Malone

1987 "Ex-cop. Ex-CIA. Ex-plosive."
5.8| 1h32m| R| en| More Info
Released: 01 May 1987 Released
Producted By: Orion Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Erstwhile C.I.A. assassin Richard Malone hopes for a tranquil retirement in the placid Pacific Northwest, but what he gets is a rumble with a right-wing extremist plotting a secret revolution. Adapted from the novel "Shotgun," by William Wingate.

Genre

Action, Thriller

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Director

Harley Cokeliss

Production Companies

Orion Pictures

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Malone Audience Reviews

AniInterview Sorry, this movie sucks
Stometer Save your money for something good and enjoyable
Casey Duggan It’s sentimental, ridiculously long and only occasionally funny
Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
Scott LeBrun "Malone" manages to at least be watchable without being distinctive in any way. It's pretty much a routine action drama of the time as well as an okay vehicle for veteran star Burt Reynolds. The action is largely perfunctory, and yes, the plot isn't always terribly believable, but a strong supporting cast keeps the attention from wandering too much. There is some effectively brutal violence as bodies get ripped apart by bullets, and some explosions as part of the deal. Harley Cokeliss directs competently if not stylishly. The location shooting in Canada is decent, and that wilderness setting is lovely. (Stock shots of Langley and L.A. are also used). A great score by David Newman is an asset.The story (scripted by Christopher Frank, based on a novel by William P. Wingate) is awfully familiar stuff: Malone (Reynolds) is a former CIA assassin with no more desire to do his job, so he takes it on the lam. Car trouble forces him to stop at a remote service station run by nice guy Paul Barlow (Scott Wilson), who just so happens to have a cute daughter, Jo (Cynthia Gibb). Malone has arrived in this community just in time to get caught up in the schemes of Delaney (Cliff Robertson), a rich man buying up property like crazy; Delaney turns out to be a right wing zealot hoping to establish a base of operations in the area.Despite receiving a very serious bullet wound at one point, Malone is a tough s.o.b. who takes on all comers. Fortunately for him, most of Delaney's henchmen are completely useless idiots. That definitely removes a lot of suspense. Reynolds delivers a commendably low key performance in the lead, the ever likable Wilson is excellent as always, Robertson is amusing in a very unsubtle turn, and Gibb (whose character Jo becomes quite attached to Malone) is endearing. Lauren Hutton co-stars as the CIA agent sent to take care of the Malone problem, Kenneth McMillan is the local sheriff, and Tracey Walter and Dennis Burkley play a troublesome pair of redneck brothers working for Delaney.If nothing else, this obvious "Shane" homage should be a mild diversion for Reynolds fans.Six out of 10.
Tony Bush Once upon a time, in the 1970s, Burt Reynolds vied with Clint Eastwood for Hollywood male movie star domination at the box office. He was one hell of a popular guy, no denying, but when it came to outlasting and outstripping Mr Eastwood in terms of popularity, creativity and sheer movie mythology, ultimately he was on a hiding to nowhere.Eastwood saw himself more as a film-maker than a star. Reynolds saw himself that way too. Problem was, the films Burt made were mostly uninspiring and forgettable box-office bubblegum time-wasters. Where Eastwood could boast powerfully iconic characters like The Man With No Name and Dirty Harry and Josie Wales Reynolds had Bandit, Gator McKlusky and Stick Stickley. When Eastwood started directing audiences got PLAY MISTY FOR ME, HIGH PLAINS DRIFTER, THE OUTLAW JOSIE WALES, and eventually the Oscar-baiting UNFORGIVEN. Reynolds gave audiences a taste of his directorial skills with GATOR, THE END, SHARKEY'S MACHINE and STICK.By the eighties, neither actor seemed to still be at the top of their game, but Eastwood continued to remain a timeless epitome of cool machismo. Whereas Reynolds, with his 70s porno-star moustache and intricately coiffed toupé looked sadly hokey and anachronistic.Which brings me to MALONE. This is one of those films that you feel you shouldn't like but do in-spite of your better judgement. Burt is an ex-special forces operative and CIA troubleshooter proficient at wet work. He loses his edge, aborts an assassination and walks away because he's had enough of the killing and stuff, etc, etc. He ends up stranded in a one horse town in a beautiful valley somewhere in California when his car breaks down. As is the way of such things, the parts he needs to get his car working again have to be ordered so he shelters with the local garage owner and his nubile daughter.Meanwhile, mega rich and frozen-faced landowner Delaney (Cliff Robertson) is buying up all the local properties and strong-arming the populace out of his way. He's an ultra right-wing nut-job building an army to fight for truth, justice and the American way. Which translates as "kill anyone who doesn't agree with us or is in any way, shape or form different than us." Soon, Malone crosses the path of some of his hired goons and you can pretty much guess the rest. Yes, they've met the wrong guy this time. When Malone's ex partner and lover (Lauren Hutton) ends up with a plastic bag over her head at the hands of Delaney's thugs his aversion to all the killing and stuff, etc, etc, is forgotten and Burt and his trusty toupé embark on a one man wigged-out mission to blow them all away.What can I tell you. It's dumb, predictable, contrived, thick-eared and really quite low rent. And it's great fun. Burt takes it all quite seriously, but ironically looks utterly absurd. The moustache, the wig, the denims, the paunch. But he punches, runs, jumps and shoots with remarkable enthusiasm and prowess. Whilst looking utterly absurd. Cliff Robertson has the quizzically stunned expression of a man who once won a best actor Oscar and is now wondering just what the hell happened to his career and just how did he wind up a second stringer in films like MALONE.Yet I don't resent this movie one iota. Certainly not enough to call it a guilty pleasure because I don't feel guilty in the least. I like this film because I enjoy it. And if it came down to a choice of kicking back with some DVDs at home and watching either MALONE or MILLION DOLLAR BABY (even though Eastwood is number one in my book) it's going to be a clear case of home MALONE.
raulortega1899 Malone likes his women older than his socks, was in 'Nam in 1961, and is ready to kick butt and chew gum in his super tight dungarees and well ironed shirt. I cannot understand how anyone can rate this movie anything less than a 10/10. The script is just so awful, you will want to watch it over and over again just to make sure you heard it right.I can't wait for this to come out on DVD with commentary by Burt Reynolds. Found this on e-bay on VHS though...was quick to grab it and hold on to it with my life. I watch this movie at least twice a week - just because it's such a great source of joy to me.
Frank Markland Burt Reynolds star as Malone, an ex CIA agent who comes to small town and helps a family against greedy businessmen led by Cliff Robertson, at first Malone doesn't want to get involved as he is trying to keep a low profile however after an attack in town, he feels obligated to fight back. Malone would be a fun action flick, if it weren't so incredibly boring. The movie is fairly un-credible with Reynolds getting hit by a shotgun and getting better in days, normally plot holes like that don't bother me but when the movie is so low on action and lame in script, you question the movie's decision to be character driven. As it stands this not nearly as fun as one would expect from it's cover.*1/2 out of 4-(Poor)