Son of a Gunfighter

1966
5| 1h31m| NR| en| More Info
Released: 01 May 1966 Released
Producted By: Zurbano Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

A young man stalks his mother's killers.

Genre

Western

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Director

Paul Landres

Production Companies

Zurbano Films

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Son of a Gunfighter Audience Reviews

Karry Best movie of this year hands down!
Micransix Crappy film
Limerculer A waste of 90 minutes of my life
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
JohnHowardReid Producer: Lester Welch. A United States/Spanish co-production between Lester Welch Productions (Hollywood) and Zurbano Films (Madrid).Copyright 31 December 1964 by Lester Welch/Zurbano Films. Released through Metro-Goldwyn-Mayer. No recorded New York opening. U.S. release: 31 March 1966. U.K. release: 16 August 1965. 8,217 feet. 91 minutes. Spanish title: El Hijo del Pistolero.SYNOPSIS: On the Mexican-American border of 1877, a gang of outlaws headed by James Ketchum attempts to hold up a stagecoach carrying a shipment of gold. But they are driven off by the local sheriff and his deputy with an assist from one of the stagecoach passengers, a young sharpshooter called Johnny. Later, when the outlaws raid a cattle ranch belonging to Don Fortuna, Johnny is wounded in the shoulder while helping to fight off the attack. While recuperating, Johnny falls in love with Don Fortuna's daughter, Pilar, but he leaves her to track down Ketchum, whom he believes responsible for his mother's death years before.COMMENT: So far as M-G-M was concerned, CinemaScope had well and truly outstayed its box-office welcome by the time its 120th and final CinemaScope release was sent around the drive-in and action circuit in 1966. True, unlike the previous year's "Greed in the Sun", CinemaScope is actually mentioned all of twice in the Press Sheet and the process does figure in the advertising blocks, but the size of the type and the prominence of its lay-out has come down a long, long way from 1953's "Knights of the Round Table"."Son of a Gunfighter" itself is a presentable Spanish western which benefits from Manuel Berenguer's superb location cinematography. Mr Tamblyn is purposeful enough in the lead, Miss Granada makes an appealing heroine, and it's always good to see Fernando Rey — even if his role here, as the heroine's dad, rather limits his opportunities.
edwagreen This is no "The Ten Commandments, even though the good guys block the passage of the bag guys by hurling fire down on them to prevent them from moving.Otherwise, an extremely routine western where Russ Tamblyn seeks to discover the man who he claimed killed his mother. Refusing to reveal his last name, he comes upon the man and then we learn that the latter is his father. The father explains the circumstances of why he abandoned Johnny (Tamblyn) and his mother 20 years before. Wherever they'd go to live, there was always a young one wanting to test his fast speed on the notorious father.Of course, all this has to be put aside when Mexican bandits threaten them and the "hacienda" they have taken refuge in. Naturally, romance blossoms between Tamblyn and the young daughter of the owner of the estate.Surprising that Tamblyn who starred in far superior pictures such as "Seven Brides for Seven Brothers," "Peyton Place," and "West Side Story" ever did this routine fanfare.
David_Brown Why is this a great western? Because it requires you to think, because it is much deeper than most films. It is about Johnny Ketcham (Russ Tamblyn), an embittered 19 year old, with an extremely fast gun, who is hunting down the man he holds responsible for the death of his mother. Spoilers Ahead: It turns out that it is his father Ace a notorious outlaw, who abandoned the family years ago. In addition to him, Ace is being hunted down by Deputy Hace Fenton (Kieron Moore), who wants the $10,000 reward that was place on Ace, because he believes it will allow him to gain social acceptance. Why? Fenton has an American mother and Mexican mother and is despised by Americans and Mexicans alike. He is actually referred to as a Gringo by Juan Morales, the head of a group of Mexican bandits. The problem with Fenton, is he is simply an untrustworthy person, far worse than Ace and even Morales which is why. In the end he gets what he deserves by being tied to stakes in the desert by Morales and is left to die. Johnny is very different than Fenton, although he has hate in his heart, he does the right thing by saving people's lives, not once, but twice, and ends up getting shot in Mexico, and ends up at the hacienda of Don Pedro Fortuna (A man he took the bullet for) and is beautiful daughter, Pilar (I think she was around 16 or 17). The kindness of Don Pedro, and the love of Pilar, start to change him, so that when he has the showdown with his father (Also a very fast gun), he could not kill him. However, Fenton who made a deal with both Johnny & Morales for the reward of Ace, shoots Ace, but that act allows Johnny, the wounded Ace, and his gang to get away to Don Pedro's. It turns out that Morales has wanted to rob Don Pedro for years, and after dealing with Fenton, the plan is to capture Ace (Dead or Alive), and kill everyone else. At the end, Ace explains to Johnny that the family could never have peace, because of his quick draw reputation (Everyone wanted to test him), and it was the mother who suggested that he go. There was an episode of "The Twilight Zone" called "Mr Denton on Doomsday." Which was about Al Denton (Dan Duryea), who becomes a drunk because he killed someone after being challenged, and how a man named Mr. Fate, gives him a drink and gets his shooting abilities back, and at the end he and another man shoot each other in the arm (So neither could shoot again), and as Rod Serling said "Fate allowed one man to get out of his hole, and another man from falling into one." The fact that Ace could never have freedom from his past, is why he became an outlaw. In fact, his lieutenant Pecos, told Johnny "I rode with Ace for 10 years, and I never knew he had a family." Two other things that were important that were said to Johnny. 1: Ace points out to Johnny, is "there are a lot worse places to be than here" (Meaning with Don Pedro & Pilar, instead of living his life). 2: Don Pedro says "How we need you and your guns." (Otherwise they would all die). In the end, after Morales and his gang are defeated, Johnny stays with them, and you know that Don Pedro will mold him into the best man he can be, so he can be both a quality husband to Pilar, and take over the hacienda one day for Don Pedro (He had no other heirs except Pilar). For Johnny, the hacienda and Pilar offer the peace and freedom that his father, and even Fenton never had, because he gets a fresh start,and no one except Don Pedro & Pilar, will know about his past. The journey that Johnny had, from angry young man, to responsible adult, and how different it was from Ace (Including being able to settle down instead of moving from town to town), is what the film was about. 10/10 stars.
ma-cortes Acceptable Chorizo Western with a prolific American director and two Hollywood B-actors as Russ Tamblyn and James Philbrook . A good example of Latino western genre from Spain . The year is 1877 , Johnny Ketchum is a young gunslinger , then he aware his mother was murdered by his father . Johnny is son of a famous gunfighter , and seeks the man who killed his mother . As Johnny heads South to encounter his mother's assassin . Ace Ketchum ( James Philbrook) is an outlaw , wanted ¨Dead or alive¨ , north and south the border . Johnny goes out to avenge his mother and trespasses Rio Grande frontier and after battling bounty killers finds his father . His search brings him into contact with Deputy Mace Fenton (Kieron Moore) , who wishes to collect the reward on Ace Ketchum's head . Johnny is wounded and is healed in a manor by the daughter (Maria Granada as Pilar) of a wealthy landowner named Don Pedro Fortuna (Fernando Rey) . Later on , Johnny falls in love with Pilar . But then they are besieged by a Mexican bandit named Juan Morales (Aldo Sambrell) until a spectacular final battle that takes place in a defile .Offbeat Chorizo Western co-produced between Spain and US and doesn't follows the Sergio Leone wake , but it is proceeded in American models . It's an exciting western with breathtaking gunfight between the protagonist Russ Tamblyn against the heartless Aldo Sambrell and his nasty hoodlums , in addition a stirring ending fight into a narrow pass . This movie is a lot of fun to watch. It's an acceptable story with a touch of peculiarity, some great characters, and an amazing music score . The picture is a tale of justice and revenge , as a young man looks for vendetta but his objective results to be his father . The basic plot is typical spaghetti western fare , but what makes this movie stand out is its style . Tamblyn is passable though miscast , he ravages the screen, shoots , hit and run and kills . Russ's performance in the movie is a bit wooden for the role of such an interesting character , but the fantastic performance by the always great Aldo Sambrell as the slimy, menacing outlaw make up for , here in his ordinary role as bandit and in a cruelly baddie character , he is terrific, and bears a hysterical and mocking aspect , subsequently he would play similar characters . There appears as secondaries the habitual in Spanish/Italian Western such as Fernando Rey , Antonio Casas, Fernando Hilbeck and Barta Barri .The film packs violence , shootouts , high body-count and it's fast moving and quite entertaining . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes. There is a very odd implementation of shots in the camera work during some particular scenes as the film approaches its climax , as in the final gunfights full of horse ridding , pursuits and shots . The movie gets the usual Western issues , such as avengers antiheroes , violent facing off , exaggerated baddies and spectacular duels , among them . The sense of pacing is such interesting that his film can be counted on to move quickly and smoothly . Good production design creating an excellent scenario with luminous outdoors , dirty and rocky landscapes under a glimmer sun and fine sets by expert set designer Julio Molina who designed several Westerns as Spanish as international ones . The musician Robert Mellin composes a nice soundtrack and well conducted , this turns out to be one of the most memorable parts of the movie; as it's full of enjoyable sounds and haunting musical background . The opening and ending sounds are two of my favorites, and are of those unforgettable tunes that will play in your mind over and over long after the movie is realized. The soundtrack contributes tremendously to the atmosphere of the film, including an emotive leitmotif, the music score is perhaps the best part of this film . Striking cinematography by Manuel Berenguer , though is necessary a correct remastering . Outdoor sequences with barren and rocky exteriors filmed in Spanish places located on outskirts Madrid , Hoyo De Manzanares and La Pedriza , replacing Almeria . Colmenar Viejo and Hoyo de Manzanares where was built a Western village called 'Golden City' resulted to be the locations in which were shot lots of Western produced and directed by Spanish and Italian and occasionally American people , because Almeria was too far and the landscapes bear remarkable resemblance . This motion picture is well produced by Gregorio Sacristan who as producer and production manager produced the most super-productions realized in Spain during the 60s and 70s as ¨Battle of Bulge¨ , ¨Krakatoa , East of Java¨ , ¨Custer of the West¨ , ¨Bad man's river¨ , ¨A town called Bastard¨ ,and ¨Horror Express¨ . Being professionally directed by Paul Landres . Landres is generally considered to be a prolific director of television episodes as ¨Lone ranger¨ , ¨Cisko Kid¨, ¨Maverick¨ , ¨Life and Legend of Wyattt Earp¨ . He realized his first feature in 1949 , a western , ¨Grand Canyon¨ genre in which he would not only excel but one where he would spent much of the rest of his career. Although Paul Landres couldn't be deemed an "A"-list director, his movies had a professionalism and a verve that many of those made by his fellow B directors lacked . He also filmed detective thrillers , Western as ¨Lone Texas¨, ¨Frontier gun¨ , action motion pictures and even a horror film or two as ¨The vampire¨, ¨The return of Dracula¨. Rating : 5,5 . Acceptable and passable