Alicia I love this movie so much

Jeanskynebu the audience applauded

BootDigest Such a frustrating disappointment

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

MisterWhiplash Stealing Beauty is a character piece, not so much ever really driven by plot, and which makes it a particularly European-flavored entry in the Bernardo Bertolucci cannon of films he's made. This shouldn't be a surprise; the guy's been making them this way for most of his career, save for when he can't not have some semblance of a story (i.e. 1900 and Last Emperor, which were epics). It's got some purely luscious cinematography- thanks, in part, to the equally luscious and vibrant locations out in these Tuscan fields and villas and vineyards and homes, all secluded like in an over-elaborate dream- and some brilliant moments, though in the end it's almost something of a minor work for the director. The most admirable aspect is that he's able, in short, to make a contemporary movie that doesn't feel stuck in time.It's a 90's movie, with a hot-young-talent in her first role (I think it's her first), Liv Tyler, and in a way it works that she's not all that great in the part. Her awkwardness, her moments of sadness over her character's loss of her mother and the confusion over who her father really is, and the girlish and nearly overrated conundrum of still being a virgin, works to her ability as a 'first-timer', so to speak. And, luckily, she's surrounded by much better actors, people like Jeremy Irons who has a presence that is immense and cool even when bed-ridden for much of the film (thankfully it doesn't turn out how I originally thought the set-up would be with him wooing Tyler), and Rachel Weisz in one of her early roles as a woman who has reasonable suspicion her self-absorbed American husband is a lying/cheating louse. There are others as well, like the one who plays the old Frenchman (I forget his name), who's incredible as the old crank who can't bear to be where he's at.If it does feel like a minor work, as I mentioned, it's that Bertolucci- working from his original concept with a screenwriter- doesn't give very much depth to the situation, or to some of the characters, until a little more than halfway through the movie. For a while it feels like a shallow enterprise, the kind of "will she or won't she" attitude towards sex that should be above him. But at some point there's something that opens up a little bit, then a little more, and all the while as Tyler's Lucy becomes more aware of what matters the central conceit starts to become less and less like some big hurdle and something more natural. As well as this, Bertolucci does litter his film, which is uncharacteristically good in the present setting (he blends musical choices very well, from alternative rock to old R&B and classical and jazz) and has a couple of really tremendous scenes. The bit at the party where Tyler and a possible-father dance and the dancers all choreographed and strange come in, it's enthralling.Fans of the director should check it out, as should for those of the actors, but this being said it's almost kind of a light work. Lacking really hardcore dramatic tension, it's mostly predicated on a 19-year old girl's quasi-coming-of-age. Which is interesting, up to a point.

mario_c Lucy (played by Liv Tyler) is a 19 American girl which travels to Italy after her mother die. She's coming back to a farmhouse where her mother lived once. It's not the first time she's going there, she had been there four years earlier, so she knows almost everyone in the house. She's young, she's beautiful, she's very attractive, but she's also very innocent and… virgin. Every man in the house, from the older to younger, feel her presence and enjoy it, on one or another way, because she's everything but invisible. Her presence is really noticed, but she's not provocative at all. In fact she's very calm and shy. The entire plot is about her, her feelings, people which surround her, and the way she's growing as a woman. It's all that together what makes this movie so beautiful and intimate, because it's a portrait of the fears and hopes, disillusions and happiness, joy and anger of a teenage girl which is having some "feelings" for the very first time.I enjoyed the story but also the settings used, because it's all so peaceful and calm, it's all so quiet in that lost place somewhere in Italy… The cinematography is beautiful and has this "special touch" European cinema use to have, with those little details which turn the movie so truthful and realistic. I like it a lot! About the acting I must say I enjoyed especially two characters and the respective actors who played them. They were the character "Lucy", played by Liv Taylor and "Alex", played by Jeremy Irons. It's especially those two characters which make this story so beautiful to me.To sum up, it's a simple but wonderful movie and another excellent work by Bernardo Bertolucci.

thomas-794 I found the Artists-in-Tuscany concept to be a tiresome cliché throughout this film. So unrealistic and annoying to watch... Certainly a real artist would find it quite tedious to be distracted with so many house-guests and to have to entertain and feed all those awful people. We've seen this theme countless times now in film... a collection of "free spirits"/"finding oneself" in a gorgeous villa in Italy.There is not an ounce of honesty or any real characters in the film, just tired and worn-out clichés. Pretty, but meaningless.

zeklo "Stealing Beauty" depicts (two hours of) Tuscany summer, slow paced drifting camera, a beautiful girl, lots of dark people around, candid sex, and pop music.Hey, Bertolucci... Slow down, take a deep breath, say "no, thanks" to the American audience, cry a little, and start again. I mean, from the very beginning.Remember: Pier Paolo and Michelangelo are contemplating you from above. And Godard says he wants you to show up in his next movie; "Un Italiano is an Italian is an englishman". Are you really sure you still want to make films? How about entering History, or Buhdist philosophy, for a change? Are you aware that your work as director here is as sordid as Marcello Clerici's life was?Reveille toi!