Calum Hutton
It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
Kaydan Christian
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Darin
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
vincentlynch-moonoi
First, I have to disagree strongly with one of our reviewers who claimed that Joe E. Brown was "a minor film comic". Really? In 1933 and 1936, he was one of the top ten money makers in American cinema.It's a tricky business introducing pathos into a film comedy. How much is too much? In this film the pathos outbalances the comedy...but it works. True, this is not one of Brown's funniest films, but it may be his most endearing portrayal -- a college botanist who is remarkably timid, especially around girls. Ironically, Brown was 42 when he played a college student here, but his real natural athletic ability made him seem far younger.Most viewers probably won't recognize any of the other actors in the film, but they all do what they need to do to make this film so much more substantial than Brown's films even one year previous.The film is humorous rather than out-and-out funny, but Brown's acting is probably better here.I enjoyed it a lot!
normvog
Despite the other reviewer's opinion, as far as pathos goes, this is easily one of Joe E. Brown's best films, and easily outshines "The Freshman" (which, imho, was one of Lloyd's poorest films).We've all been in situations where we're afraid of something/someone, and have to meet it, face it, if we are to move ahead in Life. Brown is the Every Man in this film, and we can all identify with him. (Much moreso than Lloyd).Dorothy Lee & Ruth Brown are (as they would say in the 30's)"easy on the eyes", as well (!) and it's interesting to hear Lee talk about "sex", "libido", etc back then.
mbrindell
"Local Boy Makes Good" is a fine entry on Brown's resume.As has been mentioned by other reviewers, this movie's subject matter has been covered better before (i.e., Lloyd's "The Freshman"); however, one should keep in mind that this movie is an early talkie, so it provides opportunities for gags that weren't generally available to earlier filmmakers, and Brown makes the best of these new opportunities.Having come from the stage, Joe E. Brown is as much a verbal comedian as he is a physical one. Both of these comedic attributes shine in this film.I am not a big Brown fan. I've always viewed him as a minor film comic, albeit near the top of the minor film-comedian list. He achieved film popularity during his middle age (he was nearly 40 when this early-in-his-film-career movie was made). No sooner had he got his movie career rolling along than it was time for the studios to move him out and bring in younger blood. Having said this, I enjoyed this film. It is a pleasant time capsule.It is pre-Code, so be prepared for and enjoy the many saucy word games and rapid-fire, risqué repartee between Brown and the ladies.And speaking of the ladies: They are a pair of knock outs to be sure. Lee and Hall acquit themselves in a fine manner.One last word: If you want to truly appreciate Brown's contribution to Wilder's "Some Like It Hot," I believe you must acquaint yourself with his earliest films. "Hot" is not the movie to "discover" Brown's talents. It's done with "Local Boy," and films like it.
raskimono
Joe E. Brown was the biggest comic of the late twenties/thirties with Harold Lloyd on the wane and Chaplin in semi-retirement. This is far from one of his best, though it has a Lloyd's "Freshman" feel to it. It has a shy boy/geek tells girl back home, he's a jock. Girl is coming over and he has to prove he's a jock. I remember a few laughs, cheap laughs that is, of the Adam Sandler variety. The trademark yodel/yelp of the star which he did in all his movies is fun when it's done. It has the lack of movement of early talkies and surprisingly, very perfunctory direction by Mervyn Leroy. All in all, 6/10. But I think kids will love it.
