through a web of circumstances its believed a third one, aimed at Tokyo, maybe on the way. (END SPOILERS)This is a rousing submarine tale told from the Japanese point of view. I liked how its not about winning the war rather its about the nobility of surviving and working towards a future. The music is rousing and the action sequences are spectacular. This is a great film to just sit down and immerse yourself in.As much as I liked it, its not perfect. The problems come in two forms. First there is a heavy reliance on computer generated effects with many of the surface ship sequences, they look almost unfinished or like something from a computer game. If you accept them for what they are you're golden, if not you may end up driven up the wall. The second problem is that this film is very convoluted when it comes to the plot. This was based on a novel and I kept feeling like I was missing some of the characters back story. On screen it worked because they knew their background, but in the audience I felt like something was missing. The film also suffers because one of the plot points, concerning one of the characters motivations for setting the story in motion isn't spelled out clearly until its almost in retrospect. Since we're not sure of why this was done, we, or rather I, became confused with what some of the other characters were doing. Its not fatal, but it does lead to several minutes of confusion.I really like this movie a great deal. There is something wonderful about it that I can't put my finger on. I like that its trying to be a bit more than an action film, that it does have a point of view. I like that it draws you in, shakes up your expectations and makes you care about the characters. (and yea, you can sometimes predict whats going to happen, but so what? rarely can you guess everything, even if you get part of it right.)I heartily recommend it. If you can take it for what it is, namely a flawed alternate history with uneven visual effects you'll enjoy it. If given the chance give it a try. I don't think you'll hate it, even if you don't love it.8 out of 10 (purely out of frustration from the sense of missing something)
UberNoodle A fun Sci-Fi World War II film! Sci-fi WWII film you may ask? Well even if you didn't, pretend to be intrigued and shocked by the concept. The set up is simple: Having received a highly advanced submarine from Germany, the Japanese deploy it, just days after the Hiroshima A-Bomb, to seek out a transport ship carrying the 2nd bomb. The sub has a secret weapon, called the Lorelei System, and all of the crew are drawn into the mystery of what exactly it is.Needless to say, you've probably worked out that Lorelei itself is the Sci-fi element, and it works well, even though it feels at times like a device to push forward the partially allegorical storyline. "What do you fight for?" is the question asked by this film, and by exploring the answers given, it has something to say to us about war and life. The film is not any where near as heavy, or thematically dense as seen in Casshern, so it thankfully also delivers a thoughtful, drama with some cool action, to balance out the inward reflection.Lorelei is a "What if?" film. If the World War 2 ended differently, what would that mean for Japan? There is a large degree of dialogue in the film; expositions from various heroes and villains about the past and future of Japan. In this way, the film reminds me of anime. It's not just the philosophical speeches, it's the action scenes, the characters, and the style. Anyone who has seen Captain Herlock, Yamato, or even Blue Submarine No. 6, will feel it. I for one think it is a strength, though many will see it as a flaw. If you are looking for Das Boot, then watch Das Boot. Lorelei is about pure escapism.The acting is all well enough and there a few veterans in there that give credibility to the story. In fact there are many familiar faces in there, and it's a fun just to count them. The CG is also very good for a non-Hollywood film - or should I say, non-ILM film. The graphics look generally realistic, but the compositing looks surreal at times. There is a dreamlike nature to the sfx that reminded me of the aforementioned Casshern, though some viewers demanding photo realism may cringe.On the whole, the SFX, when not on par with some higher budget offerings, is at least as good or better than some of the cut-scenes seen in video-games nowadays. And the music is atmospheric and suitably militant and heroic when it needs to be, bring this overall package together. The haunting song of the Lorelei System is notably used in a few scenes to great effect. Of course the sound design is great, with all of the "submarine" sounds you expect. Can we ever get enough of that sonar sound? The DVD comes with THX certification, and Dolby and DTS tracks.SO is Lorelei a good film? Well look at it this way: not all films are meant to be picking up "best film", and while this film is certainly one of that category, it's a fun romp. Plus, since Fatherland, I am a sucker for Alternate History films. In all, the film can be quite cheesy and contains a plot twist that I still don't fully understand, and I hope someone can enlighten me one day. However, even when Lorelei is overly sentimental and trying too-hard to pull your heartstrings, it is enjoyable. With great anime inspired undersea battles, and an interesting and involving story, its is an worth watching.3/5 stars, or whatever unit you prefer ...