Nobody Runs Forever

1968 "In A Moment He Could Be Dead! - and the only man who could save him was going to arrest him for murder!"
6| 1h41m| NA| en| More Info
Released: 11 December 1968 Released
Producted By: The Rank Organisation
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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Detective Scobie Malone accepts a mission to fly to London to arrest Sir James Quentin, a high-level commissioner wanted down under for murder. But when Malone arrives, he finds that the amiable Quentin is not only the key in groundbreaking peace negotiations, but also the target of an assassin himself.

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Director

Ralph Thomas

Production Companies

The Rank Organisation

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Nobody Runs Forever Audience Reviews

KnotMissPriceless Why so much hype?
Wordiezett So much average
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
aramis-112-804880 A powerhouse cast (well, for the time) was put in play for "The High Commissioner" (as I saw it) or "Nobody Runs Forever." Rod Taylor (using his native Australian accent and making it sound phony) chases fugitive (for murder--allegedly) Christopher Plummer, who is now some bigwig politico in London. The catch? Plummer's character has a wonderful new idea for peace in the world and if he goes to jail it may be lost.Taylor and Plummer only scratch the surface. Dahlia Lavi, who seemed to be in every Bond-imitation going (especially the spoofs, since she had a flair for comedy) shows up with lots of decolletage; hers is the only character that gives the piece any life and she seems to have mistaken it for another comedy role. Clive Revill does a turn as a butler whose bona fides may be shaky, but though he has a few good double-takes he doesn't pull out all his stops. Camilla Sparv (who got lots of meaty roles about this time, and always seemed out of her depth in them) plays . . . well, a pretty face who keeps showing up.Unfortunately, the whole shebang is fairly run of the mill, slow and talky with it. Even the explosive climax takes its time to unfold, and it's telegraphed far too early in advance. I saw this in a double feature with Taylor's spy spoof "The Liquidator" and that seems to be the best way to approach it. Hung out to dry on its own, it doesn't amount to as much as it might have been.
wilvram This gets off to a cracking start with Rod Taylor's no-nonsense outback cop, Scobie Malone, engaged by the New South Wales premier - played by an oddly uncredited Leo McKern - to arrest Australia's High Commissioner in London, a former political rival, accused of murdering a former wife.The stage is set for a taut political thriller, but once Malone reaches London the tension gradually dissipates as he finds himself acting as Commissioner Christopher Plummer's bodyguard in a meandering cold war plot involving a peace conference and assassination attempts. The sort of thing you could see regularly in second-rate episodes of the likes of The Saint or Jason King back in the day. Hard to figure how the Calvin Lockhart character fitted in, nor Franchot Tone in his final film, in a brief cameo as an ambassador confined to bed. Among the baddies are the familiar faces of Burt Kwouk and Derren Nesbitt, the latter with hardly a word of dialogue.True, Rod Taylor is very good in the lead, and it was a shame he was never given another chance to reprise the character. Plummer and Lilli Palmer are convincing under the circumstances, Camilla Sparv and Daliah Lavi provide plenty of glamour and there's a fitting score from Georges Delerue, but all these hardly compensate for what seems a missed opportunity.
bkoganbing The High Commissioner finds Rod Taylor playing as is native Australian for once on screen. He's an Australian cop who is pulled off regular duty by the Prime Minister of New South Wales played by Leo McKern and asked to arrest the Australian High Commissioner in London on an old charge of murder. The High Commissioner is Christopher Plummer and the victim was his first wife who died under mysterious circumstances.It's pretty obvious to Taylor that McKern has a political agenda and Plummer is an old rival of his. Even though this extradition seems to stink on ice, Taylor does have a job to do.Once in London there is an attempt on Plummer's life that Taylor foils and Plummer is involved in some high level negotiations with non-aligned countries that someone doesn't want to succeed. We're left pretty much in the dark as to exactly who so our imaginations can run the gamut from the Communists to some Ian Fleming type entity like SPECTRE. The women in this film are something to see. Plummer has a devoted second wife in Lilli Palmer who would do anything to see her husband succeed, ditto his embassy secretary Carmilla Sparv. The bad girl here in the story is alluring and mysterious Daliah Lavi who runs a gambling house in London. A lot of secrets are traded here as this seems to be a kind of neutral ground in the Cold War. Lavi was one of the sexiest women of her time back in the day and she's enough to lure people back from the dead.This film with a brief appearance in a hospital bed from Franchot Tone was his farewell role. This could have been a real hospital bed because Tone didn't look too good. A sad farewell to one of the screen's most debonair players who was always fighting for roles to display his acting rather than good looks and sense of style.One other role that does have a sense of style involved is that of Plummer's butler Clive Revill. He finds Taylor's Aussie ways somewhat uncouth, but Revill has more to him than a sense of manners.The High Commissioner although somewhat murky is a fast moving action flick with a surprise ending and yes as another reviewer says, similar to Alfred Hitchcock's Sabotage.
Lechuguilla An air of mystery permeates this Cold War thriller, set mostly in London. Rod Taylor plays Scobie Malone, a rough and tough, and slightly uncultured Australian security man. His assignment is to bring back to Sydney a VIP diplomat named Sir James Quentin (Christopher Plummer), charged with the murder of a young girl many years earlier, long before he became The High Commissioner.Initially, the question the plot asks is: what kind of man would kill a young woman, then vanish, then later turn up as a government diplomat? Is there some twist here? Maybe the diplomat was not really the murderer. Or, maybe he did it, but his personality has changed.Sir James agrees to return to Sydney with Malone, but first wants to wrap up an important peace conference, to which Sir James seems genuinely devoted. His work on behalf of world peace seems conspicuously inconsistent with the mindset of a murderer. Malone agrees to the delay, but quickly learns that someone, or some entity, is trying to kill Sir James. The plot then switches to the vexing question: who wants to bump off Sir James, a man intent on fostering world peace?Less spy adventure than elegant mystery, "Nobody Runs Forever" keeps viewers guessing, both about Sir James' past and about the threat that now surrounds him.My only real complaint is that the motivation of Sir James' enemy (or enemies) is glossed over. Very little is actually explained at the end, except for the specific question of whodunit.Otherwise, this is a fine mystery. The haunting, vaguely depressing score by Georges Delerue enhances the cloak and dagger atmosphere. Casting and acting are above average. I especially like the performance of Lilli Palmer as Lady Quentin. And dazzling Daliah Lavi is quite beautiful. Costumes are expensive and regal.I'm baffled as to why this film is so seemingly obscure. It's not that old. It certainly does not lack for star power. And it's a quality production, all the way. Maybe its because the IMDb title is inconsistent with what U.S. viewers remember as "The High Commissioner".