BootDigest Such a frustrating disappointment

Wordiezett So much average

Salubfoto It's an amazing and heartbreaking story.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

clanciai This is unusually funny for being a noir. The plot keeps developing in most surprising and sometimes hilarious new directions, as the complications pile upon each other in this (for the police) inextricable murder mystery, while not even the perpetrators themselves, not any one of them, really can understand what happened.The lead played by Carol Ohmart would have been perfect for Barbara Stanwyck, and at moments Carol actually looks like Barbara, and most strikingly so in the last scene. Tom Tryon is like a substitute for Montgomery Clift, the same kind of helpless gullible victim of a superior woman who knows her arts, and there are even some Hitchcock moments in this film, like in the bathing sequence, when you all the time are aware of a third man watching them, although he doesn't come forward until afterwards. The major comic ingredient is Elaine Stritch as the constantly slightly tipsy friend, one of several friends earnestly doing what they can to help the puppets of a grimly ironic destiny out. You expect more murders and gun shots in this drama of passion, but it's not necessary. The plot is quite enough entertaining in itself, no further exaggerations are needed, and even the end with its perfect cliffhanger question mark is satisfying as such. No further action is needed.

bnwfilmbuff This is a masterpiece with a plot that keeps developing new twists throughout the entire film directed by one of the greats, Michael Curtiz. I was drawn to the film by Curtiz' being the director but the casting and the cast are marvelous. Carol Ohmhart is beautifully sinister and Tom Tryon gullibly smitten in what starts out as a love triangle but evolves into something far more devious and complex. The supporting cast shines with E.G. Marshall and Edward Binns as the law and James Gregory as Ohmart's wealthy husband especially notable. A rare performance in film by Nat King Cole is an added treat. This was quite a find and highly recommended.

madmonkmcghee Desperate housewife wants to run off with her lover, and to get the much-needed cash they rip off a couple of jewel thieves. The jealous husband gets wise to their scheme and tries to beat his wife into submission. In the scuffle his gun goes off, killing the wife-beater. Welcome to Noir Country. This movie starts off promisingly enough, but ultimately disappoints. The main problem are the two leads, who just aren't engaging enough to root for. Especially Tom Tryon as the hapless lover is just not up to it, being weak-willed and spineless from the get-go. Me, i would not organize a kids party with this drip, let alone a jewelry heist. Carol Ohmart is a shade better, but again fails to engage much sympathy. In fact the best performances are by Elaine Stritch and Scott Marlowe as the fun-loving friends of the estranged couple. David Lewis is also suitably menacing as the brains behind the robbery gone wrong. A lot of possible suspense is also prevented by the fact that, as in most 50's thrillers, the police is always just one step behind the culprits. So it's just a matter of time before everybody gets their rightful punishment. ( Phew, that's a relief!) If you're a noir addict like me you might give this one a once-over, but probably once will be more than enough.

melvelvit-1 E.V. "Marsh" Marshall (Tom Tryon) is an up-and-coming sales manager for the Ralph Nevin (James Gregory) real estate empire but little does Ralph know that his top employee is having an affair with his slinky wife "Paulie" (Carol Ohmart). Parked in a lover's lane one night, Marsh and Paulie overhear plans for a quarter million dollar jewel heist and high tail it out of there but it does plant a seed. Paulie's husband beats her and she wants out but she came from the tenements and doesn't want to go back so she begs Marsh to help her break free by ripping off the jewel robbers... There's twists and turns galore in Michael Curtiz' suspense-filled '50s noir that for some reason remains unsung. This was no B-movie, either; it's a Paramount film in VistaVison produced and directed by an Academy Award winner with a sure hand for this sort of thing from a story by Frank Tashlin, of all people. The film "introduces" Tom Tryon, Carol Ohmart, and Jody Lawrance and although none of them went on to major stardom, Tom and Carol had respectable second tier careers. Ohmart was a very sexy lady with the kind of cruel beauty that lent itself well to femme fatale roles and handsome Tom conveys "conflicted" convincingly. Elaine Stritch (her feature film debut, as well) adds heart as Paulie's floozy friend from the old days before she married well and E.G. Marshall's on hand as the investigating police detective. Nat King Cole croons "Never Let Me Go" in the Crystal Room of the Beverly Hills Hotel. Recommended.