L.A. Takedown

1989 "If you thought Miami was rough, you haven't worked the streets of L.A."
6| 1h37m| NA| en| More Info
Released: 27 August 1989 Released
Producted By: Compañía Iberoamericana de TV
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Michael Mann's gutsy telefilm tells the tale of two skilled professionals--one a cop, the other a criminal--who aren't as different as they think. Vincent Hanna is an intense cop on the trail of ruthless armed robber Patrick McLaren. After a botched heist, the two men confront each via a full scale battle on the seedy streets of Los Angeles.

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Director

Michael Mann

Production Companies

Compañía Iberoamericana de TV

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L.A. Takedown Audience Reviews

VividSimon Simply Perfect
Ceticultsot Beautiful, moving film.
Onlinewsma Absolutely Brilliant!
BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.
videorama-759-859391 I must say, this original 'Heat' where the remake was more universal with bigger name actors and went into more of the character's lives, whatever, still didn't disappoint. It actually went higher than my expectations, and this being a Michael Mann film too, I should of known better, leading me to wonder that this lower profile 'Heat' pic surely didn't deserve the obscurity it must of had, sitting on the video shelves for years. The two leads are excellent, which again, had me underestimating it, especially McCarthur's performance of our A1 solid professional thief/robber, who he plays straight serious right down the line. I enjoyed him much more than seeing De Niro doing it to be frank. When seeing Pacino do hot shot dick, Hanna, in the remake, Plank, an actor who sadly isn't with us anymore, where I had seen him in some other stuff is far different, from Pacino, his interpretation here I found, mystifyingly exciting, where he brought something with it too. He's definitely someone you don't toy with, as by example in a few scenes, one I thought was hilariously cool like it's leads. I'd rather opt to watch these two than the actor duo in the 96 remake. From the word go, it's typical Michael Mannish, his signature all over this pic, those cool music scores, I never get sick of. That infamous café scene with the antagonist and protagonist, engaged me so much, especially McCarthur again, that same dialogue exchange between the two was beautiful interaction. But what was more engaging, was the pre moment to this scene where outside the coffee house, both parties, who happen to cross paths, are about to draw their guns. Plank smooths the waters, by offering to buy him coffee. The bank shootout/botched job scene was loudly intense, those deafening AK's bringing back the glimpse of a horrid memory, also from 96. Okay, if you've seen Heat like me first, you might be thinking, "Yeah so"? where there's a lot, I mean a lot of identic stuff in this, but remember, this is the original, that inspired the mega hit. Still, this comes off as a success, an underestimated surprise, with a few small differences, what have you, which is remake law, except for 'Funny Games'. Don't let this one slip by, folks, for the two cool leads, and that wonderful Mann direction, which in some ways is unsurpassable, always involving us, where we're part of film too, thanks to this master.
Andy (film-critic) As a preliminary draft to "Heat", Mann's made-for-TV crime drama about a gung-ho cop and a professional criminal works. It lays the foundation for the bigger-budget film in which Pacino and De Niro hone their chops, but as a stand alone film – "LA Takedown" (or as I watched it "Made in LA") is a dated, censored look at a bigger picture. Having watched "Heat" first, and several times over, it is difficult not to make comparisons between the two films. It is reminiscent of watching the original "Gaslight" and the remake produced just four years later – while in that case the original is better – one cannot help but compare the differences. That is the case with Mann's TV outing. While it is impressive to see that Mann stuck with his original story, it is the characters that fail to live up to the "Heat" hype. Scott Plank and Alex McArthur are good actors, but they are no icons. Their squabble between each other seems staged, less emotional, and not quite as tense as seen in the later film. McArthur isn't as smart, Plank isn't as gruff, and what makes it work in "Heat" is the back story Mann creates. The world surrounding our characters in "Heat" makes them believable, more than just characters on a page – while in this film, running at just an hour and a half, it is difficult to believe each character's squabbles. Both films are a character driven film, with two intense scenes of action, but without the characters, we couldn't have created the moments. I believe Mann realized that with "LA Takedown", and it is why "Heat" seems to focus more intently on our players.Again, I am not one that likes to say one is obviously better than the other, but when looked out separately, "LA Takedown" would feel dated, tired, and confusing. It isn't a film to be remembered, which is why it probably hasn't been transferred to DVD yet, and perhaps forgotten for good. "Heat" takes every lacking element in this original draft and powerfully re-masters it using stronger actors, other plot lines, and a clear definition of "why".Overall, I liked this original film merely for the idea. The concept that was finally redefined as "Heat" is perhaps not quiet as welcomed in 1989, but "LA Takedown" could not be watched again. In the catalogue of Mann films, it is important to see, but it is not as emotionally powerful or kinetically charged as "Heat". With an unfocused story and minimal character development (with plenty of yelling – a classic 80s answer to building tension), "LA Takedown" doesn't give hope for the early made-for-TV movie, but it does showcase Mann's ideas. As a teacher, I would ask Mann to rewrite and develop further, and with his answer as being "Heat", the project would then be complete.Watch this film once, but upgrade yourself accordingly.Grade: ** out of *****
Imay_37 The only reason why you have heard of this film is that people compare it with HEAT and say its the same. The truth is that the only thing simular to HEAT is the director and the story as in a cop vs bank robber.HEAT was an unbelievable film with the right amount of action and story to keep you at the edge of your seat like Goodfellas. This film on the other hand is complete rubbish, if your lucky you'll forget it the next day.OK! a few scenes are simular to HEAT but wheres the action and exploring of the characters. Thats why HEAT was so good it explored the characters which made you like them all.Another thing about this film is that you notice the location and lighting and its obviou it doesn't go..... i mean the location and lighting for some of the scenes were so bad that it makes you wonder maybe i should have been a director or a camera-man.This film is totally crap and those people who compare it to HEAT are wrong to do so...... HEAT is in another league..... u watch this film ur wastin ur time........ Good job its not as long as HEAT ! HA !
halfcolombian This movie is basically the same movie as HEAT. To say that this movie is garbage and that HEAT is a masterpiece is plain stupid, but that's almost how the IMDB users voted. Last time I checked this movie had an average rating of 5.7 while HEAT had 7.8. Anyway I don't need any Pacino or De Niro to recognize a good movie. HEAT might be a little better but it's not THAT much better. Had I seen this movie first I don't know if I had bothered seing HEAT, but sadly the big remakes get all the attention. Soon the remake of another excellent movie "manhunter" will come up in the theatres, and it will probably make people forget about how good the original is and if there are people that still haven't seen it, they will only see the remake. I don't think you should do remakes of movies that are less than 20 or 30 years old. I think I'm against almost any remake. If the original is good then why do a remake? and if it's bad well even less reason to do it...Anyway both movies are good and I like them both even if I don't like the remake phenomenon.