Mjeteconer Just perfect...

Lightdeossk Captivating movie !

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

waitsfortherain From time to time a film comes up that should be seen by anyone interested in a particular aspect of film-making. There have been films that bordered on the banal but anyone interested in or involved with camera work couldn't afford missing. Same with the use of music. Or the art direction. Even casting directors could learn a couple of things from watching certain films."The Deep doesn't border on the banal. It's an honest, cleverly made film with good chances of satisfying a wide range of viewers. But one aspect of this somewhat unexpected film makes it a must: the amazing performance of Ólafur Darri Ólafsson, an American-born actor who has lived and worked most of his life in Iceland where, as we learn from his IMDb page, he is considered a major force of that country's theater. As Gulli, the fisherman who surprises everybody by being the only survivor of a shipwreck under conditions in which no human being could possibly live to tell the story, this truly extraordinary actor comes up with a flawless performance. For anyone involved with acting, especially film acting, his work is an inspiration. I've been an actor all my life. But I could never understand, when it happens, how and when pettiness creeps into the actor's work. How come even great actors sometimes seem to have been possessed by what is ultimately dishonesty, the indiscriminate use of cheap tricks, gimmicks meant to create the illusion of an intensely emotional performance. Some actors are perfectly conscious of doing it. Most are not. It's impossible to detect the moment when it begins.Watching Ólafur Darri Ólafsson as Gulli, the survivor in "The Deep" is like attending a Master Class given by a truly great actor. There would be plenty of opportunities to use gimmicks and cheap tricks. But there isn't one single moment when he does it. His performance is one hundred per cent true. It's as honest and natural as the awesome performances great directors of the Italian realism managed to get from non- actors like the lead in "The Bicycle Thief."SPOILERS AHEAD. STOP READING HERE IF YOU DON'T WANT THEM.For anyone interested in great acting, two scenes in the film are like solid gold. Watching them is watching the work of a perfect actor. In the hospital, when asked how he found the energy to swim six kilometers in the cold sea, he says that all along he kept talking to the seagulls. We know it's true because we saw it early on. But his recollection of it is very moving, because it's done simply and with tremendous truthfulness.Then there's the scene in which he visits the family of his colleague, one of the first to die, sits on the floor and talks to his two boys. One of them says their mother told them their father was with God. They want to know from him if it's true. The way he handles such a difficult challenge is a great moment in film acting."The Deep" is a good film. But even if it didn't have so many qualities, the dignity, the unyielding commitment of its leading actor to his art would make it unforgettable.

l_rawjalaurence Not to be confused with the Peter Benchley-inspired Hollywood film of the same name, THE DEEP is one of those tales which through a combination of brilliant photography and taut structure is guaranteed to attract critical plaudits.Shot in a series of grays and blues, appropriate to its locations, Bergsteinn Björgúlfsson's cinematography conjures up a world where human beings are quite literally at the mercy of the elements: despite their sophisticated devices for communicating or for carrying out their daily responsibilities, they have no answer to the power of the sea. We realize from this film that humankind is no more than a pawn in a greater elemental game.Having said that, I am still unsure as to whether the film has anything more to say. At heart it's a masculine-focused tale of comradeship, in a profession where people have few friends, due to the precariousness of their work. They never know if and whether they will return; and if they do, there is no guarantee of future work. Buffeted by the sea and by the pressures of making a living, the fishermen inhabit their own world; they try to keep memories of their home lives through letters - or even taking a dog with them - but these mementos are insignificant in comparison to the rigors of their profession.In its downbeat way, Ólafur Darri Ólafsson's central characterization is certainly memorable, but we end up feeling sorry that he and his fellow fishermen have to put their lives so regularly on the line just to make ends meet.

Filmsploitation The Film Podcast The Review: Based on a true story, The Deep is a very simple, but incredibly moving film. There's nothing really out of the ordinary when it comes to Gulli. He's a chain smoking, hard working man, who lives a rather uneventful life with his friends. It's this seemingly tedious lifestyle that makes the tragic ship accident so much more powerful. When Gulli does his best to rescue his friends, and eventually is left in the ocean alone, it's his rather normal life that shows what a regular person can be capable of to survive.Audiences don't just watch Gulli bobbing around in the ocean for the entire film, although it certainly creates some of the most tense scenes of the movie. When Gulli finally finds his way home, this is where the real challenges start to appear. Hailed as a hero for what Gulli views simply as trying to stay alive, he quickly becomes a science oddity. One scientist convinces Gulli to basically be studied in an attempt to find out how he survived. At first, Gulli almost seems excited to be considered different, but he quickly realizes that it's not important how he survived, only that he did and his friends didn't.When Gulli finally returns to his home, the film becomes intensely emotional. While out in the ocean, Gulli made a number of promises, reasoning with God to give him just one more day. He begins to make good on those promises, and it's impossible to not become teary eyed. When Gulli visits the home of one of his friends who died on the boat, and consoles his wife and children, you'd be better off bringing some tissue with you to stop the waterworks. It's an amazing performance from Ólafur Darri Ólafsson as Gulli, and a stunning film from director Baltasar Kormákur.This will stay with you for sometime after viewing.For More Check out www.thefilmpodcast.co.uk

Sindre Kaspersen Icelandic screenwriter, actor, producer and director Baltasar Kormákur's eight feature film which he co-wrote with Icelandic screenwriter Jón Atli Jónasson and co-produced, is inspired by real events in the life of an Icelandic man named Guðlaugur Friðþórsson and four other men which took place in 1984 on one of the Westman Islands called Heimaey. It premiered in Iceland, was screened in the Special Presentations section at the 37th Toronto International Film Festival in 2012, was shot on locations in the North Atlantic Ocean and is an Iceland-Norway co-production which was produced by producer Agnes Johansen. It tells the story about a fisherman named Gulli who lives in a coastal town and who is few days away from heading out to the sea on a fishing boat called Breki-VE with his crew members.Finely and engagingly directed by Nordic filmmaker Baltasar Kormákur, this finely paced and somewhat fictional reconstruction which is narrated mostly from the main character's point of view, draws a gripping portrayal of an Icelandic man and the crucial decision he has to make after a boat accident in the North Atlantic Ocean. While notable for its naturalistic and atmospheric milieu depictions and reverent cinematography by Icelandic cinematographer Bergsteinn Björgúlfsson, this character-driven story depicts a commendable study of character and contains a great score by composers Daniel Bjarnason and Ben Frost.This dramatic, humorous and modestly existentialistic drama which is set in the Vestmannaeyar in Iceland during a spring in 1984 and where a man ends up in a situation where the deep is below him, the sky above him and his only option is to swim or die, is impelled and reinforced by its cogent narrative structure, substantial character development and the involving and efficiently understated acting performance by Icelandic actor Ólafur Darri Ólafsson. A heartrending, inspirational, mythical and invigorating true story which is dedicated to Icelandic fishermen.