Pagan Love Song

1950 "SOUTH SEAS TECHNICOLOR MUSICAL!"
5.8| 1h16m| NA| en| More Info
Released: 26 December 1950 Released
Producted By: Metro-Goldwyn-Mayer
Country:
Budget: 0
Revenue: 0
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Info

Island girl Mimi plans to leave Tahiti, but maybe she'll have a reason to stay when Mr. Endicott arrives.

Genre

Drama, Music, Romance

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Director

Robert Alton

Production Companies

Metro-Goldwyn-Mayer

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Pagan Love Song Audience Reviews

ThiefHott Too much of everything
Lawbolisted Powerful
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
HotToastyRag I know the title will put you off, as will the fact that Esther Williams dons dark makeup and pretends to be Tahitian and Rita Moreno speaks in broken English, but if you can get past the "island people are primitive" attitude the movie takes, Pagan Love Song is actually pretty good. I've seen a few Esther Williams flicks, and this one is by far my favorite. Probably because hunky Howard Keel spends more of the movie without his shirt than fully clothed.Half-Tahitian Esther Williams -because Hollywood wouldn't approve of a truly interracial romance-falls for visiting American Howard Keel and helps him adjust to island life. Rita Moreno and her boyfriend help out around the house, and an old woman sends her kids to live with Howard so they can grow up around a proper gentleman, and he complains about not being able to take a bath in a tub-oh, the difficulties of living in Tahiti!Howard is given several songs to show off his beautiful singing voice, and while they're simple-during one song, Rita Moreno taps a rhythm on bamboo stalks while Howard sings "The House of Singing Bamboo"-since he's singing them, they aren't bad. If he can sell a song while pedaling a stationary bicycle in front of an obvious blue screen background, he can sell anything. Plus, in glorious Technicolor, his teeth and tan are enough eye candy in themselves; just wait 'til he dons a sarong!The movie was filmed in Hawaii, so the surroundings for most of the scenes are lush and gorgeous. And even though some of the songs are silly, if you're watching an Esther Williams movie, you're not really expecting the songs to be complex. She has a couple of very pretty swimming dance numbers, and Howard even joins her for some of the choreography! There's also an entertaining Hula chorus number that helps transport you to the tropical setting. If you're looking to introduce yourself to Esther Williams, or if you're looking for a light musical with a ridiculously handsome lead, rent Pagan Love Song.
utgard14 So-so musical with Howard Keel as an American coming to Tahiti to run a plantation he inherited. There he meets and immediately falls for a biracial Tahitian, played by Esther Williams. About as flimsy as they come, how much this entertains you will depend on how big a fan you are of the two stars. Keel sings a few decent songs and Esther has some nice swimming scenes. Both are great in their areas of expertise but their chemistry is nonexistent, so the romance aspect of the story falls flat. This was a troubled production that included a broken arm for Keel and a near-drowning incident for Esther. It also went way over budget and Esther found out she was pregnant during filming. The parts of the movie that were shot on location were shot in Hawaii, not Tahiti. The attractive scenery is certainly a plus, as is the short runtime. It's ultimately nothing special but if you enjoy handsome Keel's voice or beautiful Esther's swimming, you'll want to see it at least once. But be forewarned all that fake laughter gets old after awhile.
marcslope The most minor of Arthur Freed's minor MGM musicals, and one suspects he took it on because it showcased his (rather pedestrian) lyrics. It's a Tahitian treat, by present-day standards astonishingly racist, with the happy, stupid natives bowing and doing the bidding of Howard Keel, an Ohio teacher who has inherited a dilapidated tropical estate, and Esther Williams, who keeps saying she's through-and-through Tahitian and has dusky makeup to back it up, but comes equipped with a Nebraska accent and seems incapable of playing anything but American. About the most dramatic thing that happens is it rains, and Keel and Williams squabble and make up, while a very young Rita Moreno schemes to get them back together. The two stars look terrific, Keel runs around shirtless most of the time, the Harry Warren melodies are very easy to take, and Esther's one underwater ballet displays Technicolor hues that will probably never be seen again. The storytelling's lazy and condescending, Robert Alton is not a natural-born director, and inconsequential doesn't begin to describe it. For all that, it's fun and tuneful and unpretentious, and you may even enjoy the over-simplistic world view of 1950.
guil fisher This is a gorgeous film. Scenery of the island of Tahiti was exceptional. Esther Williams and Howard Keel make a beautiful pair on screen. They seemed to suit each other. They did appear together again in "Jupiter's Darling". This was at the peak of their careers. MGM gave them a no nonsense type story line and interlaced it with some nice songs and one spectacular water ballet. I am an Esther Williams fan. I love watching this beautiful woman on screen. And when she's wet, she's fantastic! In the underwater scenes, with beautiful coral plants and colorful foilage, she seems to be like a mermaid in her own world. Rita Moreno plays a feature role, in her early MGM days, complete in sarong and long flowing hair. And look for Ben Gage, Esther's real life husband at the time, making an exit down the gangplank, carrying a little girl from the ship that brings Keel to the island.A wholesome entertaining film from the MGM Musicals. Charming and fun to watch. You'll find yourself smiling all the way through the film.