BootDigest
Such a frustrating disappointment
Vashirdfel
Simply A Masterpiece
Steineded
How sad is this?
paxveritas
Several reviewers have asked why Bickleigh married his wife in the first place. I haven't read the book, or been able to view this 2005 remake, but I've seen the 1979 version a couple of times and was amused by the plot and impressed with the acting. In the 1979 version, Mrs. Bickleigh - a delightfully authoritarian Judy Parfitt - states that they didn't love each other when they married, but she needed to "get away from a situation at home." The book by Francis Iles (one of Anthony Berkeley Cox's nommes de plume) is available for a few dollars from eBay, and that probably has more background on Mrs. B's problem at home before marrying the slick doctor.In 1979, Madeleine was superbly played by the always-wonderful Cheryl Campbell. Please catch that version if you can, it's in four 50-minute installments, without feeling like three and a half hours. Denny is not an alcoholic in that one, and there wasn't a hint of any French or other nationality creditors pursuing Madeleine.
Richard Hawkins
The problem with this show is that the main character is so unsympathetic. He's a hubristic and conniving murderer, suffering from satyriasis. And none of the other characters are particularly appealing except, maybe, Ivy, who'll do anything for love. But can anyone enlighten me on Melanie? Did she murder her drunken husband? What was the meaning of the flies in her house - to show that she was actually poor or to show that she was actually brewing up some typhoid? And did she frame the doctor merely to redirect any suspicion away from her or because she was a psychopath? The production values were first-class and the acting good, though the lead actor lacks charisma and we're never quite sure why so many women want to have an illicit affair with him. And, as one other reviewer here pointed out, how did he and his wife end up together in the first place? Was he just a gold-digger? And, if she was such a snob, why did she marry him?
j-r-clarke
Excellent! And 25 or so years later after the BBC version this production is indeed excellent, but my thoughts do go back to the BBC version with Hywel Bennett back in 1979 with Judy Parfitt playing his overdosed wife which was so very dark. Bennett at the time had the looks to play any lead character, but the darkness of Bickleigh he portrayed with true style and strength. Ben Miller's excellent as ever, met him once as is Barbara Flynn who's consistently one of our best actresses and voice over artists in the UK, this is a great revival but I'd love to see the 1979 BBC version as well... Just think Bennett's portrayal was darker... At the time he was the man of the moment coming off the back of Dennis Potter's 'Pennies From Heaven' Peter Tilbury's excellent 'Shelly' and then in Le Carre's 'Tinker Tailor Soldier Spy' as Ricki Tarr. He was the actor of that time. Please BBC release the 1979 version.John, Manchester UK
lee8301
More murders take place in Britsh films and television than have ever occurred in reality. Moreover, the best of these crime stories are set in beautiful, almost idyllic surroundings, so that it becomes true that 'every prospect pleases, and only man is vile'. And, the people in this village are vile indeed. They are so mean-spirited, filled with gossip, selfish and conniving, and purposefully hurtful, that one feels sympathy for the murderer and wishes that he not only get away with his crime, but that he gets rid of the whole lot of his neighbors, too. The vicar is a schemer, revelling in local gossip, without a charitable thought in his body. His wife tells him that he has absolutely no knowledge of human nature, which is the reason he's a clergyman. His fat daughter is a block off the old chip. The elderly spinster sisters have not had a kind or decent thought in their heads since puberty and are certainly long overdue in meeting their Maker. The young women with whom the murderer has consorted are extremely beautiful and embarrassingly stupid. The young men in the village are even less intelligent, simply meaner. The locale, on the other hand, is exquisite. The furnishings and costumes are wonderfully evocative of rural England between the wars. The art direction, therefore, is typically marvelous. The English do it better than anybody. The script is intelligent and crisp. The story moves swiftly. The sex is moderately discreet but the hot-blood frequently surges. It's a pleasure to watch. What this village needs, however, is one of those old "Cobalt Bombs", the kind that destroys all the living creatures, but leaves the buildings and vegetation intact. They hardly will be missed, they hardly will be missed, I have a little list.
