StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Wuchak "The Duel at Silver Creek" is a 1952 Western starring Stephen McNally and Audie Murphy as a sheriff and green deputy who are trying to track down a murderous gang of claim jumpers. Meanwhile the sheriff pursues a new hottie in town (Faith Domergue) while the deputy is interested in a teenage cutie (Susan Cabot). A 27 year-old Lee Marvin is on hand as one of the possibly shady characters.I was surprised at how much I enjoyed this old Western. Murphy is great as the youthful and likable fast-gun and McNally is effective as the sheriff. Domergue is beautiful, but duplicitous and even shockingly evil (e.g. the unexpected strangling scene). Cabot is a joy to watch and it's interesting to see Marvin so young.The story is interesting with McNally narrating and it easily keeps your attention at only 77 minutes, but what brings my rating down is the roll-your-eyes plot gimmicks (for lack of better word) typical of old Westerns. For instance, the sheriff's bad finger that makes it almost impossible for him to squeeze the trigger of his handgun and how this becomes a big secret. And then there's the way the deputy expertly grazes the sheriff's arm in order to take his place in a fast-draw duel (What if he was off by a couple of centimeters?). If it weren't for these types of lame aspects I'd give "The Duel at Silver Creek" a higher grade.The locations are good, shot at three California ranches -- Corrigan Ranch, Iverson Ranch and Janss Conejo Ranch – as well as Vasquez Rocks.GRADE: B-

Spikeopath The Duel at Silver Creek is directed by Don Siegel and co-written by Gerald Drayson Adams and Joseph Hoffman. It stars Audie Murphy, Stephen McNally, Faith Domergue, Susan Cabot and Gerald Mohr. It's a Technicolor production with Irving Glassberg the cinematographer. The music is scored by Hans J. Salter (director Joseph Gershenson) and location for the shoot was spread over four California locations; Ranches Ray Corrigan, Janss Conejo, Iverson and at Vasquez Rocks Natural Area Park.A gang of crooks are murdering miners for their gold claims. Luke Cromwell (Murphy) loses his father to the gang and quickly reinvents himself as a gambling gunslinger known as The Silver Kid. Down in Silver City, Marshal Lightning Tyrone (McNally) is determined to bring to justice the claim jumping murderers. But he has a problem, his trigger finger is inoperative after he was shot, thus he can't let the bad guys know he is no longer "Lightning" on the trigger. After witnessing some of The Silver Kid's handy work, Tyrone hires him as a deputy to watch his back as he sets about weeding out the bad in Silver City. Luke is only too happy to help, he wants vengeance for his father's murder. But two ladies in town are to have a big impact on both of their lives, the question is if both men can finally achieve their goals without further loss of life.Brisk,colourful and highly entertaining Western fare for the undemanding matinée crowd. Forget all hopes of depth and intricate characterisations and expect an action packed shoot em' up instead. Siegel would go on to much bigger things and leave a lasting mark in cinema, here he makes a standard screenplay ping with excitement whilst getting spirited performances out of the cast. One look at the character names gives you a clue to what sort of Western this is: The Silver Kid, Lightning Tyrone, Opal Lacy, Johnny Sombrero, Rat face Blake, Pop Muzik, Tinhorn Burgess (Lee Marvin in his first credited big screen outing) & Jane Dusty Fargo. Wonderful. Throw in some lovely scenery, Domergue's explosive costumes and the nice pairing of McNally & Murphy, and it's a film that's hard to dislike. Hey! It even comes with a film noir like narration as well.Don't dwell too long on the dialogue and simplicity of it all, just enjoy it for what it is. Good fun. 6.5/10

MBunge The Duel at Silver Creek is a nice example of how much fun the Western used to be before the genre got all serious and realistic.In this story, claim jumpers are running wild near the town of Silver City. They're bushwacking people who have small claims around the gold rich Silver Creek, forcing them to sign over their claims and then killing them. But they get more than they bargain for when they try to jump the claim of a father and son. They do get the claim and kill the old man, but his son (Audie Murphy) kills three of the gang with his silver-handled revolvers. "Lightning" Tyrone (Stephen McNally), the marshal of Silver City, rounds up a posse to go after the claim jumpers but he ends up shot in the shoulder and the gang escapes. "Lightning" is taken to nearby Fort Lowell, where he's patched up but his shooting hand is crippled. He doesn't have the strength to pull a trigger anymore. While recovering at Fort Lowell, "Lightning" becomes infatuated with Opal Lacey (Faith Domgergue), a pretty lady in a pretty dress he takes to calling "brown eyes". But the audience soon discovers those brown eyes disguise a great many unpleasant things. "Lightning" returns to Silver City to find an old friend dead, shot in the back. He suspects Johnny Sombrero (Eugene Iglesias), the local bad man who happens to look like a Mexican Liberace, but has no proof. The marshal also runs into the son of the gold miner slain at the start of the film. Dubbed the Silver Kid now, the young man becomes "Lightning's" deputy and the two of them are pitted against the machinations of Johnny Sombrero, the claim jumpers and the beautiful Opal. Joining them is Dusty (Susan Cabot), a tom boy who's had a crush on the older "Lightning" for years. He doesn't see her as anything more than a little sister, but the Silver Kid has more romantic intentions toward her. The fast moving story has quite a few twists and turns before climaxing in a big gun battle between the claim jumpers and a new posse, which finally ends when one of the oldest and dumbest tricks in the book actually works.I liked this film a lot but I have to admit, it's a fairly generic 1950s Western. By modern standards it's corny with two-dimensional characters and unremarkable dialog. The plot is a bit more involved than you might expect, however this isn't a story with any great depth or meaning to it. It's a fairly basic Western with good men, a bad woman and guns getting shot out of people's hands. If you're looking for gritty realism and edgy storytelling, this isn't the movie for you.The Duel at Silver Creek is never anything more than a pleasant diversion and I don't think the filmmakers wanted it to be anything more than that. It moves at a brisk pace with plenty of traditional Western action. There's actually a great deal of stuff going on in the story, leading to simplistic but believable conflict between the characters. It's a great looking film with a couple of scenes that have a quite a visual kick to them. All of the actors do a good job for this sort of melodramatic tale. It's just a nice piece of entertainment.It's nowhere near being one of the great Westerns, but The Duel at Silver Creek is a good Western. If you can get past stuff like the claim jumpers leaving a ransom note and literally signing it "The Jumpers", I think you'll get a kick out of this movie.

bob the moo A small western town is surrounded by small mines and areas of land run by their owners. A gang of claim jumpers are forcing the owners to sign their claims over to them but then kill them anyway. When Marshall 'Lightning' Tyrone takes a party after the gang he leaves old timer Dan Music as Deputy of the town. Having failed to find the gang, Lightning returns to find to find that Music has been murdered (shot in the back). Lightning sets out to get to the bottom of the murder and has several suspects already before the deceitful Opal Lacy points him towards Luke Cromwell, known as the Silver Kid. Whenever the Kid proves it could not have been him, Lightning takes him on as a deputy.I came to this film on the basis of it being Don Siegel's first western and the first film he made in colour. The plot is pretty basic and doesn't live up to the suggestions of the opening – instead becoming rather focused on the actions of a few characters. As such, it works on a B movie level and that is pretty much what I expected it to do. This focused plot is improved by a good range of fun characters – with fancy names and exaggerated characters to match: the tough broad, the kid, the tough sheriff, the old coot etc. All the clichés are here but they are delivered with a slight sense of fun that helps it move smoothly. The colour is good and Siegel's direction is solid enough (although he would do much better later).Despite top billing on imdb going to Murphy, the real lead here is McNally and he does it well. His sheriff is tough, friendly and it is him we care about when the final shoot out comes. Murphy is good but his character has less meat on it and he has therefore less to do that really sticks in the mind. Domergue is given a good character and she convinces as a sort of Western femme fatale. Cabot has a much more standard role and is less interesting as a result. Aside from Domergue the 'baddies' are fairly unmemorable; when the film started they were tough and violent but eventually we are presented Mohr's words in place of this and it really isn't enough for a fun B-movie.Despite it's obvious flaws this is a really good fun B-movie western and you'll like it if you view it as such. The plot is basic but enjoyable with plenty of likable characters who are as bright as the Technicolor they are presented in. Siegel's first western is a fun film and should be enjoyed as such – it's far from his best and fans may only come to it because of the significance in his career but it is worth seeing if you're in the mood for this type of film.