Neon Flesh

2010
5.6| 1h41m| NR| en| More Info
Released: 09 October 2010 Released
Producted By: Morena Films
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Budget: 0
Revenue: 0
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Hoping to earn his mother's respect, a young hustler-turned-businessman tries to open a brothel with his two useless buddies.

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Director

Paco Cabezas

Production Companies

Morena Films

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Neon Flesh Audience Reviews

Konterr Brilliant and touching
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Bantam I was not quite sure what to expect of the movie, but I was positively surprised.The technical side of things looks like this: art, style and overall theme are nicely done, the director did a fine job here. Considering he did (prior to Carne de Neon) only some minor work. So it's rather astonishing what he pulled off. Editing, lighting and sound are en par with each other and support the entire setting rather well.However, what really gives the movie its unique charm are the characters. Especially Infantita is such a vibrant and lovable character- he is a transvestite who thinks he's the illegitimate son of Juan-Carlos of Spain. At the same time he struggles to become the woman he always wanted to be. Similar to this all characters are lovable, somewhat skewed, yet still very much human with normal emotions. IMO none of the characters is really unlikable, they have so much "normality" in them, it's almost uncanny. And from this, and their interactions, this movie draws its strength. The story is (in parts) slightly crazy, bordering on the absurd. When your Mom gets out of prison, what do you do? Mind you, she was in prison for prostitution. Of course, you open up a brothel for her! What else, right? Joining this main arc we have some sub-plots that tie into the main arc: human trafficking, turf wars, corrupt police, personal problems and maladies, love and friendship. The sub-plots are woven into the main story in an orderly manner, mostly. Here and there is a tiny glitch, or a little bit of a "forced connection", if I may call it that. But apart from slight and tiny misses the story is spot on.In general the movie looks and feels like a bit of Guy Ritchie, sprinkled with some Tarantino and a whole lot of Spanish zest. You can tell it's an Euroflick and that it was not made to please the masses. But this is exactly what really makes this one stand out. Slight deductions in score result from the dialogues. Unfortunately I speak no Spanish, so I watched the dubbed version. Maybe something got lost in translation, who knows. I probably did not get all the cultural references either, so I can only blame myself.If you are looking for some light-hearted entertainment, that still manages to touch a few touch subjects without being goofy or pathetic, you should give this one a go.
kosmasp First things first: The cinematography in this is really amazing. Great lighting, great framing, very well done. Someone has studied their thrillers very thoroughly and made good notes on how to be inspired by them. I also have to point out, that the story is trying to be socially relevant. Not with too much weight on the morality though. Or not in the way most viewers are used to.The movie does not have (m)any likable character in it. Starting with our "hero", his best friend and the rest of the bunch. But even within that group it tries to create diversity. Give characters more than one facet. I use the word try, because I don't think it fully succeeds in most of its attempts. You can still get excited by it (as one reviewer here has shown and good for him/her), but you have seen far better movies than that. Or at least I hope you have.Talk about misogyny can easily be brought up with this movie. While it is not afraid to touch hot topics (human trafficking being another one amongst many), the characters never seem to do the right thing. If that offends you, you most definitely won't like the movie. The twists are predictable and you have to decide on your own, if that's the way you'd say thanks to your mom. In the end, the movie tried to put too many things together and might even fail many with its attempt to solve things with its (bad?) humor
Ana With outstanding visual effects that are not shy in trying to reveal the influence of Guy Ritchie's filmography, "Carne de Neon" is a brilliant film that, contrary to the tedious Spanish film industry, does not intend to tackle moral lessons within the overused context of the Civil War. Abounding with graphic scenes that are typical of any gangster movie,Paco Cabeza's tour de force consists of an almost impossible skill to combine irreconcilable ingredients, in a story in which each character has his/her own inner contradictions. For example: Ricky keeps a very cold, detached attitude towards the sad situation of the prostitutes, and however, he is capable of anything in order to win back his mom's recognition; Angelito's tough superficial behavior melts down when he is in front of his dog, Rocco, or when he thinks he can kill his long-time partner/prostitute/heroin addict, Canija; El Niño (the Kid)'s physical brutality gives way to a deep tenderness when he falls in love with the African immigrant. Full of dark humor,action, and suspense, the film entertains while it also reflects on the shady universe of Eastern mafias, human traffic, illegal immigration,drugs, prostitution, and corruption. Wonderfully crafted script in which everything seems to obey some kind of poetic justice by which, after so many chaotic events, the ending resolution fits in accordingly. Surprisingly, Cabezas succeeds to make the starring actor, Spanish teenage fans' idol Mario Casas, blend perfectly with the rest of the cast without seeming out of place or eclipsing the others. While the whole cast's work is remarkable, Damaso Conde clearly stole the show as the transvestite Infantita (Pricess), providing such a virulent environment with a balancing comic relief.
billcr12 Rickey is introduced at the beginning, as he narrates his life story as the child of a prostitute who was abandoned at the age of twelve as she ended up in jail. Awaiting her release from the pokey, he decides to celebrate by opening a nightclub/whorehouse in her honor. He and two other low level street criminals "recruit" girls for this undertaking. The drafted hookers include a Russian and a pregnant African refugee who gives birth to a boy shortly after starting to earn her keep at the brothel. In between, as Rickey's mom is paroled and her son picks her up for a family reunion, he discovers that the years of alcohol abuse have given her early Alzheimer's disease, so she does not recognize him. Added to the cast of misfits is a mob boss named Chino, who is deeply disturbed by Rickey opening a place without his permission. He also seeks revenge on the police for beating his son to death during an arrest. In the words of Henry David Thoreau, simplify. Unfortunately, the writer has too many subplots going at once, which spoils some excellent acting by Mario Casas as Rickey and Angela Molina as his mother. Even with the criticism, Neon Flesh is still worth watching.