Alicia I love this movie so much

Stometer Save your money for something good and enjoyable

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

romanorum1 In 1913 Oklahoma, Lena Doyle (Faye Dunaway) explores for oil with a wildcat derrick and will not sell out to Pan Oklahoma Oil and Gas (PanOkie). Why a large corporation wants her single unit is unspecified. Her only allies are her neglectful father Cleon (John Mills), grungy drifter Noble "Mase" Mason (George C. Scott), and Indian Jimmy (Rafael Campo). Now Lena makes it perfectly clear that she has no love for men (and even women). But she recognizes that she will need help to defend her derrick. PanOkie has hired hooligan Hellman (Jack Palance) to scare her out. Now Director Stanley Kramer makes it interesting. The large company offers her $5,000, a large sum in those days, plus 10% profit on any oil find. Then again, oil is black gold. Hellman explains to Lena that the company makes a profit if just two of a thousand derricks strike soil. After Lena refuses to sell, she and her friends are beaten, and the Indian killed. They lose control of the property temporarily. One wonders if there is a sheriff in town, because after all it is 1913, not 1883! Anyway, the local lawyer is of little help as he explains that the big companies own the legal systems. Then the good guys counterattack and retake the property in an offensive that has comedic overtones. Then when the big oil buckos return in force, they are routed with grenades. Later, though, Hellman's men begin to shoot with rifles anyone that climbs the derrick, which had become temporarily disabled. Cleon perishes. Again, where is the law? Meanwhile Lena's relationship with Mase has softened. Hostility has morphed into respect, affection, and even love. Then the so-called strike happens, and some folks are covered with black goo. But then again it is just an oil bust, and everyone merely goes home oil-soaked like nothing harrowing has happened. Maybe Lena should have sold out to Pan Okie and made some nice cash, but then again there is the matter of principle. The movie's positives include good production values, beautiful cinematography, and effective acting by the leads. There is nice attention to period details, like the recreation of a pre-World War I muddy Oklahoma town. The enjoyable music is by Henry Mancini and the pleasant theme song is performed by Anne Murray ("Send a Little Love My Way"). Both Mancini and Hal David (who wrote the song lyrics) were nominated for Golden Globe awards.

sol- A strange, downbeat western that is just simply dull at times, it nevertheless has a few amusing moments and exciting bits in the mix. George C. Scott does quite a decent job with a charismatic, interesting character, yet all the characters come off as cold and hard to like, particularly the feminist played by Dunaway, who is only angry for most of the time. What occurs between the characters is pretty easy to predict, as is most of the plot, despite its unusualness. Henry Mancini's bouncing score is perhaps the film's strongest point. His music is fitted in a bit awkwardly at times, but it generally provides a western feel quite well. While I cannot think of a large number of reasons to recommend this film, Kramer does not do too poor a job with the material, so perhaps the film is worth a look.

ptb-8 For some bizarre reason, this excellent comedy drama was not released where I live in in Australia in 1975. As a drama with an interesting cast and spectacular visuals OKLAHOMA CRUDE is definitely an improved taste, rather like Mc Cabe and Mrs Miller or even Paint Your Wagon. Muddy Wild West and very grubby even sexually, this essentially three hander is essentially a sex farce with oil power play interwoven. Kramer films are always interesting, even if failures and for some reason beyond me, this film was not as gusher. The scene where Scott literally pees in Palance' pocket is genuinely funny, as is the hilarious scene where Dunaway explains her 'self reliance' sexually. This film deserves a re appraisal and a new audience.

rwint Director Kramer was always much maligned by the critics (he and Pauline Kael never traded Christmas gifts). His 'important' films were considered placid, threadbare, and manipulative. His films on race relations like THE DEFIANT ONES and GUESS WHO'S COMING TO DINNER treated the issue in a very simplistic and tasteful way. Giving one the impression that he was more interested in not offending anyone and being acceptable than actually making a real movie. However this one, which is one of his later and least known efforts, tends to break that mold. For Kramer it is actually quite edgy. He still tries to tackle the issue of the day, in this case feminism and a womens place in a mans world, but he does it in a much more sophisticated way. He looks at the issue from different angles and surrounds it with a sense of fun and irreverence. Things aren't quite as obvious as with his other films and the characters are more interesting and quirky. Basically it is a revisionist western with strong willed Dunaway hiring drifter Scott to help protect her property from greedy land baron Palance who wants the land for it's oil. Really though that is all just an excuse to show how although both sexes deserve equal rights there are still many differences between them and how one really does need to other because of this. It also shows the little intricacies that come about when a man and women work together compared to when two men or two women work together. The two leads are perfect. Both have always had very strong on screen personas, yet here Scott deftly underplays his, which makes for a very interesting on screen chemistry. Palance however as the heavy is completely wasted simply because he is not given enough screen time. Overall this is a fun picture that is well paced and should, if anything, keep you entertained. It doesn't really push the limits enough to be a classic, but it does have a few memorable moments. A few of those moments come with some snappy exchanges. At one point Dunaway softens a bit and tries to explain to Scott why she has been so cold to him. She says "I know I have been a bitch, but this world can be very hard place for a women." Then Scott without missing a beat says "Well it can be a hard place for a man too." There's also a conversation where Dunaway explains why she would like to have both the male and female sex organs. Her answer to how she would go about satisfying herself is a good one.