Pinocchio and the Emperor of the Night

1987 "Adventure. Excitement. Fantasy. One boy has a nose for it all. It's delightful! And that's no lie!"
6.2| 1h23m| G| en| More Info
Released: 25 December 1987 Released
Producted By: Filmation Associates
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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Pinocchio and his friends, a glow worm and a marionette, search for a magic music box, putting them in danger from the evil Scalawag and the Emperor of the Night.

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Director

Hal Sutherland

Production Companies

Filmation Associates

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Pinocchio and the Emperor of the Night Audience Reviews

Rijndri Load of rubbish!!
Bereamic Awesome Movie
Intcatinfo A Masterpiece!
Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.
geocraftsman Pinocchio and the emperor of the night is a film I am sure would have repelled more 4-year olds than draw them in with its horrifying imagery for a G rating. But as a film for anyone over 9 years old, I think it is a movie that holds up very well, and is often forgotten. I think it even trumps the Disney film! But why? Well, here we go! This was made by filmation, who also created He-man and all the Archiecomics cartoons. The animation is stunning and you can tell a lot of effort was put into it. The characters are believable and fun to watch. Especially the main villain, the emperor of the night, which has that whole Shiva thing going on with more than two arms. This movie is an alternate time line to the original fairytale, in which the event where the blue fairy changed pinocchio happened, but nothing else. At least I think it is. Everyone else I run into thinks it is a direct sequel, but I personally think it has to be an alternate time line, but the film doesn't explain very well, mystifying most people. However, the songs are mostly bland and forgettable. They are okay at best, except for the blue fairy song, which is horrendous. But, this movie has great voice acting and a very ambient and well- defined tone to it. It has great action, and can be suspenseful and fun, especially near the end when Pinocchio and the emperor of the night are battling over buying Pinocchio's soul. The character designs are really cool. I especially love Pinocchio and Gee willikers, the movie's replacement of Jimminy cricket. I also liked their design of the blue fairy over the one from the Disney version. This is a very well done movie with plenty of good things going for it. I recommend to check it out if you are deep into obscure animated movies with an edge that time forgot.
The_Film_Cricket With 'The Little Mermaid' and 'Beauty and the Beast' Disney effectively kicked off the animation horse race that brought animated features out of the kiddie show doldrums. With that, lazy unimaginative studios like Filmation could no longer exist. There is justice in this world.You know Filmation, it's that studio that created all those tedious Saturday morning cartoons and managed to carry their Tarzan series for three seasons without creating a single new animated cell. Filmation's usual technique was to loop the same shots over and over and over and just change the dialogue. Their only memorable product was Fat Albert but that was because it had Bill Cosby behind it. Filmation was as welcome as flypaper spinning television shows into worthless cartoon shows like M*U*S*H (which was M*A*S*H with dogs) and Gilligan's Planet (with the castaways traveling through space). Yeah, I know Their last gasp for some kind of relief was 'Pinocchio and the Emperor of the Night', an unbelievable animated toiletbrush which again sponges off someone else's success. In this case it's a sequel to Disney's Pinocchio, trying to continue the story even though there is no story to continue.It has been a year since Pinocchio has gotten his RB status and as the 'story' opens he is sent on a simple errand to deliver a jewel box and becomes fodder for a scheming raccoon. It's not that difficult for the raccoon to filch the box since Pinocchio insists on walking down the street with it held out in his hands but never mind. Shamed that he could have been such a moron, he runs away to the carnival and runs into a puppet master named Puppetino (don't ask) and we find out that the carnival is really a front for his schemes and scams and believe me you see all this coming from the moment Pinocchio steps out the Geppetto's front door. ovals. Along the way we meet other characters one just as innocuous as the last with names like Grumblebee and Gee Willikers and we meet the Emperor who is cross between Cherborg from Fantasia and that floating wizard head from 'The Wizard of Oz'. There are songs in the movie stitched together I think from cereal commericals, Christian rock albums and those tapes they make with music to put babies to sleep (it worked on me anyway). The prime top 40 wannabe here is 'Love Is the Light Inside Your Heart', a title so unmemorable that I had to look that title up for this review and check it twice as I was writing it down.I don't mean to beat a dead horse but I would have thought that Filmation would have learned it's lesson after it's execrable Snow White sequel 'Happily Ever After'. 'Pinocchio and the Emperor of the Night', I swear could be chopped into three minute bits and injected into toy and cereal commercials and I guarantee that you would never know the difference.
gizmomogwai I never heard of this movie as a kid, but I recently heard a few people naming it as the most disturbing/upsetting children's film/cartoon they've seen. I actually didn't like Disney's Pinocchio (along with ET, it's one of the classics I can't get into), but I decided to watch the Emperor of the Night movie on-line. As a person who never liked the original Pinocchio, it's probably to this movie's credit that I think it's not bad. But I don't think it's the most disturbing children's film or cartoon. I think most children could handle it. It's just that the villain, voiced by James Earl Jones, may be a little scary. He's sort of a demon, but the Wizard of Oz, Wicked Witch and numerous Disney villains have the same effect. Moreover, James Earl Jones' character doesn't show up until pretty late in the film, and everything up to that point is tame.It's been a year since Pinocchio became a real boy and he's warned by his fairy godmother that he could become a puppet again if he takes his "freedom for granted." Pinocchio eventually finds himself at a carnival where he falls in love with a girl puppet, and is transformed back into a puppet himself. He eventually enters this strange world (the Empire of the Night) where he meets the villain and finds out his freedom of choice is still powerful. Teaching values of freedom and choice should be important. Generally, this movie's not bad.
perni I think that when all of us were kids we had one or two movies that we loved so much that we sat down and watched them dozens of times. For me one of those movies was Pinocchio and the Emperor of the Night, which is definitely a lesser known animated feature but all the same still holds up today. After ordering a copy from Amazon.com and watching it again all these years later, I was pleasantly surprised that Emperor entertained me even at my usually cynical age.Sure, you could nitpick that the animation is inconsistent, with some scenes appearing less detailed while others are excessively so, and that certain backgrounds are obviously repeated during chase scenes ala The Flintstones (it's even more pronounced here due to the visible line in the visuals), but frankly those didn't hamper my enjoyment of the film. The animation is usually quite vibrant and expressive, and the story takes the usual Pinocchio antics in a different direction by providing an actual villain in the uber-creepy Emperor (voiced by that staple of movie villains, James Earl Jones). In fact, much of the movie is downright dark, from the opening sequence where a demented carnival seems to set itself up to Pinocchio's transformation back into a puppet. I'm not saying any of this will scare kids today, as they've probably seen much worse, but it does give a good balance to the otherwise cheerful imagery.I can't get through this review without mentioning the handful of songs which are peppered throughout Pinocchio and the Emperor of the Night. I can't get enough of "Love Is The Light Inside Your Heart," which is just a beautiful little pop ballad that I can't get out of my head because it's so memorable. True, the Fairy Godmother may sound like she's doped up during her speaking lines, but the song is great. "Neon Cabaret" is more of a background song than "Love," but it still has a nice little jazz beat that goes well with its scene, a night club where children basically throw back green alcohol (come on ya know it was alcohol) and go nuts. Finally there's "Your A Star," which while not a phenomenal song once again fits with the visuals of the sequence. Like I said before, much of the visuals of the movie are extremely well done and give the movie a vintage '80s feel I couldn't help but like.Now this is coming from a guy who's reviewed countless animated movie, but I think it's safe to say that young kids could still get a kick out of this movie. It's got everything the modern animated flicks have, but without the crass marketing. And the sidekicks aren't half as tiresome or irritating, with the only ones being a glow worm voiced by Don Knotts and a bee named Grumblebee. Some sections of the film may seem like filler, like the scene involving a toad and a city of insects which lasts a bit too long, but other than that I give Pinocchio and the Emperor of the Night an enthusiastic recommendation. 3/4 stars