The Principles of Lust

2003
5| 1h48m| NA| en| More Info
Released: 29 January 2003 Released
Producted By: Film4 Productions
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

Crippled by his writer's block, Paul enters into a new, exciting relationship with risk-taking Billy and super-sexy Juliette. As it becomes increasingly tangled, however, he must choose one of them over the other.

Genre

Drama

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Director

Penny Woolcock

Production Companies

Film4 Productions

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The Principles of Lust Audience Reviews

Alicia I love this movie so much
Plantiana Yawn. Poorly Filmed Snooze Fest.
Dotbankey A lot of fun.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
ogden_fahey Saw this tonight and felt obliged to look up this film online, its apolitical kitchen sink drama for the naughties - or noughties, or whatever - but its more than kitchen sink, its Shakespearian with its symbolism. Poor Britain, it has descended into lad-ism and porn, gone mad between temptation and boredom, the sickness of newsfeed represented by shocking violence, irresponsibility and real games. I'm seriously impressed with the writer who got all this into the script, I "got it" Its not for the faint hearted, a lot of things aren't, but if you're a player, or want to be - well you might be surprised what actually goes on. I hope to see more from this director.
andyflavoured Granted the Principles of Lust is patchy, but it's nothing like as bad as you would conclude from other user reviews. It pushes at the boundaries, challenges the viewer with explicit images you would never expect to see even in an 18-cert movie, but does also say a lot about relationships in the process. Paul and Juliette's instant attraction and failure to communicate effectively echoed much of the love-hate nature of real life relationships in my experience, right down to the closing shots where love and bitterness combine while Juliette's son looks on, uncertain. Secondly, Paul's uncertainty about himself and his status as a writer speaks volumes - and thereby he represents the vast majority of us. Ultimately, do we know what we really want? Maybe we are all drawn to the dark side but are afraid to admit it, even to ourselves? So from my perspective, bravo to Penny Woolcock for making this film, which inevitably will polarise its audience - but remember its nod to Fight Club, and the fact that it is adapted from a novel by Tim Cooke. It's hard to imagine a feistier adaptation than this.
ellkew I am surprised so many people really hate this film. I thought it was quite brave in the way it approached its subject matter and for me it took me down a different grittier path to the sterile world of the ordinary polished British film. I never really knew where this was going which again I enjoyed (you can plot the direction of a Richard Curtis film after fifteen minutes) and it left me thinking about why other films don't do this. It was by no means ground breaking and the characters were unpleasant but then so was Travis Bickle. It had some strong scenes but on the whole it didn't quite hold together. Marc Warren was the best thing in it and I would probably watch most films with him in. Could have been better but still gave me some nice surprises which I can't say about many British films.
Phily biyans The problem I had with the film was its approach. It was ultimately boring TV. It is as if it had no direction in it whatsoever. It's as if the camera is just picking up some kind of reality TV. The story starts in a typically pedestrian way, a struggling writer struggles to write, just like the writer of the story must have, with some sort of inner conflict, confusion etc, he meets a girl. Our tormented soul encounters a beautiful woman who helps the protagonist come to a sort of realization which ultimately opens the floodgates to more confusion and he keeps meeting his bad guy friend who holds him back from being with the girl. This method is guaranteed to put you to sleep in the first two minutes. Then there's the voice-over. If they can't tell a story properly, why bother. Don't add voice over, If they can tell a story for film, they should just go and work in Radio.Then there's the "introspective shot" which features the main character staring into space for a good minute. How pretentious can it get without moving anywhere? This has been done many times and also by wannabe film makers and students who don't know what else to do.Gratuitous shots which were there for no reason, ordinary choices and silly angles, OK, is that all? Nothing new or inspiring, it's total cheese. Better watch something else I think. Also as for the couple, do they really want us to believe that She would go out with him? That's totally implausible! The film irritated me as there is so much out there to watch and this was just a waste of time. This is a Slice of Life that is more uninteresting than real life.All the acting is wooden. But Marc Warren is Excellent in Hustle and he seems to shine in all he does so I wonder who's fault it is with this film? Marc Warren's character was interesting but he needed a bit more. Sienna is okay but just a bit too wooden. Newman is a fine actor but I didn't like his character and I think he was badly cast also, I just didn't care this time.The orgy scene is derisory. Enough said.When the film finished I was left with a feeling of 'So What?'. Why oh Why make boring films trash. Is it because someone thought they could and didn't stop to think if they should? This film is uncreative and badly directed, if there was any direction involved that is. The best thing was the music track at the end which I did like, but that didn't make up for the rubbish TV-trash film.