The Texican

1966 "They call him 'The Texican' - and he's double trouble !"
5.8| 1h26m| NA| en| More Info
Released: 01 October 1966 Released
Producted By: Balcázar
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Wanted north of the border, Jess Carlin resides safely in Mexico. Then he hears his brother was killed in a gunfight with another man. Knowning his brother never carried a gun he heads north to find his brother's killer. After battling bounty hunters he arrives in Rimrock, a town controlled by Luke Starr. Starr is the man he wants but he unable to find any evidence until he is given an item found by his brother's body.

Genre

Western

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The Texican (1966) is now streaming with subscription on Starz

Director

Lesley Selander

Production Companies

Balcázar

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The Texican Audience Reviews

Micitype Pretty Good
Tedfoldol everything you have heard about this movie is true.
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
bob-790-196018 To get some enjoyment from this movie you at least have to like Audie Murphy and be rather uncritical about westerns. I qualify on both counts. Besides, this movie also has Broderick Crawford as the tough-talking bad guy. Past his Hollywood prime, Crawford here looks tired, overweight, and generally long in the tooth--but nobody talks tough like Broderick Crawford! The inimitable voices of these two actors--Murphy's gentle Texas voice and Crawford's gravelly growl--stand out in this movie, which otherwise is cast with Spaniards who are dubbed. The dubbing is occasionally distracting, and in the case of Antonio Casas as Frank Brady it is downright ludicrous.Filmed in Spain, "The Texican" has a decidedly non-American score, sounding something like the music in Italian spaghetti westerns. There are a lot of surging crescendos and an ominous-sounding vocal chorus.The less said about the actual story, the better. The fun is in watching Audie Murphy and Broderick Crawford do their thing. Murphy was a cowboy hero of mine when I was a boy in the 1950s, and of course in WW II he was a real hero--the most decorated soldier of the war.They say Audie Murphy worked very hard to develop a fast draw, and in "The Texican" there are some examples of his fine hand with a pistol. Here, some 18 years after his first movie, he still seems like a "nice young man"--neatly dressed, slim and trim, courteous when he can be, gentle-voiced.How did such a gentle man turn out to be so deadly with a gun--not just in the movies but in real life?
Wizard-8 Times were getting hard for Audie Murphy in the '60s. He started getting financial problems, his personal life was going to hell, and the kind of westerns that had made him a star were starting to dry up. So he went to Spain to make this Spanish western. That fact did not bother me when I heard about this movie. Many of my favorite westerns are European westerns, so I was pretty intrigued to see what Europeans would do with a Hollywood star like Murphy.I was disappointed with this movie in the end, however. I will admit that the sets are fine, and there is some good desert scenery. But I found the story surprisingly slow and dull. Murphy's character knows who the culprit is that murdered his brother, but he does pretty much nothing about it until the very end of the movie. Until that happens, the audience is treated to endless (and boring) chat, a bland villain, and a pretty bland hero as well.The faults of this movie can probably be explained that while this was a European western, there was no Italian involvement. The Italians were the ones who really made European westerns shine, from the music to the scripts. Watch one of these kinds of European westerns instead of "The Texican", even if it doesn't contain a star as big as Murphy. You'll most likely be greater entertained.
artthethird Although this movie was made in Europe with a predominately Spanish cast, you can tell this movie was made with stateside distribution in mind.Especially when you have Audie Murphy and Broderick Crawford in the leading roles.Good story about a fugitive who crosses back into the United States from Mexico to avenge his brother's death and clear his own name.This movie was directed by one of my favorite western directors, Lesley Selander.It has great widescreen photography. The dubbing of the supporting actors is better than usual.Far from original, but fast moving and well acted.Not as good as "No Name On The Bullet" or "Night Passage", but worth a look.
bkoganbing Call me chauvinistic, but I really don't think Europeans ought to be doing westerns. Clint Eastwood being the exception, spaghetti westerns are the place where all good western stars go to end their careers. The western is the American original film genre and it ought to stay here.I think that's what Audie Murphy probably felt after doing this one. Audie did so much better work over here in the states. The Texican has Audie as a fugitive down in Mexico who hears that his straight arrow brother has been killed in a gunfight. The brother was a newspaper editor who never even carried a gun, but was doing some journalistic exposes of town boss, Broderick Crawford.Of course Audie's out for blood and I don't think I have to say any more, I'm sure you know how this one will go.Broderick Crawford was the only other name player in this film from the USA and purportedly he was drunk most of the time making The Texican. Not that Crawford needed much excuse to drink, he was one of Hollywood's legendary tipplers. The story goes that Murphy watered down Crawford's liquor so that he could get through the day's shooting.Sounds like a W.C. Fields routine, but I'm not sure Fields could have done much with The Texican.