kebukai
I'm not a Naschy fan nor a horror film fan, but I enjoyed the thrill of the film. However, the predictable setup at the beginning, the too-much-unnecessary-information slash-slash diary-reading scene and the abrupt ending made it difficult to really "like" it.Specially the ending, it made me mad. The "they'll all die - guess how" part is just lame. It's obviously in the lines of "we didn't know what to put in the well so that everything makes sense, so we'll try to make it creepier killing them all in the remaining 3 minutes of film". Even a "open well - blackout" ending would have been better (and that's lame). It could have been a "videogame" kind of scene where you take a risky situation to get to the true ending or you chicken out and get a bad - game over ending, but not even that.However, the killer sure was creepy (for no interesting reason whatsoever... who cares, though), it just lacked a bit of development, but it's thrilling anyway.
Witchfinder General 666
The World of Horror has lost one of its last remaining icons. I was deeply saddened to learn that Paul Naschy (born Jacinto Molina), a true deity of European Exploitation cinema and one of the last living legends of the Horror genre, died of pancreatic cancer at the age of 75 in his native Madrid last week. Maybe best known for playing the Werewolf Waldemar Daninsky in thirteen films between 1968 and 2004, Naschy was a multi-talent who scripted and directed many of the films he starred in himself, and doubtlessly the most charismatic and influential leading man in Spanish Horror cinema. Not all of the films in Naschy's career may qualify as 'good' in a traditional sense (though some, such as the near-brilliant "El Jorobado De La Morgue" of 1973, doubtlessly qualify as great), but they are almost entirely highly entertaining and impossible-not-to-love gems of European Horror cinema, and they all have a certain inimitable charm to them that can not be found anywhere but in a Naschy-film. The world of cult-cinema is a lot poorer for the loss of this great man, but it is oh so much richer for the wonderful films he has given us. So what would be a better way of mourning this icon than to celebrate his work by watching as many of his films as possible? I had delayed the viewing of this film several times, for the reason that I generally prefer my Horror to be old, and therefore rather watched the films Naschy did in the 70s and 80s. These preconceptions were unfounded, as one of the most wonderful films Naschy ever was in was the 2004 film "Rojo Sangre", which was directed by his son and which basically was a giant tribute to leading man Naschy. Carlos Gil's "School Killer" of 2001 is indeed not one of Naschy's best films, but it s still a highly entertaining Naschy one-man-show that none of my fellow fans of the man should miss. The main attraction of the film is, of course, Paul Naschy, who stars as the eponymous School Killer. The film starts out pretty unimaginative when a bunch of kids decide to spend the night at an abandoned old boarding school set in the middle of nowhere in the mountains. Strange and supernatural things soon begin to happen, and when it turns out that the school was the site of a massacre in 1973, things begin to get out of hand... The film begins unspectacular, and gets a little ridiculous when the first supernatural events occur. However, it really catches up in the second half, and once one has acquired a taste for the rather far-fetched premise of the film, it actually becomes really creepy. Naschy is once again awesome and wonderfully creepy in his role, which basically carries the whole film. The rest of the cast aren't memorable, and their characters are pretty forgettable; however, even though the young characters are a little annoying at times, Naschy's creepiness makes it possible to actually feel for them.Overall, "School Killer" is no must see, but it is a decent little film and, especially now, it is mandatory for us Naschy fans to see the master in as many of his later roles as possible. There are dozens of Naschy films to recommend over this one, such as "El Jorobado De La Morgue" ("The Hunchback of the Morgue", 1973), "La Orgia De Los Muertos" (The Hanging Woman, 1973), "El Espanto Surge De La Tumba" ("Horror Rises from The Tomb", 1973), "Latidos De Panico" ("Panic Beats", 1983), any of the Waldemar Daninsky films like "La Noche De Walpurgis" ("The Werewolf Vs the Vampire Woman", 1971) or, more recently, "Rojo Sangre" (2004). However, once one has seen many of the films Naschy has been in, this is yet another worthy addition to his oeuvre. Once again: The World of Horror has lost one of its last icons. My deep condolences go to Paul Naschy's family. Rest in peace, Hombre Lobo. You were a legend, and you always will be. And legends never die!
christopher-underwood
Bit of a curate's egg, this one. I started off hating it, with it's predictable' Old Dark House' set-up, it's constant references to recent US horrors and regular trips up and down dimly lit corridors.But it does get going and has it's moments of originality.I began to wonder , once the killing started, how they were going to last out with only a cast of six but then we get flashbacks to a previous visit to the building and see a whole slew of gory killings which is pretty effective.Naschy is fine and by the end it's been an enjoyable enough movie. It just does not jump up and grab one, hard enough.
