Morning Departure

1950 "THRILLING SEA DRAMA!"
7| 1h42m| NA| en| More Info
Released: 15 January 1951 Released
Producted By: Jay Lewis Productions
Country:
Budget: 0
Revenue: 0
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The crew of a submarine is trapped on the sea floor when it sinks. How can they be rescued before they run out of air?

Genre

Drama

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Morning Departure (1950) is currently not available on any services.

Director

Roy Ward Baker

Production Companies

Jay Lewis Productions

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Morning Departure Audience Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
CheerupSilver Very Cool!!!
Jenna Walter The film may be flawed, but its message is not.
Jenni Devyn Worth seeing just to witness how winsome it is.
Sean Murphy Life for these submariners isn't easy above or below the ocean waves. Above the ocean waves it begins by showing some of the crew on leave with their family and the problems and decisions that they face in their personal life such as whether to stay in the navy or not. Below the waves what begins as a routine training mission quickly gets out of hand due to a disturbed mine going off.It turns into a race against time to free the crew before their air runs out. It is complicated by faulty escape equipment where only some of the crew can quickly escape through the hatch when they are initially discovered by rescuers. The turn of a card can literally determine the fate of the men. A low card leaves an unlucky few to wait in the submarine to see if they can be raised to safety. The weather now combines with time to become their enemy and the race is on.The action takes place in a confined space and the way people come together in a crisis is deftly handled. A solid although not a totally original performance from John Mills who as the commander tries to get his crew to safety and maintain discipline under difficult circumstances. A much underrated Nigel Patrick does well as his second-in-command; he acts alongside Richard Attenborough with whom he is reunited in the excellent League of Gentleman many years later. Overall it is an enjoyable and watchable film.
Anthony Mantle I first saw this movie at the time of its original release, & it has remained in my memory quite indelibly. Particularly as one of your submissions referred to the sinking of an actual British submarine at the time of the release of "morning departure". HMS "Truculent" was the name of that submarine & the nation was very somber, but I believe the the movie realistically brought home to the public what these submariners went through. My father had served in the Royal Navy during WWII on Destoyers & had his ship sunk under him while in the Mediterranean. So I appreciated the fine acting & portrayal of the courage of the men in the Royal Navy. John Mills always epitomized the character of the rolls he took & this was one of his best for me, except for maybe Scott of the Antartic, but that's another story.
theowinthrop Every now and then we are reminded of the so-called "silent service" - the submarine arm of the navy. It is hard to believe nowadays but active use of submarines in warfare is barely over one century old. There had been three attempts at getting submarines into warfare before the 1880s: in the American Revolution, when Connecticut inventor David Bushnell designed the "Turtle" to attack Admiral Howe's flagship in New York Harbor; when Robert Fulton attempted to interest Napoleon Bonaparte in his submarine as a weapon against the British fleet in 1800; and when the Confederate (and Northern) navies experimented with torpedo boats and submarines - culminating in the success of the C.S.S. Hunley - in the American Civil War. But the real spur was anti-British animus in Irish-American circles in the 1880s, when they financed the researches of John P. Holland. It was his successful submarine that became the model adopted by most navies.But that was after 1900, and the early submarines were small and unpleasant and smelly craft (due to the closed space and the gasoline fumes). Disasters occurred frequently enough. It was not until the sinking of three British cruisers on one day in 1914 by U-boat Captain Weddingen that their power became widely realized. The number of maritime fatalities (led by R.M.S. Lusitania) demonstrated how deadly these ships could become. So by the end of the war everyone was improving their submarine fleets.But the ships still had major disasters in the 1920s and 1930s. 1939 was a banner year with major French, British, and American sub disasters. But the last one, the U.S.S. Squalus off Portsmouth, New Hampshire, was important for another reason. For one of the few times in modern history, the crew of a disabled submarine was mostly rescued. Diving bells and decompression chambers saved nearly two thirds of Squalus' crew (and the sub was raised, repaired, and recommissioned to be of use in World War II). But Squalus sank very close to land, and the depth was not an impossibly deep one as a result. Still it was quite a rarity to have survivors of a sub sinking. With a normal shipwreck (of a surface vessel) the crew has a chance to use lifeboats, life preservers, floating wreckage, rafts. You can't readily do that if you are underwater to begin with.For some reason submarine disaster films have rarely appeared on screen. There were films about submarines (several versions of Jules Verne's TWENTY THOUSAND LEAGUES UNDER THE SEA, for instance), and even of the wartime subs. For instance RUN SILENT, RUN DEEP, and DESTINATION, TOKYO were two. Some misfires also appeared. Charles Laughton appeared as an insanely jealous submarine commander opposite Gary Cooper and Tallulah Bankhead in THE DEVIL AND THE DEEP (he scuttles his own vessel at the end, going down with the ship). But films about actual tragedies never popped up. Except for this British film.John Mills is the commander of a submarine out on maneuvers in the British Channel. A mechanical failure causes it to sink. Mills is able to get most of his men out using snorkel breathing apparatus, and shooting them out of the torpedo tube. But he is unable to do it for the last three men in the sub with him: James Hayter, Richard Attenborough, and Nigel Patrick.In their situation they have to just wait out official attempts at rescue. But this is based on the amount of oxygen left on board, and how long it will last. Also, it is turning the ship into a huge tomb for them. And Attenborough, who has claustrophobic problems to begin with, is going over the edge. Patrick turns out to have physical problems that if not treated will possibly be fatal. It is not a happy situation.It is a gritty little movie, and it has it's moments of unexpected reality. Hayter was not supposed to be on the cruise, but at the last moment he agreed to go in place of a fellow seaman who had to attend an ailing wife. Details like that make one realize what a gamble our daily life experiences can be.As a look at a disaster that is normally uncommon (but still possible - remember the Russian tragedy of the "Kursk"), with four good performances in it, I strongly urge catching this film.
johnfadrian I saw this in first run when I was about 7 years old. It was on a double bill with a Francis the Talking Mule film. My older sister made a deal with me: She'd sit through Francis if I'd sit through OPERATION DISASTER.I remember nothing of the Francis film, but scenes from this film are still vivid in my memory. In the late 1950s John Mills was a guest on the JACK PAAR SHOW and spoke of how life imitated art in that a British submarine was lost in the North Sea under very similar circumstances to those portrayed in the film between the completion of shooting and release in the UK. He said there was criticism in the British press at the time for it's release.I wish it was available on VHS or DVD in the Unites States, but I haven't been able to find it. I would love to see it again.