Nonureva Really Surprised!

Ensofter Overrated and overhyped

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Rod Stephens People used to put EFFORT into TV movies...back when they used to make them. This certainly can be boring at times, but the location has originality to it, and it puts the characters in an isolated spot in the world...the tone with this is set early and it helps give you that sense for the rest of the movie. The romantic subplot isn't too bad either, since Chad Everett is a pro's pro anyway. I like that meals they eat too....Chad Everett whips up those omelettes for himself and Jennifer Warren, and Rockne Tarkington makes that awesome plate of steak and other trimmings one night for the crew in that kitchen. Now that's good eatin!

Sam Panico Back in the day, Starlog was hyping this film as an almost sequel to Alien. With the popularity of the film, folks were ravenous to see more chest bursters in action. That said — this has nothing to do with the original other than stealing just about every single plot point.Instead of space, this film goes to a more terrain — yet not less remote — location: an oil rig packed with folks like Chad Everett (TV's Medical Center, Mulholland Drive, Airplane II) as our mustachioed hero, Jennifer Warren (Mutant, Slap Shot) as his love interest and fellow rig worker, Joseph Bottom (The Black Hole) as the villain, Rocke Tarkington (Ice Pirates) and Paul Larsson (The Blaster from Mad Max: Beyond Thunderdome!). It's worth noting that every conversation the characters have — pre-alien — is about hooking up. They're far from the mainland and feeling the urge to just get it on because all the drilling is getting them hot and bothered.I hesitate to even write the plot to this, as I could just write the plot for Alien: crew finds eggs, someone goofs about and pays the price, the monster starts stalking the ship, hijinks ensue. Again — this film is hypersexualized, as one of the first monster attacks is more rape than attack. And there's always a KY jelly like substance leaking out of everything. It's also pretty bleak — the raped crew member dies after she gives birth to a full-sized alien and just about everyone dies pretty horribly — if off-camera, as this was still broadcast TV.There's also one well-done section of the film that explains that whatever the creature is, it predates the Biblical Flood and has lived beneath the ice for millions of years — very Lovecraftian themes that are never followed up on, sadly. Plus, being the '80s, there's a subplot about the oil company Zortron and how they may want the creature and eggs more than the oil (again, a plot point taken straight from Alien) and some character work about cheating spouses.The actual creature suit is pretty nice and holds up well to being in the light. It was created by James Cummins, who also contributed to House, DeepStar Six (I'll be getting to that one), Enemy Mine and The Beast Within. It's very Giger-influenced to the point that many people incorrectly report that Giger worked on it. That said, it's pretty strange to see an alien climb a ladder!For all the exposition, set-up and character development, this movie ends just when it seems like it's picking up steam. Who knew all it takes is a flare gun to defeat an alien? It certainly surprised me! The Intruder Within got to the party early, but it's not the best of movies — filled with blocked off TV movie direction, too dark camera-work and a short running time. That said — it still has some charm and you can find worse ways to spend 100 minutes.READ MORE AT http://www.thatsnotcurrent.com/xeroxenomorphs-1981s-the- intruder-within/

DigitalRevenantX7 CAUTION: Plot spoilers present.The crew of the Zortron 101, an oil rig stationed off the coast of Antarctica & working 'off the books' in order to find a secret stash of oil, discover some small rocks that come up when the drill hits a depth of 19,000 feet. The rocks are then revealed to be some sort of eggs, which have been underground for untold millennia. When a crew member touches one of the eggs, he goes crazy & commits suicide by jumping overboard. The eggs hatch, revealing eel-like creatures that attack a worker before being killed by the rest of the crew. The victim is then driven to rape a female crewmember who gives birth to a hideous humanoid creature that then proceeds to massacre the crew.The Intruder Within was a 1981 telepic that came hot on the heels of the classic ALIEN, indeed being one of the very first such knockoffs. The producers decided to set the film on an isolated oil rig off the Antarctic coast & make the monster a prehistoric creature.Being an early-1980s telepic, The Intruder Within clearly doesn't have the budget to seriously compete with Alien, but that doesn't stop the director, Peter Carter, & crew from trying. And they give it a game try. The oil rig setting is unusual but it manages to work better for the film's limited budget. The visual effects are clearly primitive – consisting of rubber puppets & the final creature being an actor in an unconvincing rubber suit (which is kept mostly in the dark to disguise its shortcomings).Where the film tends to work best is as an account of life on an oil rig. The depiction of the rig's day-to-day lifestyle is authentic & elevates the film to watchable status. But while the film's setting is sound enough, the biology of the vicious hominid is all over the map – it is never clear as to how the creature can exist from an egg to an eel-like creature with teeth that bites a male victim, the victim becoming obsessed & raping a woman who then gives birth to the hominid (it is also never clear how the eggs can survive for untold millennia without dying). This seems to be the result of sloppy writing from Ed Waters. The climax with the creature is also lacking in impact but within perameters for the budget.Present audiences might also notice that there is a distinct lack of gore or nudity on display here but that's because the film was made for television back in the early 1980s & was therefore subject to strict conditions. Which is the reason I won't mark the film down too low for not showing the goods.

Woodyanders I must admit that I really like this jarringly harsh and downbeat made-for-TV "ALIEN" copy. This time the rugged roughneck crew of a remote off-shore oil rig are terrorized by a large, scaly, fanged, lumbering centuries old humanoid beast dredged up from the ocean floor. Sure, the plot ain't much, but Peter Carter's crisply proficient direction (Carter previously gave us the superior and underrated Canadian "Deliverance" variant "Rituals"), the strikingly gloomy, fatalistic tone (the first victim is a panicky guy who had a nightmarish premonition of the impending disaster), a terrific, rousing score by the chronically unsung Gil ("A Cold Night's Death," "The Ultimate Warrior") Melle, several shockingly brutal violent episodes which really test the limits of what you can get away with in a TV movie (one luckless woman gets raped and dies giving birth to a brawny, fully grown man-sized monster!), the unusually well-drawn and engaging characters, and the cool creature design by James Cummins and H. R. Giger turn this unassuming little number into a modest, but surefire winner. Chad Everett as the hard-nosed crew chief has the right tough stuff to cut it as a fine hero, while Joseph Bottoms, Jennifer Warren, Matt Craven, Lynda Mason Green and especially the ever-personable Rockne ("Black Sampson") Tarkington are solid in sturdy supporting parts.