Art Vandelay
There's a reason insomniacs, 24-hr convenience store clerks and people who like to hit the chronic have smothered this movie with high ratings - - it's pretentious, self-indulgent, self-important tripe. The only way you could think this is the greatest thing ever put to film is if you've never actually seen a live theatre production in your life - the kind that's full of people who could never exist in real life, doing unrealistic things, spouting nonsensical philosophy. Bad plays like this exist all over North America, from off-off-off Broadway right down to your local community theatre production of Neil Simon's junk. Stacy Keach spends most of the movie looking brain damaged. I'm surprised he ever got cast in another movie he's so boringly wooden in this. His dialogue sounds like it's over-dubbed after he'd hammered back about 9 sleeping pills. Ed Flanders, on the other hand, is brilliant. I had forgotten he was one of the few credible characters on St. Elsewhere. The crazy inmates are just irritating. I didn't care for a single one of them. To even mention this garbage in the same sentence as Catch-22 or M*A*S*H* is an insult to one's intelligence. Little surprise Blatty never got another directing gig, unless you count Exorcist III, which is like taking a directing credit for Spring Break Co-Eds B00bstravaganza. I could see getting into this if I had hit the bong and downed half a pizza after a night out with my friends. Whoooaaaaa, dude, this is deeeeeeep....
yourticoff
Pure streptoblequse. A wasted effort to make a noir/comedy. Seems to be an exercise in filthy language. Without the filth there is no useful reason for this junk movie.. Not funny, humorous, silly, useful, beneficial, or much of anything. Watch Forrest Gump for comedy and noir, it's a far superior movie. Wish I had never started to watch this garbage.
Bonehead-XL
"The Ninth Configuration" is a movie I've heard about over the years. Mostly, I've heard of it in the context of William Peter Blatty's other, far more well-known work. In interviews and on internet trivia pages, Blatty has said that "The Ninth Configuration" is the "real" sequel to the "The Exorcist," supplanting the widely reviled "Exorcist II: The Heretic" as the middle chapter of the trilogy. The only narrative connection between the two films is vague. The astronaut at the center of this film is Billy Cutshaw. He is the same astronaut present at Chris McNeil's party in "The Exorcist." Otherwise, the movies are unrelated. "The Ninth Configuration" isn't even a horror film. Instead, it's half absurdest comedy, half existential thriller.A castle in the Pacific Northwest has been transformed into a mental hospital for Vietnam veterans that may or may not be faking psychological illnesses. Among them is Billy Cutshaw, an astronaut who had a mental breakdown right before boarding his space shuttle. A new doctor, Vincent Kane, is brought in to study Cutshaw's condition. There's very little plot in the first half of the movie, as Kane and Cutshaw argue about the existence of God and the nature of humanity while the other inmates act erratically. In the second half, Kane's own disturbing history is revealed, the truth is revealed, and the situation soon explodes into violence.Blatty adapted this film from his own novel, originally published under the title "Twinkle Twinkle, "Killer" Kane!" Blatty has described the source material as "a comic novel." Thus, "The Ninth Configuration" was at least partially intended as a comedy. Many absurd things happen over the film's run time. Much of the dialogue is intentionally comedic. One of the inmates, played by Jason Miller, is putting on a production of "Hamlet" cast entirely with dogs. This leads to many scenes of the inmates interacting with the weirdly humanized dogs. Later, the patients dress up as Nazis and prisoners of war, reenacting "The Great Escape." One of the inmates is obsessed with Superman and is usually dressed up as the character. The most baffling comic moment comes when a guy randomly flies by on a jet pack. Despite these elements, "The Ninth Configuration" is never actually funny. There's a strong vein of foreboding darkness flowing underneath the entire production, one that makes it hard to laugh at anything that happens. The film is ultimately too off-putting to be humorous.Instead, the film is much more effective as a thriller, if no less strange. Kane has a reoccurring dream, one he shares with Cutshaw, of an astronaut finding a crucified Christ on the moon. That sequence is effectively eerie. When the truth of Kane's condition is revealed, the ramshackle absurdity of the first half snap into place, the film smoothing itself out. This leads into another disturbing flashback to Kane's day in Vietnam. A long portion of the film is devoted to something that happens in the last third. Cutshaw leaves the hospital and travels to a bar. There, a cartoonish motorcycle gang begins to antagonize Cutshaw. Kane is sent to break up the fight. Instead, the bikers torture Kane as well. Eventually, he snaps, brutally executing each of the bikers. This sequence is extremely well shot, the audience feeling each bone-breaking blow. The scene pays off on the slowly building tension felt throughout the whole film.Aside from Cutshaw, what also connects "The Ninth Configuration" to "The Exorcist" is that both films deal with faith, the loss of it, and the existence of good and evil. (Both also prominently feature a St. Christopher medal.) Cutshaw is an atheist. Kane, meanwhile, finds it far more likely that God exists and created the universe. Furthermore, Kane considers the ability of humans to selflessly sacrifice themselves proof of the good nature of man. Cutshaw demands examples of such behavior. While attending church, Cutshaw begins screaming at the attending priest. The two spend many scenes discussing these issue, neither side presented as wrong or right. Over the course of the story, Cutshaw is given his evidence of selfless sacrifice and his crisis of faith is resolved. The film effectively addresses these ideas in a natural, relaxed way, building towards a major statement.Helping the film along is its able bodied cast. Stacy Keach as Kane begins the film rather dryly. However, as the story goes on, we realize his restrained personality is hiding a rage and an inner darkness. Scott Wilson matches him as Cutshaw, at first appearing totally deranged but slowly developing a deeper characterization. Jason Miller's part is very memorable even if he doesn't' contribute much to the story. Ed Flanders' gets maybe the juiciest moments of acting, especially when the truth about his relationship with Kane is revealed. The same could be said of Neville Brand, Robert Loggia, Tom Atkins, and Joe Spinall, all familiar character actors that are always welcomed.I didn't entirely like "The Ninth Configuration" though it develops in a satisfying direction. It's a tonally uneven film and frequently very odd and off-putting. However, you can't say Blatty wasn't getting at something. It doesn't really compare to his two "Exorcist" movies. The three make for a very strange triple feature, which I wouldn't recommend. It's one of those movies I admire more then I like, if only because it's so genuinely odd.
Jerghal
I'm always looking for a hidden gem, something I haven't seen before that hasn't been hyped to death on the internet. This film by William Peter Blatty (writer of The Exorcist) might be such a gem. I certainly never heard of it before. I was intrigued by the title and the cover (an astronaut on the moon with Jesus on a crucifix...what on earth could this be about?). This is the plot synopis from IMDb: 'A new commanding officer arrives at a remote castle serving as an insane asylum for crazy and AWOL U.S. Army soldiers where he attempts to rehabilitate them by allowing them to live out their crazy fantasies while combating his own long-suppressed insanity.' Sounds good to me. First of, the dialogue of these insane people is written brilliantly. The actors really go all the way in portraying these nut jobs. It's really funny to watch. But the film is a mix of a lot of different styles. It might start out as a comedy, it also contains horror like elements, drama, surrealistic and tragic parts. It's best not to know to much about this movie beforehand. So just check it out. You might not love it, maybe even hate it but it certainly will be like no other film you've seen before and in these times of cookie cutter productions that is a welcome relief.
