VividSimon Simply Perfect

Numerootno A story that's too fascinating to pass by...

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

JohnHowardReid Copyright 23 August 1932 by Vitagraph, Inc. U.S. release through Warner Bros: 27 August 1932. No New York opening. U.K. release by Warner Bros: January 1933. 6 reels. 56 minutes. SYNOPSIS: John Drury (Wayne) is a wandering cowboy who saves a spirited wild horse ("Duke") from being put down after a killer, whose identity the horse knows, tries to cover up his crime by laying the blame for the rancher's death on the animal. But what the townsfolk didn't know was that their fellow citizen is actually a mysterious but ruthless bandit known as "The Hawk". NOTES: A re-make of The Unknown Cavalier (1926), starring Ken Maynard as Drury, Kathleen Collins as Ruth Gaunt, David Torrence as Gaunt, and James Mason as the marauder. Albert Rogell directed for producer Charles R. Rogers. Wayne did not make the list of top ten money-makers until 1949, when he suddenly jumped into 4th place. However, he did rank 7th in the first annual survey of western stars in 1936. The first of six "B" westerns Wayne was to make for Warner Bros, all of them co-starring "Duke" (variously billed as "The Devil Horse" and "The Miracle Horse"). COMMENT: A fascinating little western with great production values (augmented by a few stock shots from the 1926 Ken Maynard version), a suspenseful story, a few offbeat characters and some great acting, particularly from "Duke" the horse, "Duke" the star, Otis Harlan the judge (repeating his role from the 1926 film), and Frank Hagney the villain. Director Fred Allen shows occasional flashes of genius. A less imaginative director could well have made this movie into just another routine little oater. But aided by Ted McCord's superlative camerawork and the availability of some inspiring locations, Allen has created a minor gem. In short, a very pleasing effort from all concerned. Wayne is already an engaging personality.

utgard14 This movie starts with a horse named Duke coming to the rescue of a man being bushwhacked. The man is cracked over the head and killed, so one of the robbers claims the horse went mad and attacked them. So the horse is put on trial for murder. I'm not kidding -- the horse is brought to town and put on trial in front of the whole town! Before he's sentenced to death, a cowboy (John Wayne) shows up and offers to ride the horse to prove he's not wild. After he does and saves Duke, the horse's owner (great character actor Henry B. Walthall) asks Wayne to help the town catch a masked bandit named the Hawk. The first of six B westerns Wayne made for WB in the early '30s. He was named John something-or-other in every movie and always had his horse Duke. They're routine westerns. Forgettable but watchable.

zardoz-13 Director Fred Allen's "Ride Him, Cowboy," a remake of the 1926 Warner Brothers' Ken Maynard western "The Unknown," toplined John Wayne in his first oater for the Burbank company as a harmonica playing hero out to break up a ring of range thieves terrorizing ranches. Essentially, "Ride Him, Cowboy" was a B-movie sagebrusher where the star's horse shows more sense than most of the characters and behaves like a resourceful canine rather than a skittish mount. Aside from a cowboy orchestra strumming a tune, "Ride Him, Cowboy" contains no orchestral soundtrack, but this western boasts better than average production values and looks more expensive than Wayne's later Lone Star westerns that he made after Jack Warner turned him loose some five westerns later. Indeed, this is John Wayne at age 25 looking skinny and rawboned as an upstanding, romantic lead. Predictable from fade-in to fade-out, "Ride Him, Cowboy" is nothing distinguished, but director-turned-editor Fred Allen makes interesting use of dolly shots and there is an interesting point-of-view shot of the sun boiling down on our hero when he is tied to a tree in the desert."Ride Him, Cowboy" opens during one dark, rainy evening as the notorious outlaw 'the Hawk' (Frank Nagney of "The General") a.k.a. Henry Sims and his henchmen attack the Gaunt ranch to steal money. A fierce horse storms up and drives the henchmen away. Jim Gaunt (Henry B. Walthall of "Judge Priest") and his granddaughter Ruth (Ruth Hall of "Monkey Business") check into the disturbance and find one of their ranch hands, Bob Webb, unconscious and in pretty bad shape. Gaunt is surprised to see Sims on his property. Sims explains he just happened to be riding along when he heard the fracas. Sims argues that the horse tried to kill Webb and ought to be destroyed. Meanwhile, the doctor thinks that Webb will pull through without harm, but the ranch hand remains in a coma for three days.The next day in the frontier town of Cattlelow in Maricopa County around the year 1900, Judge Bartlett (Charles Sellon of "Baby Face") convenes court to decide whether to destroy Duke or let the horse live. Sims offers compelling testimony against the horse and Duke rears up at Sims. Ruth rushes to Duke's defense and pleads with the judge not to destroy a horse as gentle as he is. About that time, wandering cowpoke John Drury, late of the Tumblin' Ace Ranch in Texas, rides into Cattlelow on his horse 'Buddy' playing a harmonica without a care in the world. When Drury leans about the impending demise of Duke, he intervenes and persuades Judge Bartlett to let Duke live if he can ride the ornery horse. Sims makes a one-hundred dollar wager with Gaunt that Drury cannot stay aboard Duke and loses. Ruth and Gaunt are overjoyed that Drury saves Duke and a bystander observes that Drury would be a great addition to the vigilantes in their fight against the Hawk. Gaunt invites Drury to their meeting after our hero says that he loves excitement and gives Ruth a loving eye.At the vigilante meeting, Drury suggests that the best way to handle the Hawk is for one man to tackle the villain. Drury learns that nobody knows what the Hawk looks like, except the man has ridden roughshod over the county for years now. John Gaunt persuades Sims to escort Drury into the Hawk's bailiwick. One of the best dolly shots in "Ride Him, Cowboy" occurs during this scene when Allen dollies out from a close-up of Sims to show the entire with several western characters seated around a table. The deputy, Clout (Henry Gribbon of "Yankee Doodle in Berlin"), provides top-notch comic relief as a clowning blow-hard coward. Later that evening at the Gaunt ranch, John and Ruth get to know each other and Ruth insists that John take Duke when he leaves to track down the Hawk. At the same time, Duke trots up and strips the saddle off Drury's horse Buddy. Drury rides off on Duke and meets Sims the following day at Eagle Pass. They ride into the desert and take a breather where Drury explains that his revolver is a 38 caliber gun in a .45 caliber frame dampen the recoil. They compare their ability to make difficult shots look easy and Sims tries out Drury's six-gun and gets the drop on our hero. He ties Drury to a tree while Duke restlessly pulls at his own reins after Drury has knotted them to nearby tree.The Hawk gathers his men, attacks a ranch, and kills the son of the owner and wife. Burning down the buildings, he frames Drury for the crime by leaving Drury's harmonica at the scene. Sims informs Ruth that Drury left him without a word in the night and hasn't been seen since he rode off. The vigilantes and the sheriff catch up to Drury. The only reason that Drury didn't die from exposure of the sun is that Duke pulled himself loose from the tree and untied Drury's bonds with his teeth. The authorities take Drury to a nearby abandoned town where Judge E. Clarence 'Necktie' Jones (Otis Harlan of "Dr. Socrates") convenes a hearing and pretty much railroads Drury into a noose based on Sims' testimony. Meanwhile, Webb recovers from his coma and informs Ruth that it was Sims as the Hawk who attacked their ranch. Ruth mounts up and rides like the devil to save Drury's life. Along the way, she runs into the Hawk's henchmen and fools them into following her to 'Necktie' Jones' courtroom. Ruth arrives in the nick of time to save Drury from an inevitable hanging.Clocking in at a lean, mean 55 minutes, "Ride Him, Cowboy" moves at a brisk pace and never bogs down. Producer Leon Schlesinger is the same individual who supervised the Warner Brothers' cartoons with Bugs Bunny and company.

sm0jsm I really liked this short movie (55 minutes on TNT), mostly because of a very young John Wayne and a lovely Ruth Hall. There are some serious flaws (like when the villain leaves Duke with John Wayne out in the desert), but overall a very enjoyable film.