StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

digiroud I'll never forget this movie I've seen with my boyfriend by chance, one night, on cable TV. Beginning with the highest symphony ever made (Beethoven's 7th), a burning volcano, then the cold and frightening voice of Lucas (one of the best french actors)...you just have to let yourself go in this symphonic movie, in between calm and tough unexpected moments of violence. So you stay nervous till the end, and even if you know a part of the key of the mystery before its end, it doesn't matter, as the actors keep you under their control. I wont tell more about this piece of pure art, to keep its secret. Just watch it, no matter where and how !

paulnewman2001 A slender allegory of Greek mythology's blind sex-shifting seer Tiresias, Bertrand Bonello's film might be a lot more enjoyable if it didn't strive so hard to be art.Tiresia is a Brazilian transsexual prostitute living illegally in Paris who is kidnapped by a psychopath with poet pretensions.Deprived of hormones, he reverts to the masculine (a female actor plays Tiresia 'before' and a male 'after'), is capriciously blinded by his captor and left for dead in remote woods. Found by a quiet country girl, Tiresia recovers and becomes a local legend after apparently transforming into an oracle with the ability to see the future.Cutting between the two actors in the lead seems an unnecessary contrivance, but isn't as confusing as sinister Laurent Lucas playing both the abductor and the parish priest who later persecutes Tiresia (but as both have a fetish for roses, maybe they're meant to be the same person?).A largely glacial pace and inserted footage of roiling lava rivers with excerpts of Beethoven's 7th Symphony thundering on the soundtrack signal Bonello's push for profundity but it's still an intriguing film with plenty of ideas and themes to examine.

writers_reign Other than good, bad or indifferent it's difficult to classify this one. Okay, it's based on a Myth so the director needs to find modern equivalents but this still leaves unanswered questions. Number one must be why Laurent Lucas picked this particular hooker to kidnap. There's no indication that they had met previously and by extension that Laurent would know Tiresia was a pre-op transsexual. Number two, why do none of her hooker colleagues come looking for her and/or report her missing; given the precarious nature of sex-with-strangers it's reasonable to suppose that hookers write down and/or memorise the numbers of the cars they and their colleagues get into. Number three, where does Lucas get his money? He appears to have no job yet lives in a large several storey house - albeit dilapidated - and drives a car without a visible source of income. To these can be added others such as what, if any symbolic meaning has the hedgehog in Laurent's garden which he is constantly feeding and why - other than the fact that it fits the original myth - does he opt to blind Tiresia rather than killing her outright or breaking say an arm or a leg. Then we can throw in why does Laurent double the role of a priest in the second half of the film. Though I kept watching til the end these and other questions punctuated the viewing throughout, not the best sign for a filmmaker whose objective surely is to make you forget you're watching a film.

DJMrB VERY MINOR SPOILERSI am excited for two reasons - first, having moved to France I can now drown myself in French cinema. Secondly, this may be the first time that I have been the first to comment on a movie for IMDB. I might even actually be convincing you cinema-goers out there to see a film that I liked. How wonderfully,innocently exciting.And, yes - I am trying to persuade you to see this film. Watching Tiresia is not an easy Sunday night at your local multiplex, but it is a good film.Shocking, disturbing, horrifying in places, Tiresia is suberbly acted by a strong cast, with special note to both actors in the eponymous role. In places the camerawork is a little shoddy but this is easily overcome with dramatic set pieces and chilling imagery that will leave you with nightmares for weeks. Trust me.Tiresia, the story, is of a transexual prostitute who is captured and brutally stabbed, to survive and rebuild what remains of this character's seemingly hopeless existence. However the beauty in this film is not to be found in its story, but in the incredible transformation of Tiresia. Without wishing to reveal too much, watch carefully as the director forces us to see Tiresia change.I highly recommend this film, although you rednecks and scousers out there (you know who u are)might not find it at your local cinema. Hunt it down where you can. 8/10