The Night Has Eyes

1943 "She loved the man, even though she thought he was a murderer!"
6.2| 1h19m| NR| en| More Info
Released: 19 April 1943 Released
Producted By: Associated British Picture Corporation
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
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Two teachers, man-hungry Doris and restrained Marian, visit the Yorkshire moors a year after friend Evelyn disappeared there. On a stormy night, they take refuge in the isolated cottage of Stephen, one-time pianist shell-shocked in the Spanish Civil War. Doris flees as soon as the flood subsides; but Marian's suspicions about Evelyn's fate, in conflict with her growing love for Stephen, prompt her to stay on among the misty bogs.

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Director

Leslie Arliss

Production Companies

Associated British Picture Corporation

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The Night Has Eyes Audience Reviews

Greenes Please don't spend money on this.
GrimPrecise I'll tell you why so serious
Smartorhypo Highly Overrated But Still Good
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Spikeopath The Night Has Eyes (AKA: Terror House/Moonlight Madness) is directed by Leslie Arliss who also adapts the screenplay from the novel written by Alan Kennington. It stars James Mason, Wilfrid Lawson, Mary Clare, Joyce Howard and Tucker Maguire. Music is by Charles Williams and cinematography by Gunther Krampf."You seem to regard me as some sort of male sleeping beauty who is restored to life by your kiss"During the school term break, two lady school teachers travel to the Yorkshire Moors in the hope of finding out what happened to a fellow work colleague who vanished there a year previously. Arriving on the moors at night time, a storm breaks and the two women are thankful to stumble upon an isolated house where somebody is at home. The inhabitant is Stephen Deremid (Mason), a mysterious man who may just hold the key to what happened to the ladies' missing colleague.OK! It's a stage bound "Old Dark House" film that has noir shadings but is more in keeping with classic Gothic offerings like Jane Eyre, Uncle Silas and Gaslight. The setting is a doozy, a creaky and shadowy mansion with a secret room, add in a storm from hell, the foggy moors that hold secrets along with the patches of quicksand (quickbog?), a seriously brooding leading man greatly troubled by his past, a spunky heroine fronting up for love interest and some possible perilous shenanigans… and you are good to go for some dark deeds and closeted skeletons.Director Arliss builds the suspense very slowly, dangling snippets of information that teases the audience as to what might be going on in this shadowy abode. Stephen is a music composer, he is also a veteran of the Spanish Civil War, the effects of which has left him scarred. Why does he take tablets? Why is the moon significant? Now that his house servants have turned up, do they know what happened to the girl last year? It all builds towards the film's chilling climax, where all is revealed, and not insultingly so.The cast all perform well under Arliss' direction, with Mason honing the brooding lead man act that would serve him so well in his career. Cinematographer Gunther Krampf (Nosferatu/The Hands of Orlac) creates an eerie atmosphere of fog-bound menace out on the moors, and also a foreboding darkened house of shadows for the interior of the Deremid mansion. The slow pace may put some off, and you are asked to forgive one or two dumb character reactions to certain situations, but this rewards the patient and very much it's a film for Gothic thriller fans to seek out. 7/10
John Howard Reid In the classic vein of the noirish mystery thriller, The Night Has Eyes is "written and directed" by Leslie Arliss, who does such absolute wonders on the small sound stages at Welwyn Garden Studios, we never have the impression that this is anything else but an extremely high budget picture. Arliss is given marvelous assistance by art director Duncan Sutherland and perfectionist lighting cameraman Gunther Krampf. The stand-out cast is led by James Mason as the moody recluse, Mary Clare as his well-wishing housekeeper, Joyce Howard as the heroine, Tucker McGuire as her man-crazy friend, and playwright John Fernald (who collaborated with director Arliss on additional dialogue) in the first of only two appearances in front of the camera, as the helpful doctor. The beginning and end of the climactic sequence rate as two of the most unforgettable moments in world cinema.
dbborroughs James Mason stars in the story of two women who go off to try and find out what happened to a friend of theirs a year before when she went off across the moors. While out on the moors the girls get caught in a rain storm and are forced to take shelter in an old dark house where James Mason, a slightly off center composer lives. What happens after that is the movie and frankly its a great deal of fun and worth looking for. This is really an Old Dark House movie-the girls come upon the house when its all dark and shadowy, and you can feel the danger lurking in every shadow. I loved how this film took twist after twist and spun off in new directions that kept you guessing as to what may have happened to the friend and what may happen to the two girls. if you like old dark house movies or really good thrillers this one is for you.
RanchoTuVu Two young school teachers (Joyce Howard and Tucker McGuire) venture out to the Yorkshire moors to find out what happened to one of their colleagues who went out there and never came back. The joke is that she met someone and fell in love. Arriving in a convincing looking torrential rainstorm, they slog through the mud, lucky to avoid the deadly bogs, and encounter a brooding James Mason, who plays a shell-shocked veteran of the Spanish Civil War, and who reluctantly lets them spend the night in his country house on the conditions that they lock the bedroom door, and leave the following morning. McGuire is the party girl while Howard plays the sincere and serious part, a nice match for the troubled Mason. Forced to stay more time because of the impassable conditions, Howard and Mason begin to fall in love. Mason's caretakers are two ruthless opportunists played by Mary Clare and Wilfrid Lawson, both of whom are outstanding in their evil roles. The idea that they have convinced Mason that he's a dangerous mental case seems a bit flimsy, but their sinister portrayals are anything but, aided by the shadowy lighting that illuminates their facial closeups. When we find out what really happened to the missing teacher, that she met up with these two, and that the lovely Joyce Howard is next, it creates a tenable level of menace. The final scene on the darkened moors with the treacherous bogs is right out of the textbook.