Gestapo's Last Orgy

1978 "The Sickest Entry in the Nazisploitation Genre!"
4.4| 1h21m| R| en| More Info
Released: 10 December 1978 Released
Producted By: Cine Lu.Ce.
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Info

Lise Cohen is taken to a special prisoner-of-war camp for female Jews, a camp run as a bordello to entertain the German officers and troops going in to battle. The camp is run with an iron fist by Commandant Starker and his minion Alma. Starker becomes frustrated when Lise demonstrates no fear, and devises cruel experiments to scare her, to no avail. Once she realizes her guilt is unfounded, Lise begins to play Starker's game, but even though she begins living a better life, she doesn't forget the atrocities she has seen and experienced.

Genre

Drama, Horror, War

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Director

Cesare Canevari

Production Companies

Cine Lu.Ce.

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Gestapo's Last Orgy Audience Reviews

ShangLuda Admirable film.
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
MARIO GAUCI This is the fifth Nazisploitation film that I've watched after the arty THE DAMNED (1969) and THE NIGHT PORTER (1974), and the more exploitative NAZI LOVE CAMP 27 (1977) and THE RED NIGHTS OF THE GESTAPO (1977); it's reputed as the most infamous of the lot, but I was disappointed to discover that the version I ended up with was shorn of about 10 minutes of "sick footage" (which, reportedly, includes a woman being burned alive and a cannibalistic sequence where the prisoners serve as dinner for the Nazis)! That said, what's left in would still alarm and profoundly disturb most conservative viewers.The film opens with an audacious voice-over of a Nazi war-crime trial as a man (later revealed to have been the Commandant of a concentration camp-cum-makeshift brothel for German soldiers returning from the front!) is making his way by car to a rendezvous with his lover (a Jewish girl he frequently victimized during the war); the meeting place, in fact, is the ruins of the camp itself – thus resembling most closely the central relationship within THE NIGHT PORTER. During the course of the film, we're treated to several instances of inventively depraved physical torture – most memorably, one where the heroine, hanging upside down, is hovered above a slew of hungry rodents and another in which a character is made to slide into a deadly lime pit. Characterization is particularly of interest here (though this element was even more successful in the afore-mentioned NAZI LOVE CAMP 27): the protagonist faces the myriad beatings and constant degradation with utmost stoicism – believing herself responsible for her family's capture, she has no desire to live (she's played by Daniela Poggi – who, years later, would become the conductor of a long-running TV show about the search for real-life missing persons and now, obviously, prefers to totally exclude the picture from her curriculum!); the Commandant is a closet masochist who's frequently willingly dominated by his female (if masculine-looking) warden; the latter, then, is a standard figure in this type of film – though she's curiously absent for much of the mid-section (returning, in fact, merely for her hasty comeuppance).Events constantly switch from the present, as the two lovers wander about the place and then give in to their passion for one another, to the past (including the girl's liberating bed-romp with the sympathetic camp doctor, her eventual ascension to position of the Commandant's favorite – even turning down a plea of help from her former prison companion – and culminating in the 'loss' of her child because it has no place in the Nazi-ruled 'perfect' world of the future); incidentally, the abrupt downbeat ending is predictable virtually from the get-go. Despite featuring a haunting theme, augmented by half-spoken German lyrics, I reiterate that the end product (pompously renamed CALIGULA REINCARNATED AS Hitler in some quarters!) is inferior to NAZI LOVE CAMP 27 – or, for that matter, the director's other work that I've come across. Incidentally, I'll be checking out presently another notorious example of the Nazisploitation genre i.e. Tinto Brass' SALON KITTY (1976)
The_Void If it's a bad film you're after, then I recommend seeing anything from the abysmal Nazisploitation sub-genre, as unless I'm missing something; they're all terrible! Never has there been a film type so moronic and redundant, and The Gestapo's Last Orgy doesn't do anything to make me reconsider that notion. I suppose in fairness; it has to be said that this isn't as bad as the completely crap SS Experiment Camp, but it really isn't too far off. My only reason for bothering with this film is because of the fact that it was a part of the DPP's Video Nasty list back in the eighties, and I'm pleased to say that now I've seen three of the four Nazisploitation flicks on the list, I only have one left to go (the almost certainly mind numbing Love Camp 7). The Gestapo's Last Orgy is slightly more epic than most of the rest of the sub-genre, but that's not a good thing as it only means that it's even more boring. The plot has something to do with a prisoner of war whom various sick Nazi's see fit to experiment on, only for her to start playing her own game with them...or something. The storyline is too meandering to be satisfying, and most of the film is caught up in showing how sick the Nazi's were - like we need a film to show us that! I'm a big fan of cult cinema, and almost all the sub-genres have some decent films among them - that is, except Nazisploitation. Overall, I have to say that unless you're working your way through the Video Nasty list - this is one to avoid!
Claudio Carvalho The beautiful blonde (Daniela Poggi) is sent to a concentration camp for female Jews to be sexually used by the German soldiers. She is not afraid of dying, since she believes she provoked the death of her family in a ghetto. Commandant Conrad von Starker (Marc Loud) feels challenged by her behavior and decides to torture her, making she faces the horror of death. Later, she becomes her sexual slave of along the period of war. In the post-war, they meet each other, with this meeting ending in a tragic way. This type of 'exploitation movie' recalls `Ilsa, She Wolf of the SS', with a shallow drama which recalls `The Night Porter' and violence like `Salo, or The 120 Days of Sodom'. At least, Daniela Poggi, who works naked along all the movie, has a beautiful body and the violence is limited, therefore it is watchable. I do not like this genre, but there are movies worse than `L' Ultima orgia del III Reich'. My vote is four. Title (Brazil): `As Condenadas' (`The Condemned')
Dr. Gore *SPOILER ALERT* *SPOILER ALERT*"Gestapo's Last Orgy" is the touching story of a blonde prisoner of war and her determined and sadistic Nazi captor. He is taken by her lack of fear of dying and decides it would be fun to break her. He talks on and on about how one must fear death to appreciate life etc. He decides to try many little games to get her to shriek. My personal favorite was hanging her naked upside down while the rats jump for her head. AH-HAHAHAHA! "Scream! Cry out!" Yes, it was one demented little movie. Not bloody or gory, just reveling in it's own twisted nature. Many speeches are given bashing the Jews and how the Germans have every right to rape, torture, do whatever they want to them. Plenty of nudity and yes, there is an orgy. It's very well made. Surprising for this level of exploitation. I don't think you could get much lower than exploiting the Holocaust. If you like this kind of stuff, "Gestapo's Last Orgy" is worth seeing. Sick and twisted.