Woo

1998 "It's Woo's world.. we're just living in it."
4.2| 1h24m| R| en| More Info
Released: 08 May 1998 Released
Producted By: New Line Cinema
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Woo is a woman in control of her world. She is smart, self-confident, sophisticated and snarky. And she doesn't have any trouble attracting members of the opposite sex. But for some reason no one ever sticks around. Woo meets Tim, a paralegal who is her complete opposite. They shouldn't click. However, Woo and Tim begin to bond when a series of weird and stressful calamities hits them while they are on their first date.

Genre

Comedy, Romance

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Woo (1998) is now streaming with subscription on Starz

Director

Daisy von Scherler Mayer

Production Companies

New Line Cinema

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Woo Audience Reviews

SpuffyWeb Sadly Over-hyped
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Staci Frederick Blistering performances.
James Hitchcock The film is set among New York's black community; all the main characters are black, with white actors seen only in minor roles. (Is this revenge for the way in which Hollywood used to discriminate against black actors?) The title character Woo (this is presumably a nickname although we never get to find out her real name) is a beautiful young woman who is having difficulties in her love-life, and accepts a blind date with a young man named Tim, largely because he is a Virgo. (Her astrologer has told her that she is fated to find romance with someone of that particular star sign).This is an example of that classical romantic comedy plot, love blossoming between two people of different temperaments. The shy, diffident Tim, a law clerk, is having even more difficulties with his love-life than is Woo; he lacks a social life to such an extent that his friends nickname him Macaulay Culkin (because he's always home alone). Woo, by contrast, is an outgoing, extrovert party animal, and is keen to take Tim out for a night on the town. As this is a romantic comedy, we know that there will be a happy ending; the interest of such films lies in the route taken to reach such an ending. Unfortunately, in this case the route taken is an uninteresting one. We quickly realise just why Woo, despite her physical beauty, has not had great success with men; the woman is spoilt, wilful and a prize bitch, the sort of person who (in one of the film's most manic scenes) wrecks an Italian restaurant after a trivial quarrel with a waiter. It hardly seems credible that Tim would tolerate such an annoying and unlikeable character, let alone conclude that she was the love of his life. He is evidently even more frustrated than we realise. I am not sure whether the problems with Woo's character are the fault of the scriptwriter or of the actress, Jada Pinkett Smith. Probably a mixture of both.The film has been criticised for allegedly perpetuating stereotypical images of young black males. The character of Tim, in fact, seems to have been designed to get as far away from these stereotypes as possible- he is quiet, middle-class and lacking in self-confidence, especially where women are concerned. The other male characters, however, are written in a stereotypical way, presumably deliberately so in order to accentuate the contrast with the untypical Tim. They are loud, outgoing and streetwise, sexist in their attitudes towards women and prejudiced towards gays. These characters did, however, provide some of the more amusing scenes, which mostly had little to do with the main plot, like the scene in the gay bar where one of the men mistakes transvestites for real women (an old joke, going back at least to "Crocodile Dundee"), or the "Chickie Ho" scene where a man makes his girlfriend dress up as a chicken while making love. (She, unfortunately, is allergic to the feathers and can't stop sneezing). Unfortunately, amusement is in short supply, and the film as a whole makes for pretty dull viewing, a sort of romantic comedy version of those old blaxploitation action films from the seventies. 4/10
MovieAddict2016 "Woo" is about a woman (named, of all things, Woo!) who goes on a blind date with a guy who hasn't been with a woman in a long time. Woo has been through a lot with men and gets the feeling this new guy just wants one thing, so she leads him on a series of late-night adventures a la Scorsese's "After Hours." This movie is L-A-M-E lame. It's packed with all sorts of awful dialogue, poor performances, racial stereotypes (including the big fat black woman who waves her finger at everyone and finishes every sentence with the word "girlfriend") and so on and so forth.Nowadays it's best remembered for starring Jada Pinkett (Smith), wife of Will Smith. Her performance isn't that good and it's hard to believe they based an entire movie -- including the TITLE! -- on her character.Overall this is poor, stupid, (intellectually) offensive and insulting, clichéd, stereotypical and worse than all that: uninteresting! It's not entertaining, it's not funny, it's just dumb and annoying.Not even worth watching on TV.
bob the moo Tim is a shy man who hasn't been with a woman in quite a while. Woo is a woman who is looking for her perfect man but has been played once too often. When a friend hooks them both up on a date things go wrong from the start when Woo feels that Tim is only after one thing. After that she drags him through a series of misadventures as he gradually loses patience.I must admit to have taped this because of the presence of the lovely Jada Pinkett Smith. Ironically I watched this on the day that The Matrix Reloaded opened in the UK – I wonder will she be boasting about her presence in this film now that she has real hits under her belt. The plot here is almost an `urban' rehash of Blind Date, with Woo leading the mild mannered Tim to despair. However the majority of the film is poor and not very funny. The plot is very thin, so thin that it needs separate little subplots for the other characters just to sustain the running time. Sadly neither of the two `friends' subplots are any good at all and are either stupid or obvious.The main `romance' between Woo and Tim is badly translated. At no time did you wish for these two to be a couple, even the `slow music during a thoughtful taxi ride' moment seemed to come out of nowhere and indicate that the film would be ended soon. To be honest other than Woo's body I could see no reason any man would want to be with her – certainly Tim could do a lot better, which kinda goes against the point of the film. Their episodic adventures raised a few small laughs for me but not enough to justify the time.Pinkett-Smith is OK. Her looks are spoilt by a lipstick colour that doesn't suit her face and a general attitude that alienated her from an audience that she needed to keep. Davidson is better despite playing the same sort of character as he did in Booty Call, he has more of a knack for comedy and his character was easier to emphasis with than Woo. The support cast are all pretty poor whether it is Chappelle demanding his wife dress as a `chicken ho' or Martin, Heath etc being `dogs'. Cameos from LL Cool J and Foxy Brown do nothing to liven it up.Overall I am not against urban comedies although many of them do tend to fall into lazy cliché that would border on the racist were they not produced for the very groups they stereotype. Here I had low expectations but was still let down., Very few laughs, very basic plotting and such poor characterisation that it was hard to like anyone in the film. Best avoided and very probably being tippexed off Pinkett-Smith's CV as I type this.
jmarcel There won't be a Woo 2. This mixed-up and predictable film had a few funny moments but over all not worth the rent. If you are a big Davidson or Jada fan, it might be worth the look to check out their performances, otherwise stay away.